Rachel Shields, UK Editorial Director at The Sun, and Sarah Ransome, Principal Product Manager at The Sun, explain the commercial logic behind Sun Club, what a year of subscriber data has revealed, and where the product goes next.

TL;DR
- Sun Club launched in 2025 as a freemium membership product at £1.99 per month, layering subscription revenue and first-party reader data on top of The Sun’s existing free audience. A growing proportion of content is now members-only.
- One year in, 65% of members are women, and Sun Club has opened a route to an entirely new audience: TikTok-acquired subscribers are 85% female and 15 years younger than the average Club member, engaging with content created specifically for them.
- First-week app activity is the strongest predictor of long-term retention; the most loyal members read over 100 articles a week, almost entirely via the app.
- Sun Club has exceeded its initial targets; the team has several retention projects underway to build on that momentum and deepen early-life engagement.

Key lessons:
- Value-driven perks sit at the heart of Sun Club’s membership proposition; for this audience, they are a vital retention tool.
- A freemium model can serve advertising and subscription goals simultaneously; a known, logged-in audience is a commercial asset that strengthens both.

We thought people would pay for quality journalism, and they did

Like most news publishers, The Sun had been challenged by the decline in referral traffic. That brought the loyal core digital audience into sharper focus. The question was whether tabloid readers could be persuaded to pay for digital journalism, and what the product would need to look like to make that happen.

Rachel Shields says: “We were confident that UK readers were far more willing to pay for quality content now than they were a decade ago. At the same time, while we had huge reach, we wanted to turn those anonymous clicks into known users, and create a richer experience based on their preferences.”

Research indicates that as audiences feel swamped by AI-generated content, the perceived value of verified, quality journalism is rising. The launch of Sun Club a year ago was well timed.

“We’re still ‘the People’s Paper’ and are conscious that there is a strong proportion of our journalism which should remain free online, around big health or political stories, for example,” says Shields.

A year on, Sun Club has exceeded initial targets. Part of that success is down to the value-driven membership proposition, which combines Sun content and a raft of unique money-saving offers.

The post Sun Club at One: what The Sun learned from a year of freemium appeared first on Audiencers.

Max Moné is co-founder and CEO at Poool, the dynamic journey builder to boost subscription conversion, engagement, and loyalty.

This is the last episode in a 6-part series where I share what I learned from studying 100 subscription business models across 15+ industries. 
> Episode one: 100 subscription business, 15 industries, 1 moodboard
> Episode two: What’s free, what’s paid, and why it’s really an engagement trade-off
> Episode three: Why the best subscription businesses don’t try to sell on day 1
> Episode four: The subscription pricing page we've all built at least once
> Episode five: The first 100 days: why most of what we call retention is really just micro-conversions (again)

Why we’re ending with this

Over the past five episodes, we’ve gone deep into how the best subscription businesses do things to scale, using examples from the NYT, Spotify, Figma, L’Équipe, Jeune Afrique, and many others.

This last episode is different. It’s the one where we show you the weird stuff from our moodboard. The examples that made us smile, made us think, and sometimes made us wonder “wait, people actually subscribe to that?”

The answer is yes. People subscribe to pretty much anything and everything. And no matter how bizarre the product, the same principles from the previous five episodes keep showing up.

So here’s a tour of some of our favorites, organized not by industry but by what makes each one compelling for the person who’s paying. Because at the end of the day, that’s what it always comes back to: why would someone pay for this, every month, and not cancel?

“I feel good about buying this”: when the value prop is identity

Who Gives a Crap: £45.5M in UK revenue alone in 2024, over 1M subscribers globally, and over £10M donated to charities since launch. For toilet paper.

It’s toilet paper. There’s not much you can do to make toilet paper exciting. But they donate 50% of profits to sanitation charities, they have a brand identity that genuinely makes you smile, and their packaging is designed to be posted on Instagram (which, for a product you use in the bathroom, is quite the branding achievement).

The result: you don’t just buy Who Gives a Crap, you become a Who Gives a Crap customer and participate in something that is bigger than you (or at least you think you do). It’s an identity statement. You probably mention it at dinner parties (I mean, the name alone guarantees that). And that emotional connection is what makes people stay, because cancelling doesn’t just mean switching brands, it means giving up a small part of how you see yourself.

We Are Here does something similar with coffee: personalized beans, your choice of grind and delivery frequency, a custom sticker on the bag, and a donation to a different charity depending on which sticker you choose. It’s a coffee subscription that makes you feel like you’re expressing your personality every time you order.

This raises two questions that I think are worth thinking about for media:

First, are there publishers with a brand identity/voice so strong that people subscribe for what it represents, not just for the content? I can think of a few, and they’re not necessarily the biggest ones. Mediabask (you probably don’t know them) is an interesting example: people bought subscriptions before the website even launched, because of what the brand stands for and the community around it.

Second, could this become a model for media? Buy a subscription, and X% of the price (or profits) goes to a charity. Maybe subscribers even get to vote each month on which cause receives the donation. Green Got, a French bank, does exactly this with banking. Why not with a news subscription?

“I don’t have to think about it anymore”: when the value prop is friction removal

Dollar Shave Club doesn’t really sell razors, it sells the fact that you never have to think about buying razors again. And HelloFresh doesn’t sell meals, it sells the fact that you don’t have to decide what to eat or go grocery shopping.

What surprised me when building the moodboard is that even companies you wouldn’t expect are doing really sophisticated subscription work. Walmart+ and Instacart+ are grocery delivery services, but they have trials adapted to usage patterns, bundles to create lock-in effects (Walmart+ with Paramount+ and Burger King; Instacart+ with Peacock and NYT Cooking for annual members), and upsell paths that follow the exact same micro-conversion logic we described in episodes 3 through 5.

For media, the question this raises is not really about content. It’s about the experience around the content. What does a media subscription simplify in someone’s daily routine? The friction of hitting paywalls? The 30 minutes of browsing to find something worth reading? A curated morning briefing that replaces scanning 5 different sources? I think we could try build our subscription product that way as medias: what does our subscription remove from someone’s day?

“I discover things I’d never find on my own”: when the value prop is surprise

TokyoTreat sends you Japanese snacks, Kube sends you books, Le Petit Ballon sends you wine. Different products, same model: the value proposition is discovery itself.

You receive things you would never have chosen on your own, and the engagement comes from the anticipation and trust you build with the curator over time. The lock-in isn’t in the product (you could order Japanese snacks online anytime), it’s in the relationship with someone who knows your taste.

FindMyPast takes discovery in a completely different direction: you pay for access to billions of genealogy records, and every answer you find generates new questions. You discover a great-grandmother, now you want to know her parents. You find a marriage certificate, now you want the newspaper from that week. The product creates its own engagement loop naturally.

It’s the same mechanism that makes Spotify’s Discover Weekly so sticky, but applied to family history and physical goods. For publishers with decades of archives, there’s something genuinely worth exploring here: how do you turn a static archive into a discovery-driven experience that keeps subscribers curious and engaged?

“This product gets smarter the more I use it”: when the value prop is personalization over time

Strava is an app for runners and cyclists that tracks your activities, shows your routes, and lets you compare with friends. The more you run, the more valuable the app becomes, because your entire history, your segments, your social connections, your training patterns are all there. Switching to another app means starting from zero.

It’s the same personalization lock-in as Spotify (episodes 4 and 5), applied to physical activity.

Claude (the one helping me write this series, full transparency) and ChatGPT push this even further with a model that barely existed a few years ago: a base subscription with tiers, plus usage-based pricing on top. The more you use the product, the more you pay, but also the more value you get.

Two things about AI subscriptions that I think are worth watching closely for media:

First, they all let you try the product for free almost immediately, because the product is powerful enough that the fastest path to conversion is to just let you use it (everything starts with engagement). Which is exactly the registration-as-the-first-micro-conversion logic we described in episode 3.

Second, hybrid pricing (fixed subscription tier + usage-based layer) is interesting as a concept. Imagine a media subscription with a base access fee, and a premium layer that adapts based on how much you consume or which features you use. It doesn’t really exist yet in media (as far as I know), but given how fast AI pricing models are spreading to other industries, it might not be far off.

Yes, even cars

SIXT+: a car subscription from $679/month. You pick a car category, a location, a pickup date. You subscribe monthly, cancel anytime, maintenance and roadside assistance included. You can even switch to a different vehicle or pause through the app.

I’m mentioning this one not because the model applies directly to media, but because it shows just how far the subscription model has spread. And even here, the same principles show up: try before you commit (24-hour notice), one clear offer per category, flexibility to upgrade or downgrade over time (micro-conversions, again), and the value proposition is friction removal (no ownership, no maintenance, cancel anytime).

What the toilet paper confirmed (love this title)

Over six episodes, I’ve talked about the NYT’s dynamic meter, Figma’s onboarding, L’Équipe’s first-100-days data, Jeune Afrique’s dynamic pricing, Spotify’s personalization, and now toilet paper and car subscriptions.

If I had to summarize everything in one statement, it would be this:

The subscription businesses that will thrive (media included) are the ones that combine a strong brand identity, a clear value proposition, and an obsession with user engagement with an infinite loop of micro-conversions.

This is true for media. It’s true for every subscription business. Because the moment you charge someone on a recurring basis, you need to keep earning their attention every single month. There’s no way around it.

Engagement drives everything: better conversion rates, better retention, higher lifetime value, better advertising revenue. We saw it in the data from the best performers, and … we saw it in toilet paper, and coffee, and cars (it’s the last episode, let me enjoy it)!

And maybe the most practical takeaway from the entire moodboard: some of the best ideas for your subscription business will come from industries that have nothing to do with yours. A coffee company, a fitness app, a toilet paper brand. The principles are the same. The execution is just different enough to spark something new.

What we’re building to make all of this possible

If you’ve read all six episodes (thank you, seriously), you’ve probably noticed that orchestrating all of these micro-conversions, from anonymous visitor to loyal subscriber, across every touchpoint, is complex work. Registration flows, onboarding sequences, dynamic paywalls, personalized offers, engagement actions, anti-churn triggers, cancellation optimization. Across web, app, and print.

That’s exactly why we’re building the solution with Poool and Darwin CX: the end-to-end subscription platform to master each of these micro-conversions, at every step of the journey. Everything we’ve described in this series, from episode 1 to episode 6, is what our platform is designed to help publishers execute.

If that resonates, or if you’re currently thinking about your subscription platform, let’s talk.

If you have questions, disagreements, or examples that contradict what we saw, we’re genuinely interested. This has been a conversation, not a lecture.

And if you’d like to see the full analysis, you can download the complete Subscription Masterclass presentation (Link here).

PS: yes that’s actually a “book a meeting link”

The post Toilet paper, wine, cars, and what they teach us about subscription: episode 6 appeared first on Audiencers.

Broadsheet, Australia’s leading cultural publisher, is embarking on a bold new chapter. Founded 16 years ago, the brand has become synonymous with the best in food, drink, fashion, and design across Melbourne, Sydney, Brisbane, Adelaide, and Perth. Now, they’re taking their successful model to London whilst also moving towards a reader revenue strategy.

We sat down with Nick Shelton, Founder & Publisher of Broadsheet, and Ross Wilmot, Director of Reader Revenue, to discuss their international expansion strategy and the development of a subscription revenue stream, layered on top of their advertising model.

A consistent lens for diverse markets

For Broadsheet, the move from Australia to London is built on a repeatable editorial framework. Nick Shelton describes Broadsheet’s core product not as a list of recommendations, but as a specific lens that can be applied to any global city.

“The way we think about Broadsheet editorially is that it’s a framework,” Nick explains. “What you see through that lens differs depending on the city, but the values of the lens itself – quality, celebration, and curation – remain constant.”

Rather than relying on local intuition alone, Broadsheet uses this framework to solve a universal problem for urban audiences: the paradox of choice. By applying the same rigorous standards in London that they do across Australia, they maintain brand integrity while respecting local nuances. This city-agnostic strategy allows the brand to:

• Curate rather than catalog: Instead of exhaustive listings, they use a highly curated approach where they “don’t write about things we don’t like.”
• Prioritize the premium enthusiast: By maintaining high editorial standards, they attract a specific high-value audience cohort regardless of geography.
• Operationalize local reporting: By treating London as just another “market” within a proven system, they can scale quickly without reinventing their brand identity.

“We learned this lesson in Australia long ago,” Nick notes. “Sydney and Melbourne are fundamentally different markets with different behaviors. Going into London wasn’t about having expectations of what the city would look like; it was about reporting on it through that consistent, high-definition lens.”

Engagement: the common thread between ads and subscriptions

One of the biggest challenges in the publishing industry today is the perceived conflict between advertising and subscription revenue. Broadsheet, however, sees these models as complementary, with engagement being the common thread. 

“We’re not a traffic-based model, we don’t sell programmatic advertising. It’s not about more people equals more money; it’s about the depth of engagement. And we’ve long had the muscle and mindset in the business of engagement. The better engaged the audience, the better we do as a business, something that applies across both advertising and subscription revenue goals.” 

In short: by focusing on engagement, everybody wins. 

Ross, Director of Reader Revenue at Broadsheet, who recently joined Broadsheet after working at a legacy media publication, explained that by moving even a small subset of their flyby audience into a medium-engaged cohort, they see an exponential increase in page views, the currency of traditional commercial models. This approach is useful for showing teams the clear benefit of engagement to the advertising side of the business while simultaneously building a base for subscriptions.

Whilst they measure a collection of engagement metrics, focused very much on quality over scale, frequency is their most important, north star metric. 

The five pillars of a successful subscription strategy

Broadsheet’s transition to reader revenue is built on five key pillars, as outlined by Ross:

• An audience-centric approach: A laser focus on the most engaged readers, understanding their motivations, pain points, and what adds value to their lives.
• Compelling value proposition: Ensuring the subscription product addresses the needs of engaged readers. Initial research at Broadsheet showed that their readers would be prepared to pay for high-quality content, but that it needed to be combined with unique experiences like exhibition tickets, and perks like free coffee as well as tools to help them curate their Broadsheet experience.
• Cross-departmental alliance: Moving beyond a traditional marketing-led view of subscriptions to ensure buy-in across the entire business, from editorial to product, data, and CRM. At Broadsheet, they already had established ‘Squads’ associated to 90-day, one-year and three-year goals, so when moving to subscription, a new audience monetization squad was formed.
• Culture of test and learn: Continuous experimentation with subscriber journeys, funnels, pricing, and offers to drive sustainable growth.
• End-to-end lifecycle marketing: Delivering the right message to the right audience at the right time, supported by a robust data infrastructure and access to the right platforms.

“There are of course many other aspects to consider, but in my opinion, these 5 are the ones that move the dial the furthest”

Building a value exchange through registration

A crucial component of Broadsheet’s reader revenue model is the registration wall. Launched in Australia in December 2025, a few months before their subscription model, the registration wall has already outperformed industry benchmarks: 

Specifically, a conversion rate (% of unique visitors who encountered the reg wall and converted) of 5.5% on the registration wall, compared to the industry benchmark of 3-5%.

“Registration serves us on several different levels,” Ross says. “It gives us the ability to communicate more directly with our most engaged audience, gather insights into their needs, and personalize their experience. And of course, it helps us reduce the reliance on third party platforms for our audience, which is going to be more and more crucial.”

Crucially, the registration wall introduces a clear value exchange on the site. “Previously, people were completely free to browse the site as they wished,” Ross explains. “The registration wall helps set the tone for the eventual introduction of a paywall, ensuring it’s not a shock when certain content becomes paid.”

Registration has also built confidence internally ahead of their paywall launch

“The insights from our research proved that there was definitely an appetite to pay as long as it’s the right proposition and that a subscription adds significant value to an individual’s life. And that’s where we’ve been focused on these three aspects of the subscription proposition, the content being the inspiration, the experiential side of things, and the utility aspects as well, pulling all those different ingredients together.”

Nick added that, ultimately, the team believed in the strength of their brand. 

“We’ve been running this for 16 years. We know we have a strong brand. We know we create a product worth paying for. So let’s do it. Having a reg wall in place was valuable for validating our assumptions on conversion rates through the steps in the funnel. We exceeded every single one of those assumptions. Of course, more people provide data for registration than handing over a credit card, but we consistently exceeded benchmarks since the launch, so we didn’t feel we needed to wait around for subscription. We just had to go for it, with confidence.”

London: building a cultural footprint, Australia: Broadsheet digital subscription

Currently, Broadsheet’s London operation is focused on audience acquisition and brand awareness. Before switching on monetization features, they are busy establishing themselves as the ultimate London city guide.

While London is about growth, Australia is the testing ground for the brand’s most ambitious move yet: Broadsheet digital subscription. Launched just days ago (April 2026), this membership program represents the official transition from a free-to-read model to a premium value exchange.

Ross highlights that early data from Australia has been “very strong,” already exceeding industry benchmarks for conversion. The model isn’t just about a hard paywall but rather an integrated experience:

• Exclusive experiences: Members get early access to ‘Readers’ Preview’ dinners at the city’s hottest new restaurants
• Perks and rewards: The program includes ‘The Vault’ (high-value giveaways) and daily rewards like free coffee or discounts at local partners
• Journalism access: Unlimited access to Broadsheet’s trusted journalism for A$1/week

The current content access model is a static meter, where audiences have access to a set number of articles per month before being asked to register and then subscribe, but the goal is to move towards a dynamic model adapted to a reader’s level of engagement via Poool.

What’s next?

Of course, the launch is just the beginning! Ross shared that the team is already focusing on:

• Identifying optimisation opportunities that exist within their key conversion journeys and subscription checkout funnel
• Leveraging those insights to inform a cross-departmental working group focused on CRO, building a roadmap of experimentation and executing
• Introducing new forums to share actionable insights with editorial: what content is driving conversion (last click and participation) and engagement to inform content and commissioning strategy; identifying opportunities to potentially convert a higher proportion of readers below the superfan engagement cohort 
• Building CRM muscle through talent acquisition and data engineering: unlocking capabilities within their Customer Engagement Platform (Braze) and Customer Orchestration Platform (Poool) to become more personalised and dynamic across owned channels 
• Building further value into the subscription proposition through product development of utility tools

The post From Melbourne to London: how Broadsheet is scaling culture and reader revenue appeared first on Audiencers.

FIPP's latest data shows a digital subscription market growing 24.7% and concentrating fast. The winners are bundling, embedding, and reducing their dependence on search. The losers are still renting their audiences from Google.

Nine international publishers, Le Monde, El País, The Irish Times, Politiken, Corriere della Sera and De Standaard among them, now sell subscription bundles that include access to The New York Times alongside their own journalism, according to Nieman Lab. The arrangement suits both sides. Local publishers add internationally recognised reporting to their value proposition without the cost of producing it. The New York Times Company extends its subscriber reach into markets where direct acquisition is slower and more expensive.

One of those nine publishers, De Standaard, sit inside Mediahuis, whose “essential subscription” is the clearest worked example of the strategy. As I wrote for Audiencers, Mediahuis has built a bundle that wraps journalism, e-books, masterclasses, a hiking and cycling app, and access to The New York Times into a single subscription. The early data is compelling: activated users churn 26.5% less, and the bundle is engineered to push subscribers up from the basic tier to a premium one priced at roughly double. The New York Times partnership is one component of that bundle, not a curiosity bolted on top.

That arrangement is the clearest signal of where the market is heading. FIPP’s latest Subscription Report counts 53 million digital-only subscriptions across 206 titles, and the headline 24.7% growth conceals a sharp split. Publishers that have built direct audience relationships, bundled product ecosystems and cross-title access are accelerating. Those still dependent on single-title subscriptions and search-driven acquisition are losing ground, in some cases losing subscribers outright.

The rapid expansion of AI into search has sharpened the divide. Referral traffic that publishers relied on for audience acquisition and advertising revenue is compressing. Publishers that were renting their audiences from Google are finding the lease harder to renew. The response from the strongest performers is consistent: own the relationship, deepen the product, reduce dependence on external distribution.

No company illustrates that logic more clearly than the New York Times Company, which is why the cross-publisher bundles matter: they are central to the strategy, not a side experiment.

The New York Times is no longer just competing. It’s embedding

The New York Times Company now reports 12.21 million digital-only subscribers and stopped reporting title-level numbers this year. The second decision reframes what kind of business the company believes it is in. The New York Times is no longer a newspaper with digital products attached. It is a subscription business that happens to include a newspaper, alongside Games, Cooking, Wirecutter and The Athletic, bundled into a single proposition designed to make cancellation feel like losing several things at once.

The cross-publisher bundles extend the same logic outward. As AI search compresses referral traffic, the value of a subscription with multiple compelling reasons to stay increases. Bundles reduce churn inside a single portfolio. Cross-publisher bundles spread that logic across the whole market and position the New York Times Company as the connective tissue of other publishers’ subscription strategies, not just its own.

The Nordics settled this argument years ago

While publishers in the US and UK are still debating the merits of bundling, Norway’s Amedia has been running the experiment since 2020, and the results are stark.

Its +Alt bundle, which gives subscribers access to all 127 of Amedia’s local newspapers plus a sports streaming service, now has 433,000 digital-only subscribers. Churn on the bundle runs at 0.7%. Churn for a single-title subscription is 16.4%. That difference translates into a subscriber lifetime value that is 26 times higher for the bundled product.

Norway, as a subscription market, grew 55.56% in the period, a function of a deliberate structural choice. Publishers there decided early that local relevance and shared digital infrastructure were not in tension; they were complementary.

In Sweden, Bonnier News reached the same conclusion. Its +Allt bundle, combining national titles (Dagens Nyheter, Expressen), more than 40 local newspapers and magazine content into a single subscription, reached nearly 500,000 digital subscribers by the end of 2025, up from around 270,000 in mid-2024. Including print subscribers with bundled access, total reach is over 1.1 million.

Germany and France are also moving. Germany’s subscription market grew 35.83% in the period, the fastest of any major European market. France grew 31.21%. Both reflect the same underlying pattern: publishers deepening their product propositions and reducing their exposure to external distribution.

The UK is following. FIPP’s data shows the market up 22.61%, with Newsquest, DC Thomson and Mail+ among the standout performers on percentage growth. Mail+ grew 177.8% in the period, from a low base, but the direction is clear.

AI search didn’t break the business model. It revealed which models were already broken

The useful question is not whether AI search hurts publishers. It is which publishers. The FIPP data, read against recent industry reporting, makes the divide specific.

The content most exposed to AI overviews is the content most easily summarised in a sentence: car specifications, factual service journalism, commodity news. Bauer Media Group has said as much directly. When the overview answers the question, the click never happens, and the publisher’s role in the value chain ends with the model’s training set.

The content least exposed is reporting that does not compress. Analysis, investigation, distinctive voice, and depth all convey information that survives summarisation, because the value lies in the framing rather than the facts. The Telegraph’s SEO director has described search as being in “managed decline” rather than collapse, on the grounds that subscribers return for reporting summaries that cannot be replicated elsewhere. The framing fits the data.

The more interesting signal sits in the other direction. The Washington Post reports that readers arriving via large language models spend longer on the site and convert to subscriptions at higher rates than traditional search visitors. The volumes are small, but conversion quality matters: AI search may be filtering out low-intent traffic that inflated publisher metrics without ever converting into subscribers.

As Colin Nagy argued recently in Monocle, AI hasn’t created a new problem for publishing; it has clarified an old one. Publishers built around search traffic were never really building audiences; they were borrowing them, and the loan is now being called in. The publishers losing ground are not victims of a new technology. They are tenants whose landlord has changed the terms.

US local publishers are paying it

Lee Enterprises reported that its digital subscriber base fell from 728,000 in March 2025 to 609,000 by December: a loss of 119,000 in nine months. The USA Today Co, formerly Gannett, saw a 26% decline year-on-year, dropping from 1.95 million subscribers to 1.45 million.

Both companies attribute the declines to deliberate strategies focused on price optimisation and improving average revenue per user. That may be true. It also describes companies managing contraction rather than building growth.

The sharpest contrast sits within the same corporate structure. Newsquest, the USA Today Co’s UK division, grew digital subscribers 35% year-on-year to 139,000 over the same period. Same parent company, opposite trajectory.

What the winners have in common

Bloomberg grew subscription revenue 10% in 2025, taking paying subscribers beyond 707,000. It now produces 800 hours of video each month. Subscriber-only newsletters grew 20% year-on-year. Podcast downloads rose 26%. The pattern is consistent: more reasons to open the product, more often.

Substack, with five million paying subscribers, has built its growth engine around internal recommendations that move readers between newsletters inside the platform. It is less a publishing platform than a subscription marketplace, one that reduces its dependence on external traffic by creating its own internal referral economy.

Immediate Media, with 767,000 digital app subscriptions now accounting for 64% of group subscriptions, is using AI to identify which audiences are most likely to subscribe and when engagement signals are strongest. The objective is habitual use and longer subscriber lifetime value.

The thread connecting all of them is the same one running through the Nordic data, the NYT bundle strategy, and the divergence between US and European local publishers. Subscriptions built on borrowed traffic are fragile in ways that subscriptions built on daily habit, multiple products and direct relationships are not.

Growth in the market is concentrating around publishers who solved for retention before they needed to.

The post The New York Times is becoming subscription infrastructure for other publishers appeared first on Audiencers.

The line between subscription and membership is blurring, but that doesn’t mean membership is just subscription with a different name.

Subscription is a transaction. Membership is a relationship.

It’s the difference between “Pay to access content” and “Support something you care about, and be part of it”

To help you build a successful membership model, this article shares 4 publisher case studies, with strategies to steal from each. One of these publishers, The Guardian, would likely say they have a supporter model over membership, but the strategies built around conversion are very membership-like, meaning there’s still plenty to take away from their success.

1. The Guardian: turning readers into supporters

The Guardian’s journalism is free to access for everyone. But even without a paywall, over 1 million readers support them on a recurring basis.

What’s working

Although there are some concrete benefits to supporting The Guardian (such as exclusive newsletters, less ads and access to their app), supporters aren’t paying for access, they’re supporting and participating in The Guardian’s mission. It’s this emotional layer that’s paying off.

Messaging around gaining support is built around the 10 ‘supporter motivations’:

1. Editorial independence  
2. Protect the free press  
3. Investigative journalism  
4. Trustworthy, factual, high quality  
5. Holds power to account  
6. Open for all, no paywall  
7. International perspective 
8. Financial challenges in media  
9. Better understand world events  
10. It’s only fair to pay

These are then integrated into homepage banners, end-of-article ‘epics’ and emailing, where messaging is continuously tested, iterated and updated, often making use of current news events:

Every public-facing module is reviewed by an editorial eye to ensure the tone is a seamless extension of the journalism, not a jarring commercial break. This plays an important role in building relationships with readers.

In the US, this year-round messaging and UX testing helps to inform the team for their annual end-of-year campaign, running from early November, through Giving Tuesday and on to midnight on December 31st, the most critical window in their financial calendar.

In their most recent EOY campaign (2025), the final numbers were staggering: 

• Total raised: $3.1 million in liquid cash by Dec 31st (exceeding their $3M goal).
• Lifetime Value (LTV): The estimated total value of the campaign (including recurring commitments) is $8.6 million
• Year-on-year growth: This represents an 83% increase in campaign value compared to the 2023 “standard” year (because a presidential election year – as 2024 was – is usually an outlier).

What you should steal from The Guardian’s model

• Understand reader motivations for supporting or subscribing to you
• Continuously test messaging and offers, integrating supporter motivations
• Experiment with innovative ‘asks’, like The Guardian’s article count
• Bring the reader onboard with your mission, so they really see that their support is valuable to you

Dive deeper into The Guardian’s model

• The Guardian: reader revenue growth & proposition development
• Behind The Guardian’s record-breaking US End of Year campaign
• Relaunching The Guardian app: changing reader habits means we must also evolve

2. The Kyiv Independent: humanizing the newsroom

The Kyiv Independent is a young, English-language media, launched in a context of war, who has transformed from a 18-person startup into a globally recognized authority with over 27,000 paying members and 3 million monthly readers.

What’s working

The team has successfully built a mission-driven membership model with a community of supporters around a shared cause. Part of this success is thanks to building trust with their audience, something that is done between people, meaning they work hard to humanize their newsroom.

Instead of hiding behind a corporate brand, the Kyiv Independent puts its journalists at the center of its marketing:

• They don’t shy away from talking about themselves: their work, almost never say no to interviews, a lot of commentaries and opinion articles…
• Marketing communications are built around journalists and their personalities

• Membership is a community, not a transaction. It’s not a key to a locked door, but a way to keep information free for everyone
• Communication is always transparent, giving a glimpse into the behind the scenes and creating visible experts through personality-led journalism

However the team doesn’t shy away from campaigns asking for support. Countdowns to reach their target, birthday campaigns, country-specific campaigns… these have been a vital part of their growth strategy, creating urgency but with purpose and identity.

What you should steal from The Kyiv Independent’s model

• Be openly transparent on your funding, editorial choices, impact…
• Translate what you stand for, and what would be lost without you in messaging
• Bring the newsroom along with you, putting them front and center in marketing campaigns
• Build channels for journalists and readers to connect, whether that be through Q&As, reader-led articles or discord communities
• Ensure supporters are valued as individuals whilst also helping them feel part of something bigger

Dive deeper into The Kyiv Independent’s model

• How The Kyiv Independent is growing membership through relationship-building
• Inside The Kyiv Independent’s membership model

3. Condé Nast: building a premium membership layer

Condé Nast already had strong brands and a mature subscription model, but wanted to build belonging amongst their most loyal audiences. The team therefore created a ‘Membership’ tier that sits above subscription.

What’s working

This new membership layer represents a fundamental pivot from serving passive recipients to active participants. 

This clearly differentiates it from subscription.

Whilst their traditional subscription represents a scale/volume tier…

• Audience: Broadly focused on volume
• Value Exchange: One-way (passive recipient absorbing content)
• Goal: Volume and scale-based value – content for scale

…Membership is the niche, high-value tier

• Audience: Caters to a very specific segment of the audience.
• Value Exchange: Two-way. Members are active participants contributing data, feedback, and engagement. They expect to belong to a community.
• Goal: Engagement and high retention, not volume – content is focused on the funnel.

This focus on belonging is reflected in their metrics, measuring loyalty and engagement over volume. The most critical metrics include ARPU (Average Revenue Per User), Renewal Rate, Recency (how recently they engaged), and Feature Engagement (which features are “stickiest”).

What should you steal from Condé Nast’s strategy?

• Don’t be scared of putting membership and subscriptions alongside each other, but make sure to clearly differentiate them
• Membership means moving beyond access to an elevated experience. For high-value tiers, Condé Nast commits to a white-glove treatment. This involves building dedicated membership teams trained to provide high-touch service. At industry events, these teams are equipped with “face sheets” to know members by name and be aware of their recent professional achievements, fostering genuine, human-to-human relationships instead of brand-to-consumer transactions.
• Measure membership differently – belonging and advocacy aren’t easy to define, but they definitely go beyond traditional engagement
• Segmentation matters: one size of subscription tier doesn’t fit all, and you’re potentially leaving money (and advocates) on the table by not creating a higher tier for them

Dive deeper into Condé Nast’s model

• When is a subscriber more than a subscriber? How Condé Nast is evolving its audience strategy with membership
• How Condé Nast is growing the “happy middle” of the audience funnel

4. Daily Maverick: involving members in journalism

The South African publisher, Daily Maverick, is an outstanding example of a successful membership model.

What’s working

One of their unique strategies that’s contributing to this success is a growing database of contactable “Insiders” (Daily Maverick members), providing expertise on every topic imaginable.

“You’re part of this community – it’s more than just a subscription and we need your help. We don’t know everything and there are experts amongst you. Be a part of Daily Maverick, share your expertise.”

Via a 3-step survey in the email onboarding series, Daily Maverick asked Insiders for their name, email address, phone number, job and other areas of expertise, their ‘superpower’ as it became known internally.

By sharing these details, an Insider could be contacted by the Daily Maverick team to participate in their journalism, provide expertise on a certain topic or even be invited to join a panel session at one of their events. 

It’s an impressive way of making a member feel like they’re directly supporting and involved in your journalism.

According to the reader revenue team, every newsroom should be looking for this sense of belonging, the feeling of being proud to be “a Daily Maverick reader”. And this “superpower” strategy, where community members are put at the centre of journalism, will help achieve exactly this, ensuring Insiders are a part of Daily Maverick.

What you should steal from Daily Maverick’s model

• Give readers opportunities to be involved in your work, whether than be through this form of database, commenting, debates or call-outs. Membership becomes real when people can do something, not just support something.
• Create direct channels between readers and journalists
• Build this into your value proposition – it’s a benefit for members, not just for your membership model

Dive deeper into Daily Maverick’s model

• Learning from Membership models: Daily Maverick’s superpower database
• Boosting membership conversion at Maverick Insider with FAQs

The post Steal this strategy: 4 membership models succeeding for publishers (and how to learn from them) appeared first on Audiencers.

The Norwegian group Amedia started with a troubling observation: its publications had more subscribers over the age of 80 than under the age of 40. To break this deadlock, their team tested a radical approach in two local newsrooms: tailoring editorial content exclusively to the behaviors of readers under 40. The result: a product deemed more relevant for all generations and, at one of its publications, Romerikes Blad, a 30% increase in the under-40 demographic over nine months.

How can you attract younger subscribers when daily analytics tools constantly push you to optimize content for your existing audience? The solution proposed by the Norwegian group is less about marketing and more about editorial strategy. It’s based on a simple idea: an editorial team eventually becomes very good at serving the audience that dominates its analytics dashboards. And at Amedia, that audience was too old to ensure the renewal of its subscriber base.

Janne Rygh, editorial content developer at Amedia, outlined this new strategy at the INMA Subscription Summit in Toronto.

This article summarized in 5 points

• The Norwegian group Amedia had more subscribers over the age of 80 than subscribers under the age of 40
• Rygh explained that the group’s dashboards naturally steered editorial teams toward the expectations of the majority audience, which was older
• To correct this bias, Amedia made 90% of its subscribers invisible in its management tools and isolated the metrics for those under 40
• This refocusing has shifted editorial priorities and improved both the overall readership and the share of young readers
• At Romerikes Blad, one of the titles tested, the under-40 segment grew by 30% in nine months

More subscribers over 80 than under 40

It’s worth reiterating the starting point: Amedia is not a group lagging behind in digital. It’s Norway’s largest newspaper publisher, with 110 newspapers, 20 partner newspapers, 2 million daily readers, and 580,000 100% digital subscribers. By the end of 2023, their subscriber base stood at 684,000, with over 68% being digital subscribers, and nearly 90% of subscribers reading content digitally.

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We interviewed Johannes Vogel, Chief Product & Revenue Officer at stern (published by RTL Deutschland) about how they relaunched a subscription offering from scratch, with teams & systems designed for digital reader revenue.

TL;DR
- The product & revenue team grew from 7 to 75 people, with early hires focused on product, data, engineering and Ad-/Affiliate and Subscription marketing
- Moving from monthly to weekly pricing lifted conversion, particularly among readers with less prior brand engagement; the app stores were reverted to monthly after weekly renewal prompts created friction
- GEO and Capital perform particularly well on both conversion and retention, with brand profiles addressing very specific user needs

Key lessons:
- For a general interest publisher, personalisation is not a feature — it will be the product
- The article that converts is not always the one that retains. Content consistency matters more than acquisition volume
- Get editorial positioning right before optimising conversion. The funnel cannot compensate for a weak proposition

When Johannes Vogel, Chief Product & Revenue Officer, joined stern in late 2023, the digital operation wasn’t obviously broken. Traffic was significant, the brands were well-known, and the technology was functional. The problem ran deeper.

The entire organisation had been built on a portfolio model with its core business being mass-reach advertising. “It was a portfolio machine,” Vogel says. “The important thing was not the individual title or the distinctive brand — it was the massive reach.” The distinct editorial identities of stern, GEO and Capital had been quietly dissolved in the pursuit of digital scale.

For advertising, that was a manageable trade-off. For subscriptions, it was fatal. A reader revenue model only works if you are offering something specific enough that an individual reader will pay for it and, importantly, keep paying. stern’s digital setup had spent years doing the opposite.

Subscription sales sat in a separate silo from editorial and product, with few shared goals and little shared accountability. Vogel and editor-in-chief Gregor Peter Schmitz decided early that there was no point trying to reform what existed. “We had the big chance to build a new team,” Vogel says. “We could work on a new philosophy and a new culture.” They started with seven people, one business, and product organisation.

Building the team

Seven became 75, now heading toward 100. The priority among those early hires was product managers, UX/UI designers, data analysts, software engineers, and subscription marketing specialists. In the editorial areas, the focus was more an transformation the organisation toward a digital-first mindset and way of working. The journalism already existed across three established brands. What was missing was the capability to build, iterate and measure a digital product around it. A subscription business requires product thinking, data infrastructure and commercial mechanics that most legacy editorial operations had never needed to develop.

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Max Moné is co-founder and CEO at Poool, the dynamic journey builder to boost subscription conversion, engagement, and loyalty.

This is the fourth in a 6-part series where I share what I learned from studying 100 subscription business models across 15+ industries. 
> Episode one: 100 subscription business, 15 industries, 1 moodboard
> Episode two: What’s free, what’s paid, and why it’s really an engagement trade-off
> Episode three: Why the best subscription businesses don’t try to sell on day 1

If you’ve ever worked on a subscription business, chances are the pricing page you’ve built looks a lot like the pricing pages I’ve seen across the industry. You know the one: three columns with a “recommended” plan in the middle, a monthly/annual toggle at the top, and a comparison table at the bottom with feature checkmarks. The kind of page where you end up spending weeks arguing about whether the middle plan should be the best offer, and A/B testing the color of the CTA button.

I’ve been there, I’ve built those pages too.

So I ran an experiment whilst working on this article.

I asked Claude to design a “classic subscription landing page” for a publisher, just to see what it would come up with. Here’s what it gave me:

Three columns, a “MOST CHOSEN” label in the middle, Digital / All Access / Patron (whatever that means), monthly prices, bullet lists of features. Claude didn’t really invent anything here, it just reproduced what it had learned from crawling the entire web, which tells you something about how standardized the media pricing pages are.

What is interesting is that it means that there is so much potential for publishers.
Why? Because when we studied 100 subscription businesses, we noticed that the best performers don’t really do this anymore.

Forget “acquisition vs retention”, think micro-conversions

Before we get into the pricing side of things, we need to revisit something we talked about in episode 3: 

When it comes to converting users into subscribers, the classic “attract → convert → retain” model doesn’t really hold up when you look at the best performers. Their customer journey is actually a series of micro-conversions, each one with its own goal and each one unlocking the next. The first micro-conversion might just be creating an account, then comes a cheap first subscription, then an upsell, then a bundle, then another upsell, and it goes on from there. It’s a long series of small steps that never really ends.

This matters for pricing, because the “acquisition price” and the “retention price” aren’t really two different things. They’re just two points in a longer sequence, each one adapted to what you know about the user at that specific moment.

I borrowed a sentence from INMA that captures this well: “Acquire with one simple offer, retain with many.” 

In our micro-conversion language, what this really means is one offer at a time, always.

And tailored to the user needs and interest (tailored to what you learn at each micro-conversions).

What are the best performers doing? One or many offers?

When you go through the first paid conversion step of Spotify, Headspace, Apple Music or most of the top subscription businesses we looked at, the pattern is pretty consistent. You see one offer clearly highlighted, sometimes with a secondary option tucked next to it, but always with a hierarchy that makes the decision essentially binary: you take it, or you don’t.

Spotify, for instance, still pushes “Premium, 1 month free” as the primary entry point on most of their pages. The other plans (Student, Duo, Family) are technically available somewhere, but they’re not what you see first: you only find them if you scroll or click around a bit.

Apple does this almost perfectly, I think. Whether it’s Apple Music, Apple TV+, or Apple One, the page pushes one offer prominently (usually the standard individual plan with a free trial), while the rest is deliberately tucked behind a small “See all plans” link. The whole layout is engineered around a single decision, and the other options only really exist for people who go looking for them.

And if you look at the NYT, they are doing it too. Depending on the context you’re in (and I imagine the profile you have) they push one offer (the same offer) with different arguments and design. Then if you scroll down you can find the print offers, or the cooking offer

And this connects to something we already covered in episode 3, which applies just as much to pricing as it does to the rest of the journey: the goal isn’t really to make money at this moment. It’s to get the user inside the product long enough to start building a habit. That’s why these first offers tend to be cheap, sometimes free (trial), and almost always presented as one simple choice. At this step of the journey, the job is to get the user through the door, not to explain the full menu of everything your product can do.

The next micro-conversions: same logic, different offers

So where do all the other offers actually show up?

They show up later in the journey, once the user has made that first paid conversion, once they’ve spent enough time inside the product to see its value, and once you know something concrete about how they actually use it.

The New York Times is probably the clearest example of this playing out at scale. At their 2022 Investor Day, they explicitly framed their growth model as: push one offer, then upsell, then bundle, with the conclusion that ARPU is the end game, not conversion. That single sentence captures most of what we observed across the 100 businesses. With the NYT, you get the basic subscription first, and over the following months and years they progressively introduce you to Games, Cooking, The Athletic, Wirecutter, each one a potential upsell or bundle presented when the data suggests you might actually care about it.

Each of these is a different price and a different offer, but you never actually see them all at once on the same page. You see the one that fits where you are in your life right now.

Across all examples we’ve seen (Apple, Spotify, + 97 others), the underlying logic is the same: each micro-conversion comes with its own offer, and the complexity of the catalog lives in the sequence of steps rather than crammed onto a single landing page.

Ideal world vs real world: the “Jeune Afrique middle ground”

In an ideal world, you’d build this entire journey end to end. Every user would get their own path, and every offer would be personalized based on what they read, how often they visit, which device they use, and what they’ve already subscribed to. At any given moment, the user would see exactly one offer, and it would always be the right one for where they are in their relationship with your product.

(I would love to live in an ideal world, everything seems always so perfect)

The problem is that building this kind of journey is genuinely hard. Most publishers don’t have the tech stack, the data infrastructure, or the resources to orchestrate dozens of personalized micro-conversions in real time, and for most teams it’s still pretty far out of reach.

So there’s an interesting in-between approach worth considering: keep the classic pricing page with its multiple offers, but make that page itself dynamic.

That’s exactly what Jeune Afrique did a couple of years ago (full disclosure: they’re a Poool client). Their situation was pretty specific, because their audience is spread across many different countries, with very different propensities to subscribe, different payment methods, and different engagement patterns. Pushing the same static pricing page to all of those audiences was clearly leaving money on the table.

So in 2024, they rebuilt their offer page around dynamic segmentation, combining two layers of logic: a user engagement score (an RFV calculation based on recency, frequency, and the number of articles read) and a country segmentation (5 groups based on propensity to subscribe, conversion rate, and dominant payment method, including “mobile money” countries where even the currency symbols and the payment icons adapt automatically).

The results speak for themselves: a 30% increase in conversion on the dynamic paywall, and a doubled conversion rate on the dynamic subscription offer page.

And there’s one detail from this story that I find particularly telling. When they started, the team had assumed that low-cost offers would work best for “mobile money” countries, because lower purchasing power should mean lower prices, right? But after running the tests, they actually discovered that these audiences preferred longer-term annual offers, contrary to assumptions. That kind of counterintuitive insight is pretty much impossible to uncover when you’re serving the same page to everyone.

It’s obviously not the fully personalized journey we described earlier, but it’s a meaningful step in the right direction compared to pushing the same static pricing page to every visitor regardless of who they are or where they come from.

What you can take away from this (and test tomorrow)

Do the Claude test. Ask Claude (or any other LLM) to design a classic subscription pricing page for a publisher, and compare the result with your own. If they look suspiciously similar, that’s a signal worth sitting with. Not a judgment, just a signal. The classic three-column model became the default for a reason, and it’s also become increasingly stale and predictable.

Think in micro-conversions rather than in acquisition vs retention. Next time you design a pricing step, ask yourself which single offer fits this exact moment of the user’s journey, given what you already know about them. The question isn’t really “what are all of our plans?”, it’s “what’s the right offer to show right now?”.

If you can’t build a fully personalized journey end to end, at least make your offer page dynamic. Jeune Afrique’s approach is a solid middle ground, with different offers for different segments based on engagement and profile. Doubling conversion on the offer page is really not a marginal win, and it’s within reach even if you haven’t rebuilt your entire customer journey yet.

And keep in mind what the NYT shared at their 2022 Investor Day (and still true): “ARPU is the end game, not conversion.” The first paid conversion is just the starting point. The real game is growing the user’s lifetime value over many small, well-timed steps.

Next week, episode 5: what happens after the first paid conversion, and why the first 100 days are basically your only window to shape the user’s long-term relationship with your product. Or I should say, almost the only window.

PS: After writing this article, I went back to Claude and asked it to redesign the landing page based on what we just discussed (one offer, micro-conversion logic, the whole thing). Here’s what it came up with. A bit more interesting than the first version, I’d say.

The post The subscription pricing page we’ve all built at least once: episode 4 appeared first on Audiencers.

As media organizations shift from volume-based traffic to value-based reader revenue models, the challenge often lies in bridging the gap between an anonymous click and a loyal subscriber. Sadly, this isn’t like Married at First Sight… this relationship won’t be built in a day, nor with a paywall alone. It takes time, energy and a variety of formats to develop. 

Milenio, one of Mexico’s most influential news groups, has well understood this. Their answer wasn’t found in aggressive paywall tactics, but in cultivating a highly engaged community within its own ecosystem.

We spoke with Chief Reader Revenue Officer Juan Manuel Nava Madrazo about how, by strategically pivoting toward conversational tools and gamified loyalty, Milenio has successfully tripled user time-on-site and established a sustainable pipeline for its January 2026 paywall launch.

Moving beyond “social media friction”

For years, Milenio relied on Facebook for its comment sections. However, this led to audience leakage, where users were pulled away to external social platforms, and a double login friction that stifled local community growth. Worse, the lack of moderation created a toxic environment that excluded younger audiences and alienated quality readers.

“We needed to centralize data and convert anonymous readers into loyal registered users, all within our own ecosystem,” 

To reclaim its audience, Milenio replaced its social media plugin with a proprietary community engine, Logora, focused on three pillars: 

• Unified login (SSO): Eliminating friction by integrating the comment system directly with Milenio’s registration.

• Smart hybrid moderation (AI+Human): A robust moderation that drastically reduces toxicity and ensures a civil debate.
• Local identity: Total customization, including avatars specifically designed to reflect Mexican culture (e.g., Frida Kahlo), strengthening the sense of belonging.

• New editorial product (“Realidades”): Creation of a new video-debate section that fosters deep discussions on everyday life topics (Mexican lifestyle and social topics).

This ownership of the community, with attention to details that help encourage participation, is paying off across the board: 

1. Community growth

• Volume: +150% in daily comments in the first year and an additional +100% in the second year
• Engagement: Over 120,000 comments accumulated with 80–85% approval rate (vs. 60% previously) and 120,000 interactions (likes/votes)
• Quality: Users went from leaving emojis or short phrases to writing reasoned paragraphs and reading others’ opinions

2. Retention and time spent

• All Milenio users: 1 minute 48 seconds
• Registered users (non-commenting): 2 minutes 20 seconds
• Registered users using commenting: 4 minutes 40 seconds (+200% vs. average)

3. Conversion driver for registration

• 10-11% of new daily registrations come directly from the comments widget
• Between 2,000 and 2,500 new users register each month to participate in comments
• Commenting is the 4th most important registration source for the media outlet, surpassing many content sections

The new video series “Realidades” shows:

• +20% higher participation
• +10% more users writing arguments, not just voting

Gamifying loyalty: the points milenio program

A central component of Milenio’s retention strategy is Puntos Milenio, a loyalty program that rewards high-value behaviors with redeemable points.

To bring Puntos Milenio to life, 3 key elements were needed:

• The talent of the Milenio team (Development, Business, Data, etc.).
• External platforms that understood their needs
• Trust in the project

With these three elements, they had to integrate and adapt different technologies so they could coexist and function as a single system. In addition, it was essential that operations and configuration were as simple and scalable as possible.

The end user was always the focus: “someone for whom we aimed to create an easy, hassle-free experience and who clearly understands the value of staying informed through reliable journalism”.

Users aren’t aware of how they earn points in detail, to avoid cheating of the system, but internally these are built up by:

• Engaging with content: commenting, reading multiple articles, or reaching specific scroll depth targets
• Watching videos (encouraging long-form consumption)
• Referrals: sharing articles to social platforms (to bring in new potential registrants)

Although the project is still in a maturation phase, the initial results already show strong signs of impact:

• More than 2,500 users are currently participating in the program
• They have generated more than 1 Million points, mainly by reading news, playing EntrenaMentes, listening to podcasts, watching videos, and commenting on content

These points can be exchanged for tangible rewards, such as discount coupons for Starbucks, Amazon, and Google Play. Critically, subscribers to Milenio Plus receive double points for their activities, adding a layer of perceived value to the subscription itself.

Community “Lovers” as a qualified pool for subscription

Registration is widely recognised as a valuable model to launch pre-subscription. It helps to build a qualified, engaged audience of potential future subscribers, as well as providing a testing ground for conversion tactics. Mileno, however, have gone a step further by building a community around registration, ensuring these audiences are engaged enough to convert when faced with a paywall. 

Commenting is placed behind the registration wall, establishing a simple value exchange that builds engagement whilst collecting key data points. 

Using Marfeel’s scoring, Milenio identified commenters as high-value “Lovers” (70 pts vs. 10 pts for casual users). With 50% of registered users classified as lovers, this community is the prime target for the subscription revenue to come in 2026.

The post Owning the community and gamifying loyalty: Inside Milenio’s engagement strategies appeared first on Audiencers.

In Germany, most readers do not pay for news, but a few strategies could change that: at least, that’s the conclusion of the study “Navigating German News: topics, formats and willingness to pay,” published by FT Strategies at the end of 2025.

According to the study, based on a sample of 1,957 participants representative of the German population (49% women, 50% men, and 26% under 35), a clear paradox emerges: while German readers are very attached to traditional sources of information, the majority of them (59%) do not pay for news.

By filtering their relationship to the financing of news, the study distinguishes between subscribers (41%), The On-The-Fencers (29%), and The Maybe-Next-Timers (30%). The 29% representing the On-The-Fencers are the most interesting – they support the idea that media should be funded by its readers, even though they don’t yet pay. 

Mapping topics based on their value/revenue

TLDR: The number of page views doesn’t necessarily equate to conversions, and audiences are less inclined to pay for certain types of content.

Despite the fact that the most viewed topics are not necessarily those that interest subscribers the most, such as politics or current affairs, there is still a willingness to pay. To better identify this, the study maps the popularity of topics against the revenue they can generate.

We can see 4 categories emerge that might inform content & product strategies:

• Paid-for-niche: Topics that are low popularity/high willingness to pay which signals a B2B opportunity or a niche vertical for engaged audiences 
• Experimental niche: Topics that are low popularity/low willingness to pay which signals high commodification of this type of news. Highly differentiated coverage is the only way to cut through the noise
• Paid-for-mass market: Topics that are high popularity/high willingness to pay signalling an obvious first-mover advantage where brands can reap benefits for becoming known to be the go-to source
• Experimental mass market: Topics that are high popularity/low willingness to pay signalling their importance as ‘service journalism’ stories to put in-front of the paywall

Contrary to assumptions, the most viewed topics are not necessarily those that generate the most subscriptions: topics related to politics are those that interest participants the most (55%), but few of them (14%) are willing to pay to view them.

On the other hand, certain mainstream topics, which are more likely to be funded by readers, should likely be blocked by paywalls to encourage conversion. For example, 21% of participants are willing to pay for sports and 16% for climate-related topics.

The same is true for niche topics that are particularly likely to attract subscriptions, such as fashion and beauty (23%) and finance (16%).

Finding the right format

TLDR: Short videos, breaking news and in-depth text stories are the preferred formats, but younger generations shift towards audio & long video content, and the format should ultimately be adapted to the content itself.

In addition, media outlets wishing to generate subscriptions for this content must adapt to the formats favored by their audiences, which differ according to age: the majority of participants prefer long-form written content (81%, rising to 84% among subscribers), while those under 35 prefer long videos (76%) and podcasts (78%). 

Some German media outlets have already grown their audience by adapting to these habits:

• Bild, which offered 12-15% of its content behind paywalls in early 2024, has developed long-form content reserved for subscribers and has become the German newspaper with the most subscribers (over 700,000).
• Die Zeit has developed 27 podcasts, some of which are accessible with a specific podcast subscription, including “Was Jetz?” (What now?) and “Rhonzeimer,” which are among the most listened to podcasts in the country.

It is by adapting the format to the subject matter that media outlets can distinguish themselves and convert the undecided. 

Certain uses stand out:

• The short format is valued for topics related to business, finance, fashion, beauty, and trends.
• The long format is more suited to topics related to science, nature, technology, and sports.
• Visual storytelling and data visualization make topics related to science, nature, and technology more concrete.

In terms of emerging formats and content opportunities, participants are most interested in solution-based, positive stories, while video documentaries offer a potential new way to engage audiences. 

Balancing AI and the human touch

TDLR: AI provides an immediately adapted user experience, but maintaining the human element through contact with journalists can help build subscriber loyalty.

A large proportion of participants would like to see AI developed to improve the user experience. In addition to the ability to summarize and translate, other more interactive features stand out, such as searching for and selecting the most relevant articles (44% of subscribers and on-the-fencers) and the question-and-answer function (37% of young people and 31% of subscribers). 

However, the study also suggests the importance of maintaining a human connection with journalists for discussion or moderation, as some media outlets have implemented in recent years:

• Der Spiegel has set up a discussion tool reserved for subscribers, in which journalists sort, select, and sometimes publish certain comments in the print edition.
• After Welt journalists increased the number of responses to user comments under their articles, the number of departures due to a lack of “community” decreased between 2022 and 2023.

Conclusion

To convert readers into subscribers, German media outlets should therefore:

• Optimize their paywall strategy, differentiating between the most viewed topics and those that generate the most subscriptions.
• Provide information in different formats depending on the topic, giving subscribers the choice between long-form written articles, short podcasts, and long videos on platforms.
• Create a strong user experience by combining artificial intelligence with contact with editorial journalists.

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