The Economist’s push to get closer to readers with audio- and video-only subscription

> The Economist has launched a dedicated subscription tier for access to audio and video formats, priced lower than the core digital subscription to attract new audiences

> The "Halo Effect": From early signals, the team has observed an uptick in core Premium sign-ups. Seeing a cheaper, format-specific option next to the full product acts as an anchor, nudging undecided visitors to pay a little extra for the full suite.

> Net-New Audience: Conversions through Play have been driven almost entirely by brand-new readers rather than existing subscribers trading down.

> Play is part of The Economist's wider strategic development (alongside podcasts, short-form video and "Insider") towards building deeper, more "human" relationships with audiences

The reasoning behind building it as a tier rather than a separate product, in Arnot’s words, was straightforward: a growing audience across all age ranges, not only younger readers, is consuming news in audio and video form specifically in the in-between moments of a day, commuting, walking a dog, running errands. The Economist wanted a way to show up at this moment without asking people to pay full price for a format mix they didn’t want yet. It’s also, deliberately, a lower-priced entry point aimed at bringing younger demographics into The Economist’s orbit before they’re ready for the full written product.

Arnot was clear that this is not a sign of declining interest in text. Older subscribers still demand “the whole buffet” of text, audio, and video. However, AV formats are specifically what attract the next generation, audiences who are likely to skew toward 90% audio-video consumption and 10% print.

How Play is marketed and priced

On the acquisition side, paid media campaigns in test markets lead directly with the Play proposition. However, when prospects land on the offer page, they see all three tiers side-by-side: Play, Premium (Digital), and Premium Plus Print.

Play receives the same intro mechanics as the core subscriptions: 30% off an annual pass or a one-month free trial.

Early signals, three weeks in

So far, subscription growth is looking very promising and, critically, existing Premium subscriptions in those markets have stayed healthy. Arnot even noted an uptick in Premium sign-ups that they attribute partly to Play’s presence on the offer page. Seeing a cheaper, format-specific option next to the full product seems to be nudging some undecided visitors toward paying a little more for everything, rather than pulling people down to the cheaper tier. So far, everyone acquired through Play has been genuinely new to The Economist, rather than existing subscribers trading down.

Importantly, Arnot’s team is watching closely to check that the new lower tier isn’t cannibalising their classic subscription. The logic they’re applying: it’s fine to accept some cannibalization risk as long as incremental new subscriptions outweigh it, and so far, that hasn’t materialized as a problem.

Product portfolio realignment: Play vs Espresso

The Economist already operated a lower-cost daily news offering, Espresso, alongside Economist Podcast Plus. However, Espresso offers only a handful of written pieces per month—a materially thinner proposition than Play’s full audio-video catalog.

To prevent audience confusion and eliminate product overlap:

1. The Economist delisted Espresso from app stores entirely within the Play pilot markets.
2. The team funneled all lower-friction entry points toward one unified brand experience inside the primary app ecosystem.

The wider relationship-building strategy

For Arnot, Play is one piece of a long-term evolution toward human-centered publishing:

1. Podcasts (top of funnel): Un-paywalled podcasts introduced audiences to journalists as real people—a shift for a publication that historically ran without bylines.
2. Short-form video (mid funnel): Put journalists directly in front of the camera, deepening visual familiarity.
3. Insider (retention & loyalty): A premium feature launched in late 2025 that brings subscribers into the newsroom through editor-led shows, biweekly newsletters, and newsmaking interviews with global leaders. The value of these “human” formats was echoed by Diana Babei, Principal Product Manager, at Audiencers’ Festival London, who shared that insider is already proving to build loyalty and trust in ways that article text doesn’t, including high engagement with this product (75% of subscribers) and lower churn among Insider viewers. 

4. Play (acquisition & conversion): Uses the same human-first AV formats that drive Insider’s loyalty, but packages them at a lower price point to build habits and acquire audiences who haven’t yet subscribed

Arnot connected this directly to the pressure AI search and AI-generated summaries are putting on publishers broadly: as it becomes easier for a reader to get information without ever visiting a publisher’s site, the case for a human-centered, personality-driven product only gets stronger, not as a defensive move, but as one of the few remaining things a subscription can offer that a summary can’t.

Insider and Play, in that sense, aren’t two separate initiatives so much as two different answers to the same underlying bet: that in an AI-saturated information environment, the publishers who win will be the ones readers feel some kind of human connection to, whether that connection starts with a $15 audio tier or a premium interview.

Key takeaways for publishers

• Lower barriers, high intent: Play acts as both an affordable entry tier for news consumers and a funnel toward the full-fat product
• Single-app ecosystem: Consolidating tiers inside one core app keeps brand equity intact and simplifies the upgrade journey
• Format-led segmentation: Rather than gating by topic, gating by format (AV vs. text) aligns naturally with mobile habits and daily routines
• Human-first defensibility: Prioritising formats that showcase real journalists builds trust and retention that AI summaries cannot replicate.