<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Subscription | Audiencers</title>
	<atom:link href="https://theaudiencers.com/tag/subscription/feed/" rel="self" type="application/rss+xml" />
	<link>https://theaudiencers.com/tag/subscription/</link>
	<description>Engagement, conversion &#38; retention</description>
	<lastBuildDate>Tue, 11 Aug 2026 07:22:24 +0000</lastBuildDate>
	<language>en-US</language>
	<sy:updatePeriod>
	hourly	</sy:updatePeriod>
	<sy:updateFrequency>
	1	</sy:updateFrequency>
	<generator>https://wordpress.org/?v=7.0.3</generator>

<image>
	<url>https://theaudiencers.com/wp-content/uploads/2025/11/cropped-Favicon-Audiencers-Black@2x-32x32.png</url>
	<title>Subscription | Audiencers</title>
	<link>https://theaudiencers.com/tag/subscription/</link>
	<width>32</width>
	<height>32</height>
</image> 
	<item>
		<title>The Economist&#8217;s push to get closer to readers with audio- and video-only subscription</title>
		<link>https://theaudiencers.com/the-economists-push-to-get-closer-to-readers-with-audio-and-video-only-subscription/</link>
		
		<dc:creator><![CDATA[Madeleine White]]></dc:creator>
		<pubDate>Tue, 11 Aug 2026 07:22:00 +0000</pubDate>
				<category><![CDATA[Decisions]]></category>
		<category><![CDATA[Case Studies]]></category>
		<category><![CDATA[Community]]></category>
		<category><![CDATA[Editorial work and products]]></category>
		<category><![CDATA[Subscription]]></category>
		<guid isPermaLink="false">https://theaudiencers.com/?p=53378</guid>

					<description><![CDATA[<p>How The Economist has spent the last few years developing products and offers that foster deeper, more human relationships with readers</p>
<p>The post <a href="https://theaudiencers.com/the-economists-push-to-get-closer-to-readers-with-audio-and-video-only-subscription/">The Economist&#8217;s push to get closer to readers with audio- and video-only subscription</a> appeared first on <a href="https://theaudiencers.com">Audiencers</a>.</p>
]]></description>
										<content:encoded><![CDATA[        <div
            class="poool-engage-element"
                            id="engage-pre-content-banner"
                                ></div>
    
<p class="wp-block-paragraph"><em>The Economist</em> has spent the last few years developing products and offers that foster deeper, more human relationships with readers. Its latest launch, <strong>Play</strong>, provides a lower-priced audio and video subscription tier aimed at a growing audience across all age ranges who consume news in these formats but aren’t yet ready for a full-price subscription. Crucially, it serves as an accessible entry point to bring younger demographics into <em>The Economist&#8217;s</em> orbit before they transition to the full access tier, which also includes all written journalism.</p>



<p class="wp-block-paragraph">We spoke with <a href="https://www.linkedin.com/in/nadaarnot/">Nada Arnot</a>, Co-Managing Director of <em>The Economist</em>, about Play’s launch and how it fits into the publication&#8217;s wider relationship-building strategy.</p>



<style data-wp-block-html="css">
.ta-box{background:#f2f7f2!important;border:0!important;border-top:4px solid #f5e663!important;border-radius:10px!important;padding:24px 28px!important;margin:2rem 0!important}
.ta-box .ta-top{display:flex!important;align-items:center!important;justify-content:space-between!important;gap:16px!important;margin:0 0 12px!important;padding:0!important;border:0!important}
.ta-box .ta-title{font-family:ui-monospace,Menlo,monospace!important;font-weight:700!important;font-size:15px!important;text-transform:none!important;letter-spacing:0!important}
.ta-box .ta-btn{font-family:ui-monospace,Menlo,monospace!important;font-size:13px!important;font-weight:400!important;line-height:1.2!important;padding:6px 14px!important;border:1px solid #1d9e75!important;background:#fff!important;background-image:none!important;color:#1d9e75!important;border-radius:6px!important;cursor:pointer!important;white-space:nowrap!important;text-transform:none!important;letter-spacing:0!important;box-shadow:none!important;width:auto!important;height:auto!important;min-width:0!important}
.ta-box .ta-btn:hover{background:#1d9e75!important;color:#fff!important}
.ta-box .ta-text{font-family:ui-monospace,Menlo,monospace!important;font-size:15px!important;line-height:1.7!important;white-space:pre-wrap!important;margin:0!important;padding:0!important;background:none!important;background-color:transparent!important;border:0!important;border-radius:0!important;overflow:visible!important;max-height:none!important}
.ta-box .ta-text{box-shadow:none!important;filter:none!important;outline:none!important}
</style>

<div class="ta-box">
  <div class="ta-top">
    <span class="ta-title">Key takeaways to copy &amp; share:</span>
    <button type="button" class="ta-btn" onclick="taCopy(this)">Copy</button>
  </div>
  <pre class="ta-text">&gt; The Economist has launched a dedicated subscription tier for access to audio and video formats, priced lower than the core digital subscription to attract new audiences

&gt; The "Halo Effect": From early signals, the team has observed an uptick in core Premium sign-ups. Seeing a cheaper, format-specific option next to the full product acts as an anchor, nudging undecided visitors to pay a little extra for the full suite.

&gt; Net-New Audience: Conversions through Play have been driven almost entirely by brand-new readers rather than existing subscribers trading down.

&gt; Play is part of The Economist's wider strategic development (alongside podcasts, short-form video and "Insider") towards building deeper, more "human" relationships with audiences</pre>
</div>

<script>
function taCopy(btn){
  var box = btn.closest('.ta-box');
  var t = box.querySelector('.ta-text').innerText;
  navigator.clipboard.writeText(t + '\n\nvia ' + window.location.origin + window.location.pathname).then(function(){
    btn.textContent = 'Copied';
    setTimeout(function(){ btn.textContent = 'Copy'; }, 2000);
  });
}
</script>



<h2 class="wp-block-heading">Play, a new audio and video subscription tier</h2>



<p class="wp-block-paragraph">Launched on <strong>July 1, 2026</strong>, Play offers access to <em>The Economist’s</em> audio and video journalism in a dedicated subscription tier.</p>



<p class="wp-block-paragraph">The pilot is currently live across <strong>Canada, Denmark, Norway, and Sweden</strong>. These markets were chosen specifically because they sit outside <em>The Economist&#8217;s</em> primary core markets (the UK and US) while exhibiting high digital audio and video streaming adoption, giving the team a lower-risk environment to test before deciding on a global rollout.</p>



<p class="wp-block-paragraph">The offer:&nbsp;</p>



<ul class="wp-block-list">
<li>Priced at $15 a month, a lower price point than the core digital subscription</li>



<li>Subscribing to Play gives you every piece of audio and video content that&#8217;s also available to full Premium subscribers, curated through an editor-shaped homepage, plus access to the subscriber-only newsletter. What it doesn&#8217;t give you is the written journalism; those articles remain visible but paywalled, with an upgrade to Premium as the unlock.</li>



<li>It’s not a separate app or standalone product, rather a subscription tier inside the existing economist app</li>
</ul>



<p class="wp-block-paragraph">The Economist Play includes:</p>



<ul class="wp-block-list">
<li>The Economist Insider: in-depth conversations with The Economist’s editors and global experts, aired twice a week and available on demand</li>



<li>Premium podcasts: daily and weekly podcasts on world news, US politics, China, technology and more, plus special series like Scam Inc and Tocqueville Road Trip</li>



<li>Essential daily analysis: daily audio briefings and short-form videos on the global stories that matter</li>



<li>Subscriber-only newsletters: curated news, including daily and weekly topical newsletters</li>



<li>Smart games: unlimited access to a range of crosswords, quizzes and puzzles</li>
</ul>



<figure class="wp-block-image size-large"><img data-dominant-color="e07975" data-has-transparency="true" style="--dominant-color: #e07975;" fetchpriority="high" decoding="async" width="1024" height="519" sizes="(max-width: 1024px) 100vw, 1024px" src="https://theaudiencers.com/wp-content/uploads/2026/08/image-1-1024x519.png" alt="The Economist Play offer" class="wp-image-53379 has-transparency" srcset="https://theaudiencers.com/wp-content/uploads/2026/08/image-1-1024x519.png 1024w, https://theaudiencers.com/wp-content/uploads/2026/08/image-1-300x152.png 300w, https://theaudiencers.com/wp-content/uploads/2026/08/image-1-768x389.png 768w, https://theaudiencers.com/wp-content/uploads/2026/08/image-1-1536x779.png 1536w, https://theaudiencers.com/wp-content/uploads/2026/08/image-1-332x168.png 332w, https://theaudiencers.com/wp-content/uploads/2026/08/image-1-664x337.png 664w, https://theaudiencers.com/wp-content/uploads/2026/08/image-1-688x349.png 688w, https://theaudiencers.com/wp-content/uploads/2026/08/image-1-1044x529.png 1044w, https://theaudiencers.com/wp-content/uploads/2026/08/image-1-1400x710.png 1400w, https://theaudiencers.com/wp-content/uploads/2026/08/image-1-1920x973.png 1920w, https://theaudiencers.com/wp-content/uploads/2026/08/image-1.png 2048w" /></figure>



<p class="wp-block-paragraph"><br>        <div
            class="restricted-content"
            data-poool-mode="excerpt"
            data-poool="80"
                    >
            The reasoning behind building it as a tier rather than a separate product, in Arnot&#8217;s words, was straightforward: a growing audience across all age ranges, not only younger readers, is consuming news in audio and video form specifically in the in-between moments of a day, commuting, walking a dog, running errands. The Economist wanted a way to show up at this moment without asking people to pay full price for a format mix they didn&#8217;t want yet. It&#8217;s also, deliberately, a lower-priced entry point aimed at bringing younger demographics into The Economist&#8217;s orbit before they&#8217;re ready for the full written product.</p>



<p class="wp-block-paragraph">Arnot was clear that this is not a sign of declining interest in text. Older subscribers still demand &#8220;the whole buffet&#8221; of text, audio, and video. However, AV formats are specifically what attract the next generation, audiences who are likely to skew toward 90% audio-video consumption and 10% print.</p>



<h2 class="wp-block-heading">How Play is marketed and priced</h2>



<p class="wp-block-paragraph">On the acquisition side, paid media campaigns in test markets lead directly with the Play proposition. However, when prospects land on the offer page, they see all three tiers side-by-side: Play, Premium (Digital), and Premium Plus Print.</p>



<p class="wp-block-paragraph">Play receives the same intro mechanics as the core subscriptions: 30% off an annual pass or a one-month free trial.</p>



<h2 class="wp-block-heading">Early signals, three weeks in</h2>



<p class="wp-block-paragraph">So far, subscription growth is looking very promising and, critically, existing Premium subscriptions in those markets have stayed healthy. Arnot even noted an uptick in Premium sign-ups that they attribute partly to Play&#8217;s presence on the offer page. Seeing a cheaper, format-specific option next to the full product seems to be nudging some undecided visitors toward paying a little more for everything, rather than pulling people down to the cheaper tier. So far, everyone acquired through Play has been genuinely new to The Economist, rather than existing subscribers trading down.</p>



<p class="wp-block-paragraph">Importantly, Arnot&#8217;s team is watching closely to check that the new lower tier isn’t cannibalising their classic subscription. The logic they&#8217;re applying: it&#8217;s fine to accept some cannibalization risk as long as incremental new subscriptions outweigh it, and so far, that hasn&#8217;t materialized as a problem.</p>



<h2 class="wp-block-heading">Product portfolio realignment: Play vs Espresso</h2>



<p class="wp-block-paragraph"><em>The Economist</em> already operated a lower-cost daily news offering, <strong>Espresso</strong>, alongside <strong>Economist Podcast Plus</strong>. However, Espresso offers only a handful of written pieces per month—a materially thinner proposition than Play&#8217;s full audio-video catalog.</p>



<p class="wp-block-paragraph">To prevent audience confusion and eliminate product overlap:</p>



<ol class="wp-block-list">
<li><em>The Economist</em> <strong>delisted Espresso from app stores</strong> entirely within the Play pilot markets.</li>



<li>The team funneled all lower-friction entry points toward <strong>one unified brand experience</strong> inside the primary app ecosystem.</li>
</ol>



<h2 class="wp-block-heading">The wider relationship-building strategy</h2>



<p class="wp-block-paragraph">For Arnot, Play is one piece of a long-term evolution toward human-centered publishing:</p>



<ol class="wp-block-list">
<li><strong>Podcasts (top of funnel):</strong> Un-paywalled podcasts introduced audiences to journalists as real people—a shift for a publication that historically ran without bylines.</li>



<li><strong>Short-form video (mid funnel):</strong> Put journalists directly in front of the camera, deepening visual familiarity.</li>



<li><strong>Insider (retention &amp; loyalty):</strong> A premium feature launched in late 2025 that brings subscribers into the newsroom through editor-led shows, biweekly newsletters, and newsmaking interviews with global leaders. The value of these “human” formats was echoed by Diana Babei, Principal Product Manager, at Audiencers’ Festival London, who shared that insider is already proving to build loyalty and trust in ways that article text doesn&#8217;t, including high engagement with this product (75% of subscribers) and lower churn among Insider viewers.&nbsp;</li>
</ol>



<figure class="wp-block-image size-large"><img data-dominant-color="cfc8c7" data-has-transparency="false" style="--dominant-color: #cfc8c7;" decoding="async" width="1024" height="576" sizes="(max-width: 1024px) 100vw, 1024px" src="https://theaudiencers.com/wp-content/uploads/2026/08/image-2-1024x576.jpg" alt="The Economist Insider Audiencers' Festival London" class="wp-image-53383 not-transparent" srcset="https://theaudiencers.com/wp-content/uploads/2026/08/image-2-1024x576.jpg 1024w, https://theaudiencers.com/wp-content/uploads/2026/08/image-2-300x169.jpg 300w, https://theaudiencers.com/wp-content/uploads/2026/08/image-2-768x432.jpg 768w, https://theaudiencers.com/wp-content/uploads/2026/08/image-2-1536x863.jpg 1536w, https://theaudiencers.com/wp-content/uploads/2026/08/image-2-332x187.jpg 332w, https://theaudiencers.com/wp-content/uploads/2026/08/image-2-664x373.jpg 664w, https://theaudiencers.com/wp-content/uploads/2026/08/image-2-688x387.jpg 688w, https://theaudiencers.com/wp-content/uploads/2026/08/image-2-1376x774.jpg 1376w, https://theaudiencers.com/wp-content/uploads/2026/08/image-2-1044x587.jpg 1044w, https://theaudiencers.com/wp-content/uploads/2026/08/image-2-1400x787.jpg 1400w, https://theaudiencers.com/wp-content/uploads/2026/08/image-2.jpg 1772w" /></figure>



<figure class="wp-block-image size-large"><img data-dominant-color="efeeee" data-has-transparency="false" style="--dominant-color: #efeeee;" decoding="async" width="1024" height="575" sizes="(max-width: 1024px) 100vw, 1024px" src="https://theaudiencers.com/wp-content/uploads/2026/08/image-1024x575.jpg" alt="The Economist Insider Audiencers' Festival London" class="wp-image-53381 not-transparent" srcset="https://theaudiencers.com/wp-content/uploads/2026/08/image-1024x575.jpg 1024w, https://theaudiencers.com/wp-content/uploads/2026/08/image-300x168.jpg 300w, https://theaudiencers.com/wp-content/uploads/2026/08/image-768x431.jpg 768w, https://theaudiencers.com/wp-content/uploads/2026/08/image-1536x862.jpg 1536w, https://theaudiencers.com/wp-content/uploads/2026/08/image-332x186.jpg 332w, https://theaudiencers.com/wp-content/uploads/2026/08/image-664x373.jpg 664w, https://theaudiencers.com/wp-content/uploads/2026/08/image-688x386.jpg 688w, https://theaudiencers.com/wp-content/uploads/2026/08/image-1376x774.jpg 1376w, https://theaudiencers.com/wp-content/uploads/2026/08/image-1044x586.jpg 1044w, https://theaudiencers.com/wp-content/uploads/2026/08/image-1400x786.jpg 1400w, https://theaudiencers.com/wp-content/uploads/2026/08/image.jpg 1778w" /></figure>



<ol start="4" class="wp-block-list">
<li><strong>Play (acquisition &amp; conversion):</strong> Uses the same human-first AV formats that drive <em>Insider&#8217;s</em> loyalty, but packages them at a lower price point to build habits and acquire audiences who haven’t yet subscribed</li>
</ol>



<p class="wp-block-paragraph">Arnot connected this directly to the pressure AI search and AI-generated summaries are putting on publishers broadly: as it becomes easier for a reader to get information without ever visiting a publisher&#8217;s site, the case for a human-centered, personality-driven product only gets stronger, not as a defensive move, but as one of the few remaining things a subscription can offer that a summary can&#8217;t.</p>



<p class="wp-block-paragraph">Insider and Play, in that sense, aren&#8217;t two separate initiatives so much as two different answers to the same underlying bet: that in an AI-saturated information environment, the publishers who win will be the ones readers feel some kind of human connection to, whether that connection starts with a $15 audio tier or a premium interview.</p>



<h2 class="wp-block-heading">Key takeaways for publishers</h2>



<ul class="wp-block-list">
<li><strong>Lower barriers, high intent:</strong> Play acts as both an affordable entry tier for news consumers and a funnel toward the full-fat product</li>



<li><strong>Single-app ecosystem:</strong> Consolidating tiers inside one core app keeps brand equity intact and simplifies the upgrade journey</li>



<li><strong>Format-led segmentation:</strong> Rather than gating by topic, gating by format (AV vs. text) aligns naturally with mobile habits and daily routines</li>



<li><strong>Human-first defensibility:</strong> Prioritising formats that showcase real journalists builds trust and retention that AI summaries cannot replicate.&nbsp;</li>
</ul>



<p class="wp-block-paragraph">        </div>
                <div
            class="poool-access-paywall locked"
            id="poool-widget-a90266917fd8a"
                            data-blocking-method="client"
                                                                            data-page-type="free"
                    ></div>
        <div className="engage-post-paywall-banner" data-display-on="release"></div>
    </p>
      <div data-ta-component="payment-form"></div>
            <div
            class="poool-engage-element"
                            id="engage-post-content-banner"
                                ></div>
            <div
            class="poool-engage-element"
                            id="engage-fullscreen-banner"
                                ></div>
    <p>The post <a href="https://theaudiencers.com/the-economists-push-to-get-closer-to-readers-with-audio-and-video-only-subscription/">The Economist&#8217;s push to get closer to readers with audio- and video-only subscription</a> appeared first on <a href="https://theaudiencers.com">Audiencers</a>.</p>
]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>Designing a more accurate subscription funnel for news media</title>
		<link>https://theaudiencers.com/designing-a-more-accurate-subscription-funnel-for-news-media/</link>
		
		<dc:creator><![CDATA[Lennart Schneider]]></dc:creator>
		<pubDate>Wed, 05 Aug 2026 15:55:22 +0000</pubDate>
				<category><![CDATA[Decisions]]></category>
		<category><![CDATA[Guides]]></category>
		<category><![CDATA[Subscription]]></category>
		<guid isPermaLink="false">https://theaudiencers.com/?p=52942</guid>

					<description><![CDATA[<p>Lennart maps the different stages a subscriber can move through over the course of their lifecycle in a revised funnel</p>
<p>The post <a href="https://theaudiencers.com/designing-a-more-accurate-subscription-funnel-for-news-media/">Designing a more accurate subscription funnel for news media</a> appeared first on <a href="https://theaudiencers.com">Audiencers</a>.</p>
]]></description>
										<content:encoded><![CDATA[        <div
            class="poool-engage-element"
                            id="engage-pre-content-banner"
                                ></div>
    
<pre class="wp-block-verse">Lennart Schneider is Founder of <a href="https://subscribe-now.beehiiv.com/" target="_blank" rel="noreferrer noopener">Subscribe Now</a>, helping decision-makers in the subscription economy attract subscribers and keep them happy.</pre>



<p class="wp-block-paragraph">Over the past two years, I have written&nbsp;<a href="https://www.google.com/url?q=https://www.amazon.de/Subscribe-Now-erfolgreiche-Wachstumsstrategien-Unternehmen/dp/3648191160&amp;sa=D&amp;source=editors&amp;ust=1785234857320697&amp;usg=AOvVaw0kXToeDr4CCmn5UbvZxOqh">a book about subscription management</a>&nbsp;based on more than 80 interviews with experts from some of the largest subscription businesses in the German-speaking world.</p>



<p class="wp-block-paragraph">From the very beginning, I knew that one of the book&#8217;s central elements would be a subscription funnel framework that could be applied not only to news and media companies, but to almost any subscription business—from software and automotive to fitness clubs.</p>



<p class="wp-block-paragraph">What initially sounded like a straightforward task turned out to be one of the biggest challenges of the entire project. Over the years, I have come across countless versions of subscription funnels and flywheels and have designed dozens of my own. While each had its strengths and worked well in specific contexts, most were either too tailored to the news industry or too simplistic to provide meaningful guidance across different subscription businesses. In many cases, the stages also lacked clear boundaries and tended to overlap.</p>



<p class="wp-block-paragraph">That&#8217;s why I set out to develop a new subscription funnel model. It maps the different stages a subscriber can move through over the course of their lifecycle and, more importantly, highlights the conversion rates between those stages—the key levers for improving the overall performance of a subscription business.</p>



<p class="wp-block-paragraph">At first glance, the model may seem a little complex, but I&#8217;m confident that it becomes intuitive once you walk through each stage.<br>        <div
            class="restricted-content"
            data-poool-mode="excerpt"
            data-poool="80"
                    >
            </p>



<p class="wp-block-paragraph">Let&#8217;s take a closer look at how it works in this excerpt from the book:</p>


<div class="wp-block-image">
<figure class="aligncenter size-full is-resized"><img data-dominant-color="319091" data-has-transparency="false" loading="lazy" decoding="async" width="831" height="1280" sizes="(max-width: 831px) 100vw, 831px" src="https://theaudiencers.com/wp-content/uploads/2026/08/The-Subscription-Lifecycle.png" alt="" class="wp-image-53351 not-transparent" style="--dominant-color: #319091; width:688px;height:auto" srcset="https://theaudiencers.com/wp-content/uploads/2026/08/The-Subscription-Lifecycle.png 831w, https://theaudiencers.com/wp-content/uploads/2026/08/The-Subscription-Lifecycle-195x300.png 195w, https://theaudiencers.com/wp-content/uploads/2026/08/The-Subscription-Lifecycle-665x1024.png 665w, https://theaudiencers.com/wp-content/uploads/2026/08/The-Subscription-Lifecycle-768x1183.png 768w, https://theaudiencers.com/wp-content/uploads/2026/08/The-Subscription-Lifecycle-332x511.png 332w, https://theaudiencers.com/wp-content/uploads/2026/08/The-Subscription-Lifecycle-664x1023.png 664w, https://theaudiencers.com/wp-content/uploads/2026/08/The-Subscription-Lifecycle-688x1060.png 688w" /></figure>
</div>


<ul class="wp-block-list">
<li>Reach</li>
</ul>



<ol class="wp-block-list"></ol>



<p class="wp-block-paragraph">Reach includes every interaction with potential subscribers, whether through your own channels or through partners, referrals, paid advertising, or other touchpoints.</p>



<p class="wp-block-paragraph">a) Anonymous contacts: most of these contacts remain anonymous. They have interacted with your brand, but you cannot identify or contact them directly.</p>



<p class="wp-block-paragraph">b) Leads: Leads are potential customers whose identity is known and who can ideally be contacted directly. Examples include newsletter subscribers, freemium users, registered accounts, or prospects collected through sales or telephone campaigns.</p>



<ul class="wp-block-list">
<li>Trials</li>
</ul>



<p class="wp-block-paragraph">Trial users are people who are testing the subscription through a free or discounted offer while deciding whether the product provides enough value to justify becoming paying subscribers.</p>



<ul class="wp-block-list">
<li>Active subscribers</li>
</ul>



<p class="wp-block-paragraph">Active subscribers are customers who have paid at least one regular subscription fee. Later in this article, I&#8217;ll explain in more detail where I draw the line between trial users and active subscribers.</p>



<p class="wp-block-paragraph">Within the subscriber base, customers often move between different pricing tiers through upgrades and downgrades, increasing or decreasing their customer value.</p>



<p class="wp-block-paragraph">A subset of active subscribers consists of customers with&nbsp;<strong>expiring subscriptions</strong>. When subscribers cancel, their subscription usually remains active until the end of the current billing period. In other words, the cancellation has been submitted but has not yet taken effect. During this remaining term, there is still an opportunity to persuade customers to reverse their cancellation.</p>



<ul class="wp-block-list">
<li>Former subscribers</li>
</ul>



<p class="wp-block-paragraph">Once a subscription has expired, customers become former subscribers. If they have given permission to be contacted, the win-back process begins. Former subscribers effectively become qualified leads again and can be targeted with dedicated retention and reactivation campaigns to encourage them to subscribe again.</p>



<h2 class="wp-block-heading">Let’s go through these stages in detail:</h2>



<h2 class="wp-block-heading">1. Reach</h2>



<p class="wp-block-paragraph">The first step in any subscription business is making sure that potential customers become aware of your brand, your product, and your subscription offering. To achieve this, you should continuously expand the range of channels through which you reach your target audience. In addition to your own website, these channels may include social media, podcasts, public relations, events, partnerships, and many other customer touchpoints.</p>



<p class="wp-block-paragraph">However, reach alone is not enough. What matters is reaching the right people. Ten million impressions may sound impressive, but they have little value if the audience has no genuine interest in your product. That&#8217;s why every subscription business should define an&nbsp;<strong>Ideal Customer Profile (ICP)</strong>—a description of the customers who are most likely to become successful, long-term subscribers.</p>



<p class="wp-block-paragraph">Very few products are truly designed for everyone. Instead, companies should focus on the people or organizations that have a real need for what they offer. If you cannot clearly define your target audience, you risk wasting both time and marketing budget on customers who are unlikely to convert. An ICP therefore defines not only who you want to attract, but also who you deliberately choose not to target.</p>



<p class="wp-block-paragraph">The best starting point is your existing subscriber base. Analyze your most valuable customers, identify the characteristics they have in common, and use those insights to guide future acquisition efforts. At the same time, you should regularly challenge your assumptions and explore whether there are attractive customer segments beyond your current audience.</p>



<p class="wp-block-paragraph">For the digital subscription of a regional newspaper, an Ideal Customer Profile might look something like this:</p>



<p class="wp-block-paragraph"><em>Potential subscribers have lived in the region for several years, feel connected to their local community, and are interested in topics such as local politics, schools, transportation, public safety, sports, real estate, and local events. They are typically between 35 and 64 years old, employed, and have started a family. Many own their homes and expect to remain in the region for years to come. Although this profile is still relatively broad, it also illustrates that younger audiences or digital nomads may currently be much harder to convert into paying subscribers and therefore might not be the primary focus of acquisition efforts.</em></p>



<p class="wp-block-paragraph">At the same time, additional customer segments may exist outside this core audience. For example, people who no longer live in the region may still have a strong interest in the local football club. The German newspaper&nbsp;<em>Ruhr Nachrichten</em>&nbsp;identified exactly this opportunity and introduced a separate, lower-priced BVB subscription for Borussia Dortmund fans living outside its core distribution area. This represents a second Ideal Customer Profile that can be targeted independently and generates up to 2,500 additional subscribers during a single football season.</p>



<p class="wp-block-paragraph">Once you have identified the right audience, the next challenge is to create a positive first impression and spark genuine interest. Or, as Lucas von Gwinner and Dirk von Gehlen would put it, to build a strong brand. In their book&nbsp;<em>Macht Marke</em>, they argue that a brand is far more than a company&#8217;s name or logo—it is its reputation.</p>



<p class="wp-block-paragraph">Before people decide to subscribe, they need to understand what your brand stands for and why it solves their problem better than any competing alternative. Strong brands communicate a clear positioning that differentiates them from competitors. As a result, they not only increase awareness but also improve conversion rates and strengthen long-term customer retention.</p>



<h2 class="wp-block-heading">2. Leads</h2>



<p class="wp-block-paragraph">Before asking people to commit to a subscription, it is often worth getting to know them first and gradually introducing them to your product. A well-designed lead generation strategy helps build a large pool of potential subscribers whom you can engage with on an ongoing basis.</p>



<p class="wp-block-paragraph">Compared with anonymous visitors, leads are significantly more likely to become subscribers. Because you know more about them, you can tailor your communication and offers to their individual interests, needs, and stage in the customer journey.</p>



<p class="wp-block-paragraph">One of the key metrics at this stage is the&nbsp;<strong>Lead Rate</strong>, which measures the percentage of people reached who are willing to share their contact information and give permission to be contacted.</p>



<p class="wp-block-paragraph">For example, if 5,000 out of 100,000 people reached provide their email address and marketing consent, the Lead Rate is&nbsp;<strong>5%</strong>.</p>



<p class="wp-block-paragraph">Lead generation serves two important purposes. First, it creates an owned audience that you can contact repeatedly without relying solely on paid advertising or third-party platforms. Second, it allows you to build trust over time before presenting a subscription offer. Especially for products that require a high level of commitment or involve a longer purchasing decision, this gradual relationship-building can significantly improve conversion rates.</p>



<h2 class="wp-block-heading">3. Trials</h2>



<p class="wp-block-paragraph">In most cases, customers can only determine whether a subscription is worth paying for after they have experienced the product firsthand. Free or discounted trial offers lower the barrier to entry and encourage potential subscribers to give the product a try.</p>



<p class="wp-block-paragraph">There is no universal formula for determining the ideal trial length or discount level. Companies continue to experiment with different approaches, and in my interviews I have seen everything from one-day trials to introductory offers lasting two years. Some businesses prefer short trials that generate revenue quickly, while others use longer trial periods to help customers build lasting habits, making the subscription an integral part of their daily lives before they begin paying the full price.</p>



<p class="wp-block-paragraph">One of the most important phases of any subscription begins during the trial:&nbsp;<strong>onboarding</strong>. Effective onboarding helps new customers discover the value of their subscription as quickly as possible. The sooner they experience meaningful benefits and establish regular usage habits, the more likely they are to become long-term subscribers.</p>



<p class="wp-block-paragraph">The&nbsp;<strong>Trial Start Rate</strong>&nbsp;measures the percentage of people reached who begin a trial. For example, if 2,000 out of 100,000 people reached start a trial, the Trial Start Rate is&nbsp;<strong>2%</strong>.</p>



<p class="wp-block-paragraph">The&nbsp;<strong>Lead-to-Trial Rate</strong>, on the other hand, measures how many known leads convert into trial users. If 500 out of 5,000 leads sign up for a trial, the Lead-to-Trial Rate is&nbsp;<strong>10%</strong>.</p>



<p class="wp-block-paragraph">Not every trial results in a paid subscription. Users who decide not to continue after the trial often return to the lead pool. If they have given permission to be contacted, they can be nurtured through future marketing campaigns and may eventually decide to subscribe.</p>



<h2 class="wp-block-heading">4. Active subscribers</h2>



<p class="wp-block-paragraph">Active subscribers are the foundation of every subscription business. They generate predictable, recurring revenue and therefore determine the long-term health of the business. At this stage, the primary objective is to retain subscribers for as long as possible while increasing their lifetime value through upgrades and cross-selling where appropriate.</p>



<p class="wp-block-paragraph">The&nbsp;<strong>Conversion Rate</strong>&nbsp;measures the percentage of people reached who become paying subscribers. For example, if 1,000 out of 100,000 people reached purchase a subscription, the overall Conversion Rate is&nbsp;<strong>1%</strong>.</p>



<p class="wp-block-paragraph">Like most funnel metrics, this KPI can also be broken down by funnel stage. If 200 of those 1,000 subscriptions originated from 2,000 trial users, the&nbsp;<strong>Trial-to-Paid Conversion Rate</strong>&nbsp;is&nbsp;<strong>10%</strong>. Likewise, if 750 out of 5,000 leads purchase a full subscription, the&nbsp;<strong>Lead-to-Paid Conversion Rate</strong>&nbsp;is&nbsp;<strong>15%</strong>.</p>



<p class="wp-block-paragraph">One important question remains:&nbsp;<strong>When does a trial become an active subscription?</strong></p>



<p class="wp-block-paragraph">In practice, the boundary is not always clear. Many subscription businesses offer heavily discounted introductory pricing before customers begin paying the regular rate. However, not every discounted offer should be classified as a trial. A clear definition is essential because it directly affects the accuracy of key performance indicators such as retention and churn.</p>



<p class="wp-block-paragraph">Consider the following examples:</p>



<p class="wp-block-paragraph"><strong>1. DIE ZEIT</strong></p>



<p class="wp-block-paragraph">The German newspaper&nbsp;<em>DIE ZEIT</em>&nbsp;offers a print subscription in which the first 13 issues cost €5 each before increasing to €7.50. Since subscribers pay roughly two-thirds of the regular price from the very first issue and generate at least €65 in revenue, I would classify them as active subscribers from day one.</p>



<p class="wp-block-paragraph"><strong>2. BILDplus</strong></p>



<p class="wp-block-paragraph">A BILDplus subscription costs €1.99 per month during the first year before increasing to €7.99 and can be cancelled at any time. In this case, I would consider only the first month part of the trial period. Once the subscription renews, customers become active subscribers, even though they continue to receive a substantial introductory discount.</p>



<p class="wp-block-paragraph"><strong>3. The New York Times</strong></p>



<p class="wp-block-paragraph">The annual All Access subscription is sometimes available for $20 instead of the regular $90. Because these customers pay only around one-fifth of the standard price—and many are likely to cancel before ever paying full price—there are two reasonable approaches. They can either be treated as long-running trial users or as heavily discounted active subscribers.</p>



<p class="wp-block-paragraph"><strong>Why does this distinction matter?</strong></p>



<p class="wp-block-paragraph">Cancellation rates during trial periods are typically much higher than among established subscribers. For that reason, trial users are generally excluded from core KPIs such as&nbsp;<strong>Retention Rate</strong>&nbsp;and&nbsp;<strong>Churn Rate</strong>. An inconsistent or poorly defined distinction between trials and paid subscribers can therefore distort these metrics and make performance comparisons misleading.</p>



<p class="wp-block-paragraph">The&nbsp;<strong>Retention Rate</strong>&nbsp;measures the percentage of active subscribers who remain subscribed from one period to the next. If you begin the month with 10,000 subscribers and 9,500 are still active at the end of the month, your monthly Retention Rate is&nbsp;<strong>95%</strong>.</p>



<p class="wp-block-paragraph">The&nbsp;<strong>Upgrade Rate</strong>&nbsp;and&nbsp;<strong>Downgrade Rate</strong>&nbsp;measure how frequently subscribers move between pricing tiers. For example, if 200 out of 4,000 subscribers on the Basic or Standard plan upgrade to a higher-tier subscription within a month, the monthly Upgrade Rate is&nbsp;<strong>5%</strong>.</p>



<h2 class="wp-block-heading">4.5 Expiring subscriptions</h2>



<p class="wp-block-paragraph">Expiring subscriptions are subscriptions that have already been cancelled but remain active until the end of the current billing period. Although this stage is often overlooked, it can last for a surprisingly long time.</p>



<p class="wp-block-paragraph">For example, a customer with an annual subscription may cancel on the very first day simply to avoid missing the cancellation deadline. Even though they have already submitted their cancellation, they remain an active subscriber for another 365 days. That also means you have 365 opportunities to convince them to stay. In many cases, a cancellation is not a final decision against the subscription but simply a precaution to avoid an unwanted renewal.</p>



<p class="wp-block-paragraph">The&nbsp;<strong>Cancellation Rate</strong>&nbsp;measures the percentage of subscribers who submit a cancellation request during a given period. If 300 out of 10,000 active subscribers cancel within a month, the monthly Cancellation Rate is&nbsp;<strong>3%</strong>.</p>



<p class="wp-block-paragraph">The Cancellation Rate should not be confused with the&nbsp;<strong>Churn Rate</strong>. The two metrics often differ because a cancellation usually occurs well before the subscription actually ends.</p>



<p class="wp-block-paragraph">For example, if a customer cancels in January but still has six months remaining on an annual subscription, they contribute to the Cancellation Rate in January but only enter the Churn Rate in June—provided they do not withdraw their cancellation beforehand.</p>



<p class="wp-block-paragraph">In addition, the Churn Rate includes not only voluntary cancellations but also&nbsp;<strong>involuntary churn</strong>, such as failed payments or expired payment methods.</p>



<p class="wp-block-paragraph">The&nbsp;<strong>Reactivation Rate</strong>&nbsp;measures how many subscribers reverse their cancellation before their subscription expires. If 30 out of 300 cancelling subscribers decide to stay before the end of their billing period, the Reactivation Rate is&nbsp;<strong>10%</strong>.</p>



<p class="wp-block-paragraph">Finally, the&nbsp;<strong>Save Rate</strong>&nbsp;measures the percentage of subscribers who begin the cancellation process but never complete it. In other words, it captures the cancellations that were successfully prevented before they were ever submitted.</p>



<h2 class="wp-block-heading">4.6 Former subscribers</h2>



<p class="wp-block-paragraph">Once a subscription has expired, the customer becomes a former subscriber and the win-back process begins. Provided you still have permission to contact them, former subscribers can be reached through email, phone calls, push notifications, or other marketing channels with tailored offers and messages designed to encourage them to return.</p>



<p class="wp-block-paragraph">From the perspective of the subscription funnel, former subscribers effectively become highly qualified leads again. Unlike new prospects, they already know your product, have experienced its value, and have demonstrated a willingness to pay in the past. As a result, win-back campaigns often achieve significantly higher conversion rates than campaigns targeting first-time subscribers.</p>



<p class="wp-block-paragraph">As a subscription business matures, win-back becomes increasingly important because a growing share of the addressable market has already subscribed at least once. Over time, acquisition efforts naturally shift from attracting entirely new customers to re-engaging former ones.</p>



<p class="wp-block-paragraph">For that reason, it is useful to measure how many people you are targeting have previously been subscribers. The&nbsp;<strong>Former Subscriber Rate</strong>&nbsp;measures the percentage of contacts—such as recipients of an email campaign or visitors reaching a paywall—who have held a subscription before.</p>



<p class="wp-block-paragraph">This metric provides an indication of how frequently you are &#8220;fishing in the same pond.&#8221; While it is often impossible to identify former subscribers across third-party channels such as social media, logged-in users on your own website can usually be matched to their subscription history.</p>



<p class="wp-block-paragraph">In some industries, particularly video streaming, customers regularly pause and restart their subscriptions depending on the content available. In these markets, cancellation is often not the end of the customer relationship but simply a temporary break.</p>



<p class="wp-block-paragraph">The&nbsp;<strong>Win-Back Rate</strong>&nbsp;measures the percentage of former subscribers who return within a given period. For example, if 1,000 out of 5,000 former subscribers purchase another subscription within one year, the annual Win-Back Rate is&nbsp;<strong>20%</strong>.</p>



<p class="wp-block-paragraph">Viewed as a whole, the subscription funnel is not a linear process but a continuous cycle. Every former subscriber represents a potential future customer, making retention and reactivation just as important as acquiring new subscribers.</p>



<p class="wp-block-paragraph">        </div>
                <div
            class="poool-access-paywall locked"
            id="poool-widget-58e4ed97e53d3"
                            data-blocking-method="client"
                                                                            data-page-type="free"
                    ></div>
        <div className="engage-post-paywall-banner" data-display-on="release"></div>
    </p>
      <div data-ta-component="payment-form"></div>
            <div
            class="poool-engage-element"
                            id="engage-post-content-banner"
                                ></div>
            <div
            class="poool-engage-element"
                            id="engage-fullscreen-banner"
                                ></div>
    <p>The post <a href="https://theaudiencers.com/designing-a-more-accurate-subscription-funnel-for-news-media/">Designing a more accurate subscription funnel for news media</a> appeared first on <a href="https://theaudiencers.com">Audiencers</a>.</p>
]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>3 acquisition tactics from Foreign Policy, a publication offering near-to-zero free articles</title>
		<link>https://theaudiencers.com/3-acquisition-tactics-from-foreign-policy-a-publication-offering-near-to-zero-free-articles/</link>
		
		<dc:creator><![CDATA[Madeleine White]]></dc:creator>
		<pubDate>Thu, 30 Jul 2026 07:56:26 +0000</pubDate>
				<category><![CDATA[Operations]]></category>
		<category><![CDATA[Case Studies]]></category>
		<category><![CDATA[Registration]]></category>
		<category><![CDATA[Subscription]]></category>
		<guid isPermaLink="false">https://theaudiencers.com/?p=52907</guid>

					<description><![CDATA[<p>Foreign Policy's Corinne Osnos shares three low-effort, high-impact tactics her team uses to bring in readers despite running one of the strictest paywalls in media.</p>
<p>The post <a href="https://theaudiencers.com/3-acquisition-tactics-from-foreign-policy-a-publication-offering-near-to-zero-free-articles/">3 acquisition tactics from Foreign Policy, a publication offering near-to-zero free articles</a> appeared first on <a href="https://theaudiencers.com">Audiencers</a>.</p>
]]></description>
										<content:encoded><![CDATA[        <div
            class="poool-engage-element"
                            id="engage-pre-content-banner"
                                ></div>
    
<p class="wp-block-paragraph">At the Audiencers’ Festival Montréal, <a href="https://www.linkedin.com/in/osnosis/" target="_blank" rel="noreferrer noopener">Corinne Osnos</a>, VP of Subscriptions and Marketing at Foreign Policy, shared three low-effort, high-impact tactics her team uses to bring in readers despite running one of the strictest paywalls in media.</p>



<style data-wp-block-html="css">
.ta-box{background:#f2f7f2!important;border:0!important;border-top:4px solid #f5e663!important;border-radius:10px!important;padding:24px 28px!important;margin:2rem 0!important}
.ta-box .ta-top{display:flex!important;align-items:center!important;justify-content:space-between!important;gap:16px!important;margin:0 0 12px!important;padding:0!important;border:0!important}
.ta-box .ta-title{font-family:ui-monospace,Menlo,monospace!important;font-weight:700!important;font-size:15px!important;text-transform:none!important;letter-spacing:0!important}
.ta-box .ta-btn{font-family:ui-monospace,Menlo,monospace!important;font-size:13px!important;font-weight:400!important;line-height:1.2!important;padding:6px 14px!important;border:1px solid #1d9e75!important;background:#fff!important;background-image:none!important;color:#1d9e75!important;border-radius:6px!important;cursor:pointer!important;white-space:nowrap!important;text-transform:none!important;letter-spacing:0!important;box-shadow:none!important;width:auto!important;height:auto!important;min-width:0!important}
.ta-box .ta-btn:hover{background:#1d9e75!important;color:#fff!important}
.ta-box .ta-text{font-family:ui-monospace,Menlo,monospace!important;font-size:15px!important;line-height:1.7!important;white-space:pre-wrap!important;margin:0!important;padding:0!important;background:none!important;background-color:transparent!important;border:0!important;border-radius:0!important;overflow:visible!important;max-height:none!important}
.ta-box .ta-text{box-shadow:none!important;filter:none!important;outline:none!important}
</style>

<div class="ta-box">
  <div class="ta-top">
    <span class="ta-title">Key takeaways to copy &amp; share</span>
    <button type="button" class="ta-btn" onclick="taCopy(this)">Copy</button>
  </div>
  <pre class="ta-text">With a hard paywall leaving practically zero articles for free, Foreign Policy prioritizes low-effort, high-impact tactics, three of which were shared at Audiencers' Festival Montréal:
&gt; Build one segmented "win-back" email, targeting lapsed-but-recent visitors
&gt; Test an exit-intent registration wall instead of loosening your paywall
&gt; Turn your best columnist into a short email course for readers who aren't ready to subscribe yet</pre>
</div>

<script>
function taCopy(btn){
  var box = btn.closest('.ta-box');
  var t = box.querySelector('.ta-text').innerText;
  navigator.clipboard.writeText(t + '\n\nvia ' + window.location.origin + window.location.pathname).then(function(){
    btn.textContent = 'Copied';
    setTimeout(function(){ btn.textContent = 'Copy'; }, 2000);
  });
}
</script>



<p class="wp-block-paragraph"><a href="https://foreignpolicy.com/" target="_blank" rel="noreferrer noopener">Foreign Policy</a> was founded in 1970 at Harvard by two professors, in the aftermath of the Vietnam War, originally as a forum for views on US foreign policy that weren&#8217;t getting airtime elsewhere. Today it covers geopolitics globally rather than just American foreign policy, and its subscribers reflect that: about 60% US, 40% international, with Canada as its second-largest market.</p>



<p class="wp-block-paragraph">Subscriptions are the core of FP&#8217;s revenue, split between <a href="https://foreignpolicy.com/subscribe/" target="_blank" rel="noreferrer noopener">individual subscribers</a> and <a href="https://foreignpolicy.com/group-subscriptions/" target="_blank" rel="noreferrer noopener">group subscriptions</a> (organizations like the UN, Yale or the US Department of Defense buying access for their entire staff), which make up about 25% of subscription revenue. FP runs no programmatic advertising at all on the subscriber website, which means, in Osnos&#8217;s words, <strong>every single page view has to be optimized toward subscription</strong> rather than traffic. The other half of the business is <a href="https://solutions.foreignpolicy.com/" target="_blank" rel="noreferrer noopener">partnership revenue</a>: custom research, podcasts, and events built with outside organizations. FP&#8217;s biggest annual moment isn&#8217;t an election, it&#8217;s the UN General Assembly each fall.</p>



<p class="wp-block-paragraph">The organization is small for its output: about 70 full-time employees total, with a three-person marketing team.</p>


<div class="wp-block-image">
<figure class="aligncenter size-large"><img data-dominant-color="99a09a" data-has-transparency="false" style="--dominant-color: #99a09a;" loading="lazy" decoding="async" width="1024" height="768" sizes="(max-width: 1024px) 100vw, 1024px" src="https://theaudiencers.com/wp-content/uploads/2026/07/P1530732-1024x768.jpg" alt="" class="wp-image-52920 not-transparent" srcset="https://theaudiencers.com/wp-content/uploads/2026/07/P1530732-1024x768.jpg 1024w, https://theaudiencers.com/wp-content/uploads/2026/07/P1530732-300x225.jpg 300w, https://theaudiencers.com/wp-content/uploads/2026/07/P1530732-768x576.jpg 768w, https://theaudiencers.com/wp-content/uploads/2026/07/P1530732-1536x1152.jpg 1536w, https://theaudiencers.com/wp-content/uploads/2026/07/P1530732-2048x1536.jpg 2048w, https://theaudiencers.com/wp-content/uploads/2026/07/P1530732-332x249.jpg 332w, https://theaudiencers.com/wp-content/uploads/2026/07/P1530732-664x498.jpg 664w, https://theaudiencers.com/wp-content/uploads/2026/07/P1530732-688x516.jpg 688w, https://theaudiencers.com/wp-content/uploads/2026/07/P1530732-1044x783.jpg 1044w, https://theaudiencers.com/wp-content/uploads/2026/07/P1530732-1400x1050.jpg 1400w, https://theaudiencers.com/wp-content/uploads/2026/07/P1530732-1920x1440.jpg 1920w, https://theaudiencers.com/wp-content/uploads/2026/07/P1530732.jpg 2560w" /></figure>
</div>


<p class="wp-block-paragraph">        <div
            class="restricted-content"
            data-poool-mode="excerpt"
            data-poool="80"
                    >
            </p>



<h2 class="wp-block-heading">The paywall is genuinely strict, and getting stricter</h2>



<p class="wp-block-paragraph">FP offers essentially no free content. Osnos was upfront that this is unusual &#8211; freemium is perhaps the most popular model in Europe, whilst in Canada a lot of content is freely accessible and many media are government supported. And their model has only gotten more restrictive over time. In 2018, the meter allowed around five free articles a month. Today it&#8217;s practically zero. Because there&#8217;s no ad revenue to fall back on, every article needs to justify its existence through subscription value.</p>



<h2 class="wp-block-heading">Four problems sitting underneath that strategy</h2>



<p class="wp-block-paragraph">Osnos framed FP&#8217;s current position around four challenges, several of which will be familiar to most publishers reading:</p>



<ul class="wp-block-list">
<li><strong>Top-of-funnel erosion.</strong> Organic discovery through Google search, historically a major channel, has dropped off significantly, even though FP isn&#8217;t chasing traffic.</li>
</ul>



<ul class="wp-block-list">
<li><strong>A demographic gap.</strong> FP&#8217;s core paying audience skews over 50. But it also has a large 18-to-23 segment, driven almost entirely by university group subscriptions. Those students are a meaningful exposure channel (Osnos says it&#8217;s one of the most common things she hears from subscribers she meets: &#8220;I used to read FP at university&#8221;), but they arrive through IP-authenticated access, meaning FP has no contact information for them, and loses nearly all of them the moment they graduate.</li>
</ul>



<ul class="wp-block-list">
<li><strong>High pricing on a strict meter.</strong> Because there&#8217;s no ad revenue, FP has to price for value and hold the line on access, which creates real friction for readers who aren&#8217;t ready to pay upfront.</li>
</ul>



<ul class="wp-block-list">
<li><strong>Rising competition in a moment that should otherwise favor FP.</strong> Geopolitics is dominating headlines, which sounds like a tailwind, but it also means FP is now competing directly with much larger outlets like The Washington Post and The New York Times for the same coverage. Osnos noted that FP used to see clear, isolated traffic and subscription spikes tied to major geopolitical moments (the clearest being the outbreak of the <a href="https://foreignpolicy.com/projects/ukraine-russia-war-news-europe-security/" target="_blank" rel="noreferrer noopener">Russia-Ukraine war</a>). More recent moments, including developments around Venezuela, have still moved the needle, but far less distinctly, because so many outlets are now covering the same stories simultaneously.</li>
</ul>



<p class="wp-block-paragraph">Given a small team (3 on the individual subscription side, 2 focused on group subs), Osnos&#8217;s operating principle is to prioritize low-effort, high-impact tactics, three of which she shared with us in Montréal:&nbsp;</p>



<h2 class="wp-block-heading">Win 1: The weekly trending digest</h2>



<p class="wp-block-paragraph">This is a weekly email combining a curated feed of articles, with marketing messaging at the top and bottom. Its effectiveness comes almost entirely from precise targeting and testing, not from the format itself.</p>



<figure class="wp-block-image size-large"><img data-dominant-color="dddbd7" data-has-transparency="false" style="--dominant-color: #dddbd7;" loading="lazy" decoding="async" width="1024" height="577" sizes="(max-width: 1024px) 100vw, 1024px" src="https://theaudiencers.com/wp-content/uploads/2026/07/image-6-1-1024x577.jpg" alt="foreign policy audiencers' festival" class="wp-image-52912 not-transparent" srcset="https://theaudiencers.com/wp-content/uploads/2026/07/image-6-1-1024x577.jpg 1024w, https://theaudiencers.com/wp-content/uploads/2026/07/image-6-1-300x169.jpg 300w, https://theaudiencers.com/wp-content/uploads/2026/07/image-6-1-768x433.jpg 768w, https://theaudiencers.com/wp-content/uploads/2026/07/image-6-1-332x187.jpg 332w, https://theaudiencers.com/wp-content/uploads/2026/07/image-6-1-664x374.jpg 664w, https://theaudiencers.com/wp-content/uploads/2026/07/image-6-1-688x387.jpg 688w, https://theaudiencers.com/wp-content/uploads/2026/07/image-6-1-1376x774.jpg 1376w, https://theaudiencers.com/wp-content/uploads/2026/07/image-6-1-1044x588.jpg 1044w, https://theaudiencers.com/wp-content/uploads/2026/07/image-6-1-1400x788.jpg 1400w, https://theaudiencers.com/wp-content/uploads/2026/07/image-6-1.jpg 1424w" /></figure>



<p class="wp-block-paragraph"><strong>Targeting:</strong> the email goes to <strong>users who visited the site in the last 30 days but haven&#8217;t visited in the last 7</strong>, a segment the team calls &#8220;Active 30, Dark 7.&#8221; These readers haven&#8217;t seen the last week&#8217;s stories, so the email surfaces what&#8217;s new rather than repeating content they may have already seen, and it re-engages them before they drift into a fully at-risk state. Readers still inside that 7-day window get more direct subscription-offer messaging instead, since they don&#8217;t need a content refresher.</p>



<p class="wp-block-paragraph"><strong>Article selection:</strong> the team tested a blend of signals (last-touch conversion attribution, subscriber engagement time, and Apple News performance as a proxy for general news interest) against Sailthru&#8217;s personalization engine. Curated selection matched or outperformed the automated personalization engine consistently. Osnos&#8217;s read: <strong>curation still beats algorithmic personalization</strong> here, even though full automation would have been the lower-effort path.</p>



<p class="wp-block-paragraph"><strong>Format specifics, tested directly:</strong> seven articles per edition, chosen after testing five, seven, and ten; seven won. The email always ends with an &#8220;end unit,&#8221; a final clickable item (a magazine issue, a new feature, a limited offer) so the reader has somewhere to go after the content rather than the email simply stopping. The top of the email is segmented into four different versions depending on who&#8217;s reading it, students and academics with .edu addresses see different pricing and messaging, former subscribers see a different version again, and existing subscribers never see price or offer messaging at all (they instead see messaging to reinforce sub benefits e.g. gift links, new issues, FP Live).</p>



<p class="wp-block-paragraph"><strong>Effort and what&#8217;s next:</strong> the whole build takes under 30 minutes a week and consistently lands in FP&#8217;s top 10 monthly conversion sources (by campaign). The team is now testing an internally built AI tool that analyzes FP articles for conversion and subscriber-traffic performance and generates optimized headlines and decks, since the email leans almost entirely on headline and deck to pull readers back to the site.</p>



<h2 class="wp-block-heading">Win 2: The exit-intent registration wall</h2>



<p class="wp-block-paragraph">FP has tested hard paywalls against softer meter strategies repeatedly, across every audience segment (known, unknown, newsletter subscribers, everyone), and <strong>hard paywalling consistently converts 5x better</strong>. That&#8217;s why 80% of FP&#8217;s traffic sees a hard paywall 100% of the time.</p>



<p class="wp-block-paragraph">The remaining 20% is where the exit-intent wall comes in. When the system detects a reader about to leave the page (or swipe away on mobile) without paying, it offers a <strong>registration prompt </strong>instead: create a free account, get that one article. This avoids cannibalizing the primary hard-paywall conversion moment while still capturing readers who weren&#8217;t going to pay this time but are worth keeping in the funnel.</p>


<div class="wp-block-image">
<figure class="aligncenter size-full is-resized"><img data-dominant-color="eededc" data-has-transparency="true" loading="lazy" decoding="async" width="870" height="892" sizes="(max-width: 870px) 100vw, 870px" src="https://theaudiencers.com/wp-content/uploads/2026/07/Capture-decran-2026-07-24-a-17.21.37.png" alt="Foreign Policy registration wall Audiencers' Festival" class="wp-image-52914 has-transparency" style="--dominant-color: #eededc; width:285px;height:auto" title="IMG_4303.png" srcset="https://theaudiencers.com/wp-content/uploads/2026/07/Capture-decran-2026-07-24-a-17.21.37.png 870w, https://theaudiencers.com/wp-content/uploads/2026/07/Capture-decran-2026-07-24-a-17.21.37-293x300.png 293w, https://theaudiencers.com/wp-content/uploads/2026/07/Capture-decran-2026-07-24-a-17.21.37-768x787.png 768w, https://theaudiencers.com/wp-content/uploads/2026/07/Capture-decran-2026-07-24-a-17.21.37-332x340.png 332w, https://theaudiencers.com/wp-content/uploads/2026/07/Capture-decran-2026-07-24-a-17.21.37-664x681.png 664w, https://theaudiencers.com/wp-content/uploads/2026/07/Capture-decran-2026-07-24-a-17.21.37-688x705.png 688w" /></figure>
</div>


<p class="wp-block-paragraph">What happens after account creation matters as much as the wall itself. New registrants go through on-site onboarding and a structured nurture sequence: an explanation of why FP exists, a set of &#8220;greatest hits&#8221; articles with the paywall temporarily removed, a note from a subscriber-favorite columnist, and promotion of newsletters, which the team has found to be one of the strongest drivers of paid conversion among registered-but-not-subscribed readers, along with <a href="https://foreignpolicy.com/live/">FP Live</a>, FP&#8217;s video series. The average time from account creation to paid subscription across this flow is 14 days.</p>



<figure class="wp-block-image size-large"><img data-dominant-color="f6f4f3" data-has-transparency="true" style="--dominant-color: #f6f4f3;" loading="lazy" decoding="async" width="1024" height="575" sizes="(max-width: 1024px) 100vw, 1024px" src="https://theaudiencers.com/wp-content/uploads/2026/07/image-7-1024x575.png" alt="Foreign Policy average time to subscribing Audiencers' Festival" class="wp-image-52908 has-transparency" srcset="https://theaudiencers.com/wp-content/uploads/2026/07/image-7-1024x575.png 1024w, https://theaudiencers.com/wp-content/uploads/2026/07/image-7-300x169.png 300w, https://theaudiencers.com/wp-content/uploads/2026/07/image-7-768x431.png 768w, https://theaudiencers.com/wp-content/uploads/2026/07/image-7-1536x863.png 1536w, https://theaudiencers.com/wp-content/uploads/2026/07/image-7-332x187.png 332w, https://theaudiencers.com/wp-content/uploads/2026/07/image-7-664x373.png 664w, https://theaudiencers.com/wp-content/uploads/2026/07/image-7-688x386.png 688w, https://theaudiencers.com/wp-content/uploads/2026/07/image-7-1376x774.png 1376w, https://theaudiencers.com/wp-content/uploads/2026/07/image-7-1044x586.png 1044w, https://theaudiencers.com/wp-content/uploads/2026/07/image-7-1400x786.png 1400w, https://theaudiencers.com/wp-content/uploads/2026/07/image-7.png 1684w" /></figure>



<h2 class="wp-block-heading">Win 3: Newsletter courses</h2>



<p class="wp-block-paragraph">FP&#8217;s first newsletter course, an introduction to core international relations theory, was launched in 2026 and authored by Stephen Walt, a Harvard professor and one of FP&#8217;s top-converting columnists (also featured in the onboarding nurture sequence above). The format is a <a href="https://link.foreignpolicy.com/join/7h1/new-geopolitics">five-part email series</a> covering foundational IR concepts.</p>



<p class="wp-block-paragraph">The logic behind it: geopolitics is increasingly relevant to people well outside FP&#8217;s usual readership, but without some grounding in the basics, a general reader has a hard time getting real value from FP&#8217;s actual coverage. The course is designed to meet a younger, less specialized audience where they are and bring them into FP&#8217;s orbit gradually.</p>



<p class="wp-block-paragraph">In its first six weeks, the course drew roughly 9,500 signups. 40% of signups were net new to FP, meaning they&#8217;d never previously been in FP&#8217;s email system. Paid acquisition for the course is running at a $1 cost per lead, against FP&#8217;s normal average of roughly $3. These users are driven to the FP website rather than using an ad platform email capture, a strategy that may lead to higher CPLs but means higher quality leads.</p>



<p class="wp-block-paragraph">The course also functions as a <strong>self-contained subscription funnel</strong>. Throughout its five parts, it embeds subscription messaging: &#8220;homework&#8221; assignments using gift links to relevant FP coverage, and promotion of specific benefits, like FP&#8217;s podcasts, that the team believes will resonate with a similar audience. Rather than offering a broad free trial that risks prompting cancellations among existing subscribers, FP built a narrower incentive: completing the course earns a 30-day free trial, available only to that specific, already-engaged cohort. So far, 18% of readers exposed to the trial offer go on to claim the trial.</p>



<p class="wp-block-paragraph">Because the course is built once and requires no ongoing maintenance to keep running, it fits the same low-effort, high-impact principle as the other two tactics: a small team&#8217;s structural bet, built on the front end and left to keep converting on its own.</p>



<pre class="wp-block-verse">For any publisher weighing a stricter paywall against the traffic it might cost, Osnos's session is a useful reminder that the constraint didn't stop growth, it forced the team to continuously innovate and develop tactics precise enough to convert when article access can’t.</pre>



<p class="wp-block-paragraph">        </div>
                <div
            class="poool-access-paywall locked"
            id="poool-widget-539a64f21e131"
                            data-blocking-method="client"
                                                                            data-page-type="free"
                    ></div>
        <div className="engage-post-paywall-banner" data-display-on="release"></div>
    </p>
      <div data-ta-component="payment-form"></div>
            <div
            class="poool-engage-element"
                            id="engage-post-content-banner"
                                ></div>
            <div
            class="poool-engage-element"
                            id="engage-fullscreen-banner"
                                ></div>
    <p>The post <a href="https://theaudiencers.com/3-acquisition-tactics-from-foreign-policy-a-publication-offering-near-to-zero-free-articles/">3 acquisition tactics from Foreign Policy, a publication offering near-to-zero free articles</a> appeared first on <a href="https://theaudiencers.com">Audiencers</a>.</p>
]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>Inside The Observer’s first digital subscription: one tier, one price and a lot of self-discipline</title>
		<link>https://theaudiencers.com/inside-the-observers-first-digital-subscription-one-tier-one-price-and-a-lot-of-self-discipline/</link>
		
		<dc:creator><![CDATA[John Rahim]]></dc:creator>
		<pubDate>Wed, 22 Jul 2026 17:00:02 +0000</pubDate>
				<category><![CDATA[Inspirations]]></category>
		<category><![CDATA[Case Studies]]></category>
		<category><![CDATA[Pricing]]></category>
		<category><![CDATA[Subscription]]></category>
		<guid isPermaLink="false">https://theaudiencers.com/?p=52598</guid>

					<description><![CDATA[<p>Why the 233-year-old title launched with a single umbrella subscription rather than tiers, and why the hardest part has been saying no</p>
<p>The post <a href="https://theaudiencers.com/inside-the-observers-first-digital-subscription-one-tier-one-price-and-a-lot-of-self-discipline/">Inside The Observer’s first digital subscription: one tier, one price and a lot of self-discipline</a> appeared first on <a href="https://theaudiencers.com">Audiencers</a>.</p>
]]></description>
										<content:encoded><![CDATA[        <div
            class="poool-engage-element"
                            id="engage-pre-content-banner"
                                ></div>
    
<p class="wp-block-paragraph"><a href="https://www.linkedin.com/in/jackodriley/" target="_blank" rel="noreferrer noopener">Jack Riley</a>, Chief Customer Officer at <a href="https://observer.co.uk/" target="_blank" rel="noreferrer noopener">The Observer</a>, explains why the 233-year-old title launched with a single umbrella subscription rather than tiers, how Culture Club became a central retention bet, and why the hardest part of the build has been saying no.</p>



<style data-wp-block-html="css">
.ta-box{background:#f2f7f2!important;border:0!important;border-top:4px solid #f5e663!important;border-radius:10px!important;padding:24px 28px!important;margin:2rem 0!important}
.ta-box .ta-top{display:flex!important;align-items:center!important;justify-content:space-between!important;gap:16px!important;margin:0 0 12px!important;padding:0!important;border:0!important}
.ta-box .ta-title{font-family:ui-monospace,Menlo,monospace!important;font-weight:700!important;font-size:15px!important;text-transform:none!important;letter-spacing:0!important}
.ta-box .ta-btn{font-family:ui-monospace,Menlo,monospace!important;font-size:13px!important;font-weight:400!important;line-height:1.2!important;padding:6px 14px!important;border:1px solid #1d9e75!important;background:#fff!important;background-image:none!important;color:#1d9e75!important;border-radius:6px!important;cursor:pointer!important;white-space:nowrap!important;text-transform:none!important;letter-spacing:0!important;box-shadow:none!important;width:auto!important;height:auto!important;min-width:0!important}
.ta-box .ta-btn:hover{background:#1d9e75!important;color:#fff!important}
.ta-box .ta-text{font-family:ui-monospace,Menlo,monospace!important;font-size:15px!important;line-height:1.7!important;white-space:pre-wrap!important;margin:0!important;padding:0!important;background:none!important;background-color:transparent!important;border:0!important;border-radius:0!important;overflow:visible!important;max-height:none!important}
.ta-box .ta-text{box-shadow:none!important;filter:none!important;outline:none!important}
</style>

<div class="ta-box">
  <div class="ta-top">
    <span class="ta-title">Key takeaways to copy &amp; share</span>
    <button type="button" class="ta-btn" onclick="taCopy(this)">Copy</button>
  </div>
  <pre class="ta-text">&gt; The Observer launched its first-ever digital subscription in November 2025 at £16 a month or £144 a year, with a single umbrella tier covering print, digital, audio and Culture Club benefits from spring this year.
&gt; Culture Club, a set of arts and culture perks worth more than £800, is given to every subscriber instead of being held back for a premium tier.
&gt; Early data shows subscribers who engage with multiple parts of the product, from Nigel Slater's recipes to the puzzles to podcasts, are significantly less likely to cancel.
&gt; The Salt Path investigation and its podcast and documentary afterlife have been the single biggest growth catalyst since launch.

<strong>Lessons:</strong>
&gt; A single, transparent subscription can beat early tiering when you are reintroducing a brand to its audience.
&gt; Retention comes from breadth of engagement across a product, not from any one flagship story.
&gt; Old brand equity can bridge readers into new daily habits, but only if the product is built to earn that habit.</pre>
</div>

<script>
function taCopy(btn){
  var box = btn.closest('.ta-box');
  var t = box.querySelector('.ta-text').innerText;
  navigator.clipboard.writeText(t + '\n\nvia ' + window.location.origin + window.location.pathname).then(function(){
    btn.textContent = 'Copied';
    setTimeout(function(){ btn.textContent = 'Copy'; }, 2000);
  });
}
</script>



<div class="wp-block-media-text is-stacked-on-mobile" style="grid-template-columns:32% auto"><figure class="wp-block-media-text__media"><img data-dominant-color="dbdbdb" data-has-transparency="false" style="--dominant-color: #dbdbdb;" loading="lazy" decoding="async" width="1024" height="1024" src="https://theaudiencers.com/wp-content/uploads/2026/07/unnamed-17-1024x1024.jpg" alt="" class="wp-image-52872 size-full not-transparent" srcset="https://theaudiencers.com/wp-content/uploads/2026/07/unnamed-17-1024x1024.jpg 1024w, https://theaudiencers.com/wp-content/uploads/2026/07/unnamed-17-300x300.jpg 300w, https://theaudiencers.com/wp-content/uploads/2026/07/unnamed-17-150x150.jpg 150w, https://theaudiencers.com/wp-content/uploads/2026/07/unnamed-17-768x768.jpg 768w, https://theaudiencers.com/wp-content/uploads/2026/07/unnamed-17-72x72.jpg 72w, https://theaudiencers.com/wp-content/uploads/2026/07/unnamed-17-144x144.jpg 144w, https://theaudiencers.com/wp-content/uploads/2026/07/unnamed-17-332x332.jpg 332w, https://theaudiencers.com/wp-content/uploads/2026/07/unnamed-17-664x664.jpg 664w, https://theaudiencers.com/wp-content/uploads/2026/07/unnamed-17-688x688.jpg 688w, https://theaudiencers.com/wp-content/uploads/2026/07/unnamed-17-1044x1044.jpg 1044w, https://theaudiencers.com/wp-content/uploads/2026/07/unnamed-17.jpg 1200w" sizes="(max-width: 1024px) 100vw, 1024px" /></figure><div class="wp-block-media-text__content">
<p class="wp-block-paragraph">When <strong>Jack Riley</strong> joined <strong>The Observer </strong>in 2025, he inherited separate journalistic businesses rather than one. Tortoise Media built digital infrastructure for audio, events and membership, but not the volume or breadth of content a newspaper needs. </p>
</div></div>



<p class="wp-block-paragraph">The Observer brought a newsroom with genuine authority and a 233-year history, but none of the digital scaffolding that sits around it. “We really had to design a lot of stuff almost from scratch in order to bring it to life,” Riley says.</p>



<p class="wp-block-paragraph">The consolidation happened in two waves. The first was making sure the Sunday paper kept getting out of a newly combined newsroom. The second was an open-access sampling site throughout the summer, used to build registration and newsletter lists ahead of a proper launch. What followed was an intense six months of building and prototyping: new iOS and Android apps for phone and tablet, a full website redesign, brand refresh and the subscription infrastructure underneath it, including analytics, paywall logic, access controls and integrations with both the Guardian’s print systems and Tortoise’s existing membership base.        <div
            class="restricted-content"
            data-poool-mode="excerpt"
            data-poool="80"
                    >
            </p>



<h2 class="wp-block-heading">Why there are no tiers</h2>



<p class="wp-block-paragraph">Where many publishers reach for tiers early, The Observer launched with a single umbrella subscription covering print, digital, audio and now, <strong>Culture Club</strong> (see below)<strong>.</strong> “We wanted the subscription to be simple to understand, great value for money and comprehensive,” Riley says. Reintroducing a heritage brand to an audience that may not be familiar with it, or has never encountered it digitally at all, is not the moment to ask people to choose between packages.</p>



<figure class="wp-block-image size-large"><img data-dominant-color="d8ded2" data-has-transparency="false" style="--dominant-color: #d8ded2;" loading="lazy" decoding="async" width="1024" height="547" sizes="(max-width: 1024px) 100vw, 1024px" src="https://theaudiencers.com/wp-content/uploads/2026/07/Screenshot-2026-07-10-at-15.54.32-1024x547.jpg" alt="" class="wp-image-52875 not-transparent" srcset="https://theaudiencers.com/wp-content/uploads/2026/07/Screenshot-2026-07-10-at-15.54.32-1024x547.jpg 1024w, https://theaudiencers.com/wp-content/uploads/2026/07/Screenshot-2026-07-10-at-15.54.32-300x160.jpg 300w, https://theaudiencers.com/wp-content/uploads/2026/07/Screenshot-2026-07-10-at-15.54.32-768x410.jpg 768w, https://theaudiencers.com/wp-content/uploads/2026/07/Screenshot-2026-07-10-at-15.54.32-1536x820.jpg 1536w, https://theaudiencers.com/wp-content/uploads/2026/07/Screenshot-2026-07-10-at-15.54.32-2048x1094.jpg 2048w, https://theaudiencers.com/wp-content/uploads/2026/07/Screenshot-2026-07-10-at-15.54.32-332x177.jpg 332w, https://theaudiencers.com/wp-content/uploads/2026/07/Screenshot-2026-07-10-at-15.54.32-664x355.jpg 664w, https://theaudiencers.com/wp-content/uploads/2026/07/Screenshot-2026-07-10-at-15.54.32-688x367.jpg 688w, https://theaudiencers.com/wp-content/uploads/2026/07/Screenshot-2026-07-10-at-15.54.32-1044x557.jpg 1044w, https://theaudiencers.com/wp-content/uploads/2026/07/Screenshot-2026-07-10-at-15.54.32-1400x748.jpg 1400w, https://theaudiencers.com/wp-content/uploads/2026/07/Screenshot-2026-07-10-at-15.54.32-1920x1025.jpg 1920w, https://theaudiencers.com/wp-content/uploads/2026/07/Screenshot-2026-07-10-at-15.54.32.jpg 2560w" /></figure>



<p class="wp-block-paragraph">A separate audio-only subscription, a legacy of the Tortoise audio model, exists through Apple Podcasts and Spotify for readers who want nothing else, and there is real cross-pollination between formats. But the umbrella model is deliberate: with only six months of data, Riley says tiering decisions now would rest on very little evidence. Simplicity was the safer bet, leaving room to see where the value lands before carving up the product.</p>



<h2 class="wp-block-heading">Culture Club, for every subscriber</h2>



<p class="wp-block-paragraph">The Observer’s most visible product launch since the initial rollout is Culture Club, a set of arts and culture benefits bundled into every subscription: two-for-one tickets to the National Gallery, exclusive cinema screenings with directors, author events and book clubs held in the newsroom, and discounted theatre tickets. “It’s your cultural life, curated,” is how Riley describes it.</p>



<figure class="wp-block-image size-large"><img data-dominant-color="e8e7e7" data-has-transparency="false" style="--dominant-color: #e8e7e7;" loading="lazy" decoding="async" width="1024" height="673" sizes="(max-width: 1024px) 100vw, 1024px" src="https://theaudiencers.com/wp-content/uploads/2026/07/Capture-decran-2026-07-22-a-18.52.16-1024x673.jpg" alt="" class="wp-image-52868 not-transparent" srcset="https://theaudiencers.com/wp-content/uploads/2026/07/Capture-decran-2026-07-22-a-18.52.16-1024x673.jpg 1024w, https://theaudiencers.com/wp-content/uploads/2026/07/Capture-decran-2026-07-22-a-18.52.16-300x197.jpg 300w, https://theaudiencers.com/wp-content/uploads/2026/07/Capture-decran-2026-07-22-a-18.52.16-768x505.jpg 768w, https://theaudiencers.com/wp-content/uploads/2026/07/Capture-decran-2026-07-22-a-18.52.16-1536x1009.jpg 1536w, https://theaudiencers.com/wp-content/uploads/2026/07/Capture-decran-2026-07-22-a-18.52.16-2048x1346.jpg 2048w, https://theaudiencers.com/wp-content/uploads/2026/07/Capture-decran-2026-07-22-a-18.52.16-332x218.jpg 332w, https://theaudiencers.com/wp-content/uploads/2026/07/Capture-decran-2026-07-22-a-18.52.16-664x436.jpg 664w, https://theaudiencers.com/wp-content/uploads/2026/07/Capture-decran-2026-07-22-a-18.52.16-688x452.jpg 688w, https://theaudiencers.com/wp-content/uploads/2026/07/Capture-decran-2026-07-22-a-18.52.16-1044x686.jpg 1044w, https://theaudiencers.com/wp-content/uploads/2026/07/Capture-decran-2026-07-22-a-18.52.16-1400x920.jpg 1400w, https://theaudiencers.com/wp-content/uploads/2026/07/Capture-decran-2026-07-22-a-18.52.16-1920x1262.jpg 1920w, https://theaudiencers.com/wp-content/uploads/2026/07/Capture-decran-2026-07-22-a-18.52.16.jpg 2146w" /></figure>



<p class="wp-block-paragraph">Rather than a separate product built for a distinct audience, Culture Club is included in the standard subscription and goes to every reader who pays for it, with no separate tier. Riley frames it as adding significant partner benefits to those that The Observer was already quietly offering, like giving a 70% discount on home cinema memberships through their partner MUBI and turning them into a coherent proposition tied to the brand’s editorial identity. Arts and culture were the deliberate focus rather than, say, food or travel: Riley sees it as a standout interest for Observer audiences that other subscription products in the market have overlooked. The commercial logic is retention as much as acquisition: <strong>subscribers who attend an event or use a benefit build a tangible relationship with the brand that a login alone cannot create</strong>.</p>



<figure class="wp-block-image size-large"><img data-dominant-color="d0cdd7" data-has-transparency="false" style="--dominant-color: #d0cdd7;" loading="lazy" decoding="async" width="820" height="1024" sizes="(max-width: 820px) 100vw, 820px" src="https://theaudiencers.com/wp-content/uploads/2026/07/Capture-decran-2026-07-22-a-18.52.57-820x1024.jpg" alt="" class="wp-image-52870 not-transparent" srcset="https://theaudiencers.com/wp-content/uploads/2026/07/Capture-decran-2026-07-22-a-18.52.57-820x1024.jpg 820w, https://theaudiencers.com/wp-content/uploads/2026/07/Capture-decran-2026-07-22-a-18.52.57-240x300.jpg 240w, https://theaudiencers.com/wp-content/uploads/2026/07/Capture-decran-2026-07-22-a-18.52.57-768x959.jpg 768w, https://theaudiencers.com/wp-content/uploads/2026/07/Capture-decran-2026-07-22-a-18.52.57-332x415.jpg 332w, https://theaudiencers.com/wp-content/uploads/2026/07/Capture-decran-2026-07-22-a-18.52.57-664x829.jpg 664w, https://theaudiencers.com/wp-content/uploads/2026/07/Capture-decran-2026-07-22-a-18.52.57-688x859.jpg 688w, https://theaudiencers.com/wp-content/uploads/2026/07/Capture-decran-2026-07-22-a-18.52.57.jpg 1036w" /></figure>



<p class="wp-block-paragraph">Riley traces the conviction to the i newspaper, where he launched reader events and saw that most people find news organisations distant and faintly mysterious right up until they are sitting in a room talking to a journalist. Subscribers who have had that kind of experience with a brand, in his experience, are simply more likely to stay, which is the logic Culture Club now builds into the subscription itself.</p>



<h2 class="wp-block-heading">Pricing without the tricks</h2>



<p class="wp-block-paragraph">The Observer priced its subscription at £16 a month or £144 a year, deliberately avoiding 99p-style pricing. “That was part of just trying to be really clear about what we think the value is of the work that we’re doing,” Riley says. An under-35 price point at 50% off acknowledges that younger readers are often priced out of premium subscriptions, with 35 chosen as a deliberate life-stage threshold.</p>



<figure class="wp-block-image size-large"><img data-dominant-color="eae2c0" data-has-transparency="false" style="--dominant-color: #eae2c0;" loading="lazy" decoding="async" width="1024" height="519" sizes="(max-width: 1024px) 100vw, 1024px" src="https://theaudiencers.com/wp-content/uploads/2026/07/Capture-decran-2026-07-22-a-18.55.42-1024x519.jpg" alt="" class="wp-image-52878 not-transparent" srcset="https://theaudiencers.com/wp-content/uploads/2026/07/Capture-decran-2026-07-22-a-18.55.42-1024x519.jpg 1024w, https://theaudiencers.com/wp-content/uploads/2026/07/Capture-decran-2026-07-22-a-18.55.42-300x152.jpg 300w, https://theaudiencers.com/wp-content/uploads/2026/07/Capture-decran-2026-07-22-a-18.55.42-768x389.jpg 768w, https://theaudiencers.com/wp-content/uploads/2026/07/Capture-decran-2026-07-22-a-18.55.42-1536x779.jpg 1536w, https://theaudiencers.com/wp-content/uploads/2026/07/Capture-decran-2026-07-22-a-18.55.42-2048x1038.jpg 2048w, https://theaudiencers.com/wp-content/uploads/2026/07/Capture-decran-2026-07-22-a-18.55.42-332x168.jpg 332w, https://theaudiencers.com/wp-content/uploads/2026/07/Capture-decran-2026-07-22-a-18.55.42-664x337.jpg 664w, https://theaudiencers.com/wp-content/uploads/2026/07/Capture-decran-2026-07-22-a-18.55.42-688x349.jpg 688w, https://theaudiencers.com/wp-content/uploads/2026/07/Capture-decran-2026-07-22-a-18.55.42-1044x529.jpg 1044w, https://theaudiencers.com/wp-content/uploads/2026/07/Capture-decran-2026-07-22-a-18.55.42-1400x710.jpg 1400w, https://theaudiencers.com/wp-content/uploads/2026/07/Capture-decran-2026-07-22-a-18.55.42-1920x974.jpg 1920w, https://theaudiencers.com/wp-content/uploads/2026/07/Capture-decran-2026-07-22-a-18.55.42.jpg 2560w" /></figure>



<p class="wp-block-paragraph">The Observer has no obvious competitor to benchmark against. The Guardian’s UK voluntary model and the Times’ hard paywall represent decades of pricing evolution aimed largely at winning back or re-engaging audiences a mature business has already exhausted. The Observer has no such legacy to correct for, which Riley treats as an advantage: the headline price can reflect where the business is now, without unwinding years of promotional pricing.</p>



<figure class="wp-block-image size-large"><img data-dominant-color="f8f9f6" data-has-transparency="false" style="--dominant-color: #f8f9f6;" loading="lazy" decoding="async" width="1024" height="564" sizes="(max-width: 1024px) 100vw, 1024px" src="https://theaudiencers.com/wp-content/uploads/2026/07/Capture-decran-2026-07-22-a-18.56.14-1024x564.jpg" alt="" class="wp-image-52880 not-transparent" srcset="https://theaudiencers.com/wp-content/uploads/2026/07/Capture-decran-2026-07-22-a-18.56.14-1024x564.jpg 1024w, https://theaudiencers.com/wp-content/uploads/2026/07/Capture-decran-2026-07-22-a-18.56.14-300x165.jpg 300w, https://theaudiencers.com/wp-content/uploads/2026/07/Capture-decran-2026-07-22-a-18.56.14-768x423.jpg 768w, https://theaudiencers.com/wp-content/uploads/2026/07/Capture-decran-2026-07-22-a-18.56.14-1536x846.jpg 1536w, https://theaudiencers.com/wp-content/uploads/2026/07/Capture-decran-2026-07-22-a-18.56.14-2048x1128.jpg 2048w, https://theaudiencers.com/wp-content/uploads/2026/07/Capture-decran-2026-07-22-a-18.56.14-332x183.jpg 332w, https://theaudiencers.com/wp-content/uploads/2026/07/Capture-decran-2026-07-22-a-18.56.14-664x366.jpg 664w, https://theaudiencers.com/wp-content/uploads/2026/07/Capture-decran-2026-07-22-a-18.56.14-688x379.jpg 688w, https://theaudiencers.com/wp-content/uploads/2026/07/Capture-decran-2026-07-22-a-18.56.14-1044x575.jpg 1044w, https://theaudiencers.com/wp-content/uploads/2026/07/Capture-decran-2026-07-22-a-18.56.14-1400x771.jpg 1400w, https://theaudiencers.com/wp-content/uploads/2026/07/Capture-decran-2026-07-22-a-18.56.14-1920x1058.jpg 1920w, https://theaudiencers.com/wp-content/uploads/2026/07/Capture-decran-2026-07-22-a-18.56.14.jpg 2520w" /></figure>



<h2 class="wp-block-heading">What’s driving retention</h2>



<p class="wp-block-paragraph">Six months in, Riley says the clearest signal in the data is<strong> breadth of engagement</strong>. Subscribers who touch multiple parts of the product, reading Nigel Slater’s recipes, doing the crossword and listening to a podcast, are significantly less likely to cancel than those who arrived for one thing and never explored further. Because the product is still young, many subscribers do not yet know everything they have access to.</p>



<p class="wp-block-paragraph">That is why subscriber messaging pushes Culture Club so hard: highlighting more than £800 in available benefits is a fast way to demonstrate value to someone who subscribed for a single podcast series before they reach a cancellation decision. The Observer has also seen a healthier-than-expected skew towards annual plans, which Riley reads as an early show of faith, buying time to build a relationship before the first renewal.</p>



<h2 class="wp-block-heading">The Salt Path’s second life</h2>



<p class="wp-block-paragraph">The Chloe Hadjimatheou investigation into the bestselling memoir The Salt Path was a hit before the subscription even existed, driving millions of readers to the open-access site last summer and helping build the registration base the launch depended on. In January, a narrative podcast series built on the investigation became, in Riley’s words, the biggest catalyst for subscriber growth in the first few months after launch, driving uptake in both the standalone audio subscription and the full subscription that includes it. A Sky documentary over Christmas had extended the story’s reach further. A new Hadjimatheou series, We Call Her Emma, has just been released, an investigation focusing on the extraordinary rise of Asma al-Assad from West London girl to the heart of Syria’s brutal dictatorship: the next test of whether a story that brings subscribers in at scale can hand them on to the rest of the product.</p>



<h2 class="wp-block-heading">Building fast without the legacy costs</h2>



<p class="wp-block-paragraph">The Observer’s product team has moved almost entirely to an agentic coding approach, using AI tools to handle the bulk of feature development. A small team of engineers from an outside agency works alongside an in-house tech lead and product manager. Claude writes most of the code for new features, while the engineers concentrate on harder technical problems and on testing and quality assurance, checking that the output does what it was meant to. The approach lets a young, lean organisation compete with newsrooms that have far larger legacy technology teams, freeing more of the business’s resources for journalism itself.</p>



<p class="wp-block-paragraph">Riley applies the same instinct himself. After seeing a story-support widget demonstrated by a US publishers’ collective at the recent Audiencers Festival in London, he built a rough version of it within an afternoon, not to launch it but to show his own team the idea. Prototyping, he says, has become quick enough that showing is often faster than telling.</p>



<p class="wp-block-paragraph">On the harder question of AI companies and publisher content, Riley is careful not to stake out a fixed position. The Observer has partnered with Particle News, an AI-powered aggregation app, as its first UK publisher, and Riley points to Reuters Institute research showing a growing share of global news journeys now beginning inside a chatbot as a signal publishers cannot ignore, whatever position they eventually take on direct deals versus industry coalitions.</p>



<h2 class="wp-block-heading">The hardest part isn’t the technology</h2>



<p class="wp-block-paragraph">Asked what has been harder than expected, Riley doesn’t hesitate: discipline. A brand this old, with this much editorial breadth, invites endless extensions: more tiers, more products, more features, especially now that the barrier to building any of them has collapsed.</p>



<p class="wp-block-paragraph"><em>“When Claude can build you a recipe site in an afternoon, you have to ask yourself: is that really what we want to build?”</em></p>



<p class="wp-block-paragraph">Riley has previously cited The Atlantic’s decade-long path to a million subscribers as a realistic model for the kind of timeline this takes. His ambition for The Observer is to build a sustainably profitable media business on reader revenue and other income streams, and he argues that doing so without the legacy cost base of an older company changes the calculation. He won’t share subscriber numbers this early. Six months in, he says, The Observer is on track. There is, by his own admission, still a long way to go.</p>



<p class="wp-block-paragraph"><em>Jack Riley is Chief Customer Officer at The Observer, where he leads customer revenue strategy across subscription growth, marketing, data and product. He joined in 2025 from The London Standard, where he was Chief Digital Officer, and previously led Huffington Post’s turnaround to profitability as Managing Director. The Observer is owned by Tortoise Media.</em></p>



<p class="wp-block-paragraph">        </div>
                <div
            class="poool-access-paywall locked"
            id="poool-widget-44b2738b2a410"
                            data-blocking-method="client"
                                                                            data-page-type="free"
                    ></div>
        <div className="engage-post-paywall-banner" data-display-on="release"></div>
    </p>
      <div data-ta-component="payment-form"></div>
            <div
            class="poool-engage-element"
                            id="engage-post-content-banner"
                                ></div>
            <div
            class="poool-engage-element"
                            id="engage-fullscreen-banner"
                                ></div>
    <p>The post <a href="https://theaudiencers.com/inside-the-observers-first-digital-subscription-one-tier-one-price-and-a-lot-of-self-discipline/">Inside The Observer’s first digital subscription: one tier, one price and a lot of self-discipline</a> appeared first on <a href="https://theaudiencers.com">Audiencers</a>.</p>
]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>Before you bundle: how to find out what your subscribers actually want</title>
		<link>https://theaudiencers.com/before-you-bundle-how-to-find-out-what-your-subscribers-actually-want/</link>
		
		<dc:creator><![CDATA[Madeleine White]]></dc:creator>
		<pubDate>Fri, 10 Jul 2026 14:41:44 +0000</pubDate>
				<category><![CDATA[Operations]]></category>
		<category><![CDATA[Guides]]></category>
		<category><![CDATA[Product and strategy execution]]></category>
		<category><![CDATA[Subscription]]></category>
		<guid isPermaLink="false">https://theaudiencers.com/?p=52614</guid>

					<description><![CDATA[<p>How do you package subscriptions to drive business growth without alienating the very audience that keeps you alive? Insights from Montréal</p>
<p>The post <a href="https://theaudiencers.com/before-you-bundle-how-to-find-out-what-your-subscribers-actually-want/">Before you bundle: how to find out what your subscribers actually want</a> appeared first on <a href="https://theaudiencers.com">Audiencers</a>.</p>
]]></description>
										<content:encoded><![CDATA[        <div
            class="poool-engage-element"
                            id="engage-pre-content-banner"
                                ></div>
    
<p class="wp-block-paragraph">If you’re trying to scale a subscription or membership program, look at your current structure. Are you offering a clean, high-signal experience, or are you serving your readers &#8220;feature soup&#8221;?<br><br>At the Audiencers Festival in Montreal on June 25th, audience research leader <a href="https://www.linkedin.com/in/emilygoligoski/" target="_blank" rel="noreferrer noopener">Emily Goligoski</a> and <a href="https://www.linkedin.com/in/rachel-mines-12109b71/" target="_blank" rel="noreferrer noopener">Rachel Mines</a>, Director of Subscriptions at Skift, took the stage to break down a critical digital publishing dilemma: How do you package subscriptions to drive business growth without alienating the very audience that keeps you alive?</p>



<style data-wp-block-html="css">
.ta-box{background:#f2f7f2!important;border:0!important;border-top:4px solid #f5e663!important;border-radius:10px!important;padding:24px 28px!important;margin:2rem 0!important}
.ta-box .ta-top{display:flex!important;align-items:center!important;justify-content:space-between!important;gap:16px!important;margin:0 0 12px!important;padding:0!important;border:0!important}
.ta-box .ta-title{font-family:ui-monospace,Menlo,monospace!important;font-weight:700!important;font-size:15px!important;text-transform:none!important;letter-spacing:0!important}
.ta-box .ta-btn{font-family:ui-monospace,Menlo,monospace!important;font-size:13px!important;font-weight:400!important;line-height:1.2!important;padding:6px 14px!important;border:1px solid #1d9e75!important;background:#fff!important;background-image:none!important;color:#1d9e75!important;border-radius:6px!important;cursor:pointer!important;white-space:nowrap!important;text-transform:none!important;letter-spacing:0!important;box-shadow:none!important;width:auto!important;height:auto!important;min-width:0!important}
.ta-box .ta-btn:hover{background:#1d9e75!important;color:#fff!important}
.ta-box .ta-text{font-family:ui-monospace,Menlo,monospace!important;font-size:15px!important;line-height:1.7!important;white-space:pre-wrap!important;margin:0!important;padding:0!important;background:none!important;background-color:transparent!important;border:0!important;border-radius:0!important;overflow:visible!important;max-height:none!important}
.ta-box .ta-text{box-shadow:none!important;filter:none!important;outline:none!important}
</style>

<div class="ta-box">
  <div class="ta-top">
    <span class="ta-title">Key takeaways to copy &amp; share</span>
    <button type="button" class="ta-btn" onclick="taCopy(this)">Copy</button>
  </div>
  <pre class="ta-text">&gt; When you start testing value props and benefits, it's easy to mix and match features, and try to cram everything onto one page to make subscription "worth the cost". But research has proven that the biggest driver of loyalty isn't usually price or feature count. It's a sense of uniqueness, something the reader couldn't get anywhere else

&gt; Your team can answer this easily, but the real value comes from asking the same questions of the people you're trying to reach. At a minimum, show your prototype to one more person than has seen it already

&gt; Once you know your differentiation, packaging decisions get easier. Rachel's 3-question test before bundling anything: does it strengthen or dilute each product's identity? Are the audiences actually converging? Can your ops hold it together without the seams showing?

&gt; Sometimes the research tells you to do nothing. One of Skift's four products stayed untouched, on purpose, and it's now one of their steadiest, best growing subscriptions</pre>
</div>

<script>
function taCopy(btn){
  var box = btn.closest('.ta-box');
  var t = box.querySelector('.ta-text').innerText;
  navigator.clipboard.writeText(t + '\n\nvia ' + window.location.origin + window.location.pathname).then(function(){
    btn.textContent = 'Copied';
    setTimeout(function(){ btn.textContent = 'Copy'; }, 2000);
  });
}
</script>



<h2 class="wp-block-heading">Subscription fatigue is real</h2>



<p class="wp-block-paragraph"><a href="https://reutersinstitute.politics.ox.ac.uk/digital-news-report/2026">Reuters Institute research</a> from earlier this year found that nearly half of people say they&#8217;re extremely interested in news, but less than one in five pay for any of it online. Those numbers don&#8217;t match — and if you&#8217;ve ever tried to count how many recurring charges are on your own credit card, you already know why. Streaming services, meal kits, <a href="https://www.nytimes.com/2026/05/12/business/subscriptions-products-services.html">toilet paper</a>, fitness trackers, &#8220;subscriptions to manage your subscriptions.&#8221; People are tired.</p>



<p class="wp-block-paragraph">That&#8217;s not entirely bad news for publishers. It&#8217;s an opening. Goligoski spent years running the research practice at NYU&#8217;s <a href="https://membershipguide.org/">Membership Puzzle Project</a>, interviewing supporters of news organizations — subscribers, members, donors — across roughly 500 news organizations worldwide. Her research question was almost embarrassingly simple: <em>what frustrates you about mainstream media?</em> People could talk for an hour.</p>



<p class="wp-block-paragraph">What consistently came out of those conversations was that the single biggest driver of loyalty wasn&#8217;t price or feature count. It was a <a href="https://membershippuzzle.org/member-manifesto/">sense of uniqueness,</a> something the reader couldn&#8217;t get anywhere else, followed by a calming, low-friction user experience that let them do what they came to do and get out.        <div
            class="restricted-content"
            data-poool-mode="excerpt"
            data-poool="80"
                    >
            </p>



<figure class="wp-block-image size-large"><img data-dominant-color="e7edf0" data-has-transparency="false" style="--dominant-color: #e7edf0;" loading="lazy" decoding="async" width="1024" height="577" sizes="(max-width: 1024px) 100vw, 1024px" src="https://theaudiencers.com/wp-content/uploads/2026/07/image-1024x577.jpg" alt="" class="wp-image-52619 not-transparent" srcset="https://theaudiencers.com/wp-content/uploads/2026/07/image-1024x577.jpg 1024w, https://theaudiencers.com/wp-content/uploads/2026/07/image-300x169.jpg 300w, https://theaudiencers.com/wp-content/uploads/2026/07/image-768x433.jpg 768w, https://theaudiencers.com/wp-content/uploads/2026/07/image-1536x865.jpg 1536w, https://theaudiencers.com/wp-content/uploads/2026/07/image-332x187.jpg 332w, https://theaudiencers.com/wp-content/uploads/2026/07/image-664x374.jpg 664w, https://theaudiencers.com/wp-content/uploads/2026/07/image-688x388.jpg 688w, https://theaudiencers.com/wp-content/uploads/2026/07/image-1376x774.jpg 1376w, https://theaudiencers.com/wp-content/uploads/2026/07/image-1044x588.jpg 1044w, https://theaudiencers.com/wp-content/uploads/2026/07/image-1400x789.jpg 1400w, https://theaudiencers.com/wp-content/uploads/2026/07/image.jpg 1676w" /></figure>



<h2 class="wp-block-heading">The exercise: fill in the blank</h2>



<p class="wp-block-paragraph">To find that sense of uniqueness, Goligoski runs newsroom leaders through simple prompts about their organizations:</p>



<ul class="wp-block-list">
<li>First in the subject, region, or world to ___</li>



<li>Best compared to competitors in ___</li>



<li>Only organization to ___</li>
</ul>



<p class="wp-block-paragraph">The exercise surfaces an origin story fast. But it&#8217;s only half the picture, and it&#8217;s the easy half — anyone can answer these questions for themselves around a conference table. The real value comes from asking the same questions of the people you&#8217;re trying to reach, who often can&#8217;t name your staff or your specific value prop but can place you loosely (&#8220;oh, that&#8217;s the one about the business of fashion&#8221;). The gap between the two answer sets is the actual work. It tells you what you think differentiates you and what has actually landed.</p>



<p class="wp-block-paragraph">Her rule of thumb for this kind of testing: <a href="https://open.spotify.com/episode/4SjZVOnOtedJG7Xb1etrn4?si=an9xtDHOQdWoISzbeiwS8g&amp;nd=1&amp;dlsi=61e87dadb21e4eb8">n+1 is better than n</a>. At a minimum, show your prototype to one more person than has seen it already. You&#8217;ll walk away smarter from even one conversation, and Goligoski says fifteen years into doing this work, people still thank her for simply being asked for their perspectives.</p>



<p class="wp-block-paragraph"><strong>But watch out for &#8220;feature soup.&#8221;</strong> When you start testing value props and benefits, it&#8217;s easy to try to cram everything onto one page or into one pitch. If a first-time visitor needs a magnifying glass to understand what they&#8217;re being offered, you&#8217;ve already lost the differentiation you were trying to build.</p>



<p class="wp-block-paragraph">A few examples she pointed to of publishers getting specificity right:</p>



<ul class="wp-block-list">
<li><a href="https://caper.media/join"><strong>Caper</strong></a>, a New York food media outlet, prices its annual subscription against hyper-local reference points: &#8220;less than a burrata pizza slice at L&#8217;Industrie, a potato pancake at Veselka&#8221; instead of the generic &#8220;less than a cup of coffee a day.&#8221; It grounds the price and quietly reminds readers how many small recurring charges they&#8217;re already carrying.</li>
</ul>



<figure class="wp-block-image size-large"><img data-dominant-color="efefeb" data-has-transparency="false" style="--dominant-color: #efefeb;" loading="lazy" decoding="async" width="1024" height="575" sizes="(max-width: 1024px) 100vw, 1024px" src="https://theaudiencers.com/wp-content/uploads/2026/07/image-1-1024x575.jpg" alt="" class="wp-image-52621 not-transparent" srcset="https://theaudiencers.com/wp-content/uploads/2026/07/image-1-1024x575.jpg 1024w, https://theaudiencers.com/wp-content/uploads/2026/07/image-1-300x168.jpg 300w, https://theaudiencers.com/wp-content/uploads/2026/07/image-1-768x431.jpg 768w, https://theaudiencers.com/wp-content/uploads/2026/07/image-1-1536x863.jpg 1536w, https://theaudiencers.com/wp-content/uploads/2026/07/image-1-332x186.jpg 332w, https://theaudiencers.com/wp-content/uploads/2026/07/image-1-664x373.jpg 664w, https://theaudiencers.com/wp-content/uploads/2026/07/image-1-688x386.jpg 688w, https://theaudiencers.com/wp-content/uploads/2026/07/image-1-1376x774.jpg 1376w, https://theaudiencers.com/wp-content/uploads/2026/07/image-1-1044x586.jpg 1044w, https://theaudiencers.com/wp-content/uploads/2026/07/image-1-1400x786.jpg 1400w, https://theaudiencers.com/wp-content/uploads/2026/07/image-1.jpg 1674w" /></figure>



<ul class="wp-block-list">
<li><strong>The New York Review of Books and The Paris Review</strong> have a once-a-year summer bundle offer for two publications with possible audience overlap and growth potential, a financially compelling deal rather than a permanent merge.</li>



<li><a href="https://capitalbnews.org/donate/"><strong>Capital B</strong></a>, a Black-media outlet in the US, sent an anniversary email that included an actual screenshot of the text exchange between its two co-founders deciding to launch. It reads as human in a way most subscription marketing doesn&#8217;t.</li>
</ul>



<figure class="wp-block-image size-large"><img data-dominant-color="c3c9cc" data-has-transparency="false" style="--dominant-color: #c3c9cc;" loading="lazy" decoding="async" width="1024" height="574" sizes="(max-width: 1024px) 100vw, 1024px" src="https://theaudiencers.com/wp-content/uploads/2026/07/image-2-1024x574.jpg" alt="" class="wp-image-52623 not-transparent" srcset="https://theaudiencers.com/wp-content/uploads/2026/07/image-2-1024x574.jpg 1024w, https://theaudiencers.com/wp-content/uploads/2026/07/image-2-300x168.jpg 300w, https://theaudiencers.com/wp-content/uploads/2026/07/image-2-768x431.jpg 768w, https://theaudiencers.com/wp-content/uploads/2026/07/image-2-1536x861.jpg 1536w, https://theaudiencers.com/wp-content/uploads/2026/07/image-2-332x186.jpg 332w, https://theaudiencers.com/wp-content/uploads/2026/07/image-2-664x372.jpg 664w, https://theaudiencers.com/wp-content/uploads/2026/07/image-2-688x386.jpg 688w, https://theaudiencers.com/wp-content/uploads/2026/07/image-2-1044x586.jpg 1044w, https://theaudiencers.com/wp-content/uploads/2026/07/image-2-1400x785.jpg 1400w, https://theaudiencers.com/wp-content/uploads/2026/07/image-2.jpg 1676w" /></figure>



<p class="wp-block-paragraph">Goligoski&#8217;s closing asks for anyone doing this work:&nbsp;</p>



<ul class="wp-block-list">
<li>Limit friction wherever you find it</li>



<li>Take a less-is-more approach to any data you collect (only ask what you&#8217;ll actually act on)</li>



<li>Keep a running, visible wishlist of the features and coverage areas you hear people ask for. That list becomes a genuine insight bank over time.</li>
</ul>



<h2 class="wp-block-heading">The Skift case study: is your product an audience or a feature?</h2>



<p class="wp-block-paragraph">Mines joined Skift, a B2B travel media and events company, two years ago and inherited what she called &#8220;a family I didn&#8217;t plan for&#8221;: four separate subscription products, none designed to sit together.</p>



<ul class="wp-block-list">
<li><strong>Skift Pro</strong>: always-on travel news, home-grown, positioned as &#8220;the Bloomberg of travel&#8221;</li>



<li><strong>Skift Research</strong>: long-form, data-driven reports, also home-grown, aimed at strategy and analytics buyers making a major decision rather than staying informed daily</li>



<li><strong>Airline Weekly</strong>: a roughly 20-year-old acquired product, once faxed, now a newsletter with its own site, read closely by aviation executives (Delta CEO Ed Bastian has called it &#8220;the only thing I read every week&#8221;)</li>



<li><strong>Daily Lodging Report</strong>: a similarly old acquisition, a daily digest for hospitality and real-estate operators</li>
</ul>



<figure class="wp-block-image size-large"><img data-dominant-color="f4f2ed" data-has-transparency="true" style="--dominant-color: #f4f2ed;" loading="lazy" decoding="async" width="1024" height="572" sizes="(max-width: 1024px) 100vw, 1024px" src="https://theaudiencers.com/wp-content/uploads/2026/07/image-4-1024x572.png" alt="" class="wp-image-52616 has-transparency" srcset="https://theaudiencers.com/wp-content/uploads/2026/07/image-4-1024x572.png 1024w, https://theaudiencers.com/wp-content/uploads/2026/07/image-4-300x168.png 300w, https://theaudiencers.com/wp-content/uploads/2026/07/image-4-768x429.png 768w, https://theaudiencers.com/wp-content/uploads/2026/07/image-4-1536x859.png 1536w, https://theaudiencers.com/wp-content/uploads/2026/07/image-4-332x186.png 332w, https://theaudiencers.com/wp-content/uploads/2026/07/image-4-664x371.png 664w, https://theaudiencers.com/wp-content/uploads/2026/07/image-4-688x385.png 688w, https://theaudiencers.com/wp-content/uploads/2026/07/image-4-1044x584.png 1044w, https://theaudiencers.com/wp-content/uploads/2026/07/image-4-1400x783.png 1400w, https://theaudiencers.com/wp-content/uploads/2026/07/image-4.png 1678w" /></figure>



<h2 class="wp-block-heading">Three questions before you package anything</h2>



<ol class="wp-block-list">
<li><strong>Identity</strong>: does combining these products strengthen each one&#8217;s core value, or dilute it?</li>



<li><strong>Audience</strong>: are these audiences actually growing toward each other, or are they deliberately separate?</li>



<li><strong>Operations</strong>: can your UX, billing, and support genuinely hold a bundle together, or will the seams show? Mines runs subscriptions with a five-person team, a small product team, and a small design team, capacity is a real constraint.</li>
</ol>



<h2 class="wp-block-heading">Applying these questions to the Skift context</h2>



<p class="wp-block-paragraph"><strong>Airline Weekly: bundled the content, not the experience.</strong> Skift already had aviation coverage in both Pro and Research, plus an aviation conference. The instinct was to fold Airline Weekly&#8217;s coverage into all of it. But the products stayed on separate platforms — readers had to hop between a newsletter, a website, and (for a much smaller group) a conference ticket. Layering content across products without integrating the actual user experience just produced a disjointed one. Nobody complained loudly about it; it showed up quietly instead, in renewal numbers drifting down.&nbsp;</p>



<p class="wp-block-paragraph">Mines&#8217; takeaway: audit the identity of what you&#8217;re bundling before you bundle it. Packaging without UX clarity is just confusion with a price tag.</p>



<p class="wp-block-paragraph"><strong>Daily Lodging Report: the right move was nothing.</strong> This subscriber base — Mines described them candidly as mostly finance and real-estate professionals — wanted exactly one thing: the digest, in their inbox, undisturbed. Skift gave the product a new site and new data tools anyway. The response was, in effect, <em>I don&#8217;t care, just give me the newsletter.</em>&nbsp;</p>



<p class="wp-block-paragraph">So, they left it alone, and it&#8217;s remained one of their steadiest, best-growing products. Leaving a product untouched is a strategic decision, not a lack of ambition. Some products&#8217; value comes directly from their constraints.</p>



<p class="wp-block-paragraph"><strong>Pro + Research: complementary, not interchangeable.</strong> These two live in the same sales conversation but serve different budgets and different personas — daily information versus decision-support research. Combining them into one package would have devalued Research and bloated Pro. Skift&#8217;s framing: they don&#8217;t need the same package, they need the same conversation.</p>



<p class="wp-block-paragraph">Mines&#8217; shorthand for thinking about all of this is a marriage metaphor: some products should merge households (full integration makes both better); some should keep separate addresses (related, committed, but each keeps its own front door); some need couples therapy first (real potential, but only after the UX and integration work happens); and some are simply happy as they are, and the kindest, smartest move is to leave them alone.</p>


<div class="wp-block-image">
<figure class="aligncenter size-large"><img data-dominant-color="1e1e1d" data-has-transparency="true" style="--dominant-color: #1e1e1d;" loading="lazy" decoding="async" width="1024" height="576" sizes="(max-width: 1024px) 100vw, 1024px" src="https://theaudiencers.com/wp-content/uploads/2026/07/image-3-1024x576.png" alt="" class="wp-image-52615 has-transparency" srcset="https://theaudiencers.com/wp-content/uploads/2026/07/image-3-1024x576.png 1024w, https://theaudiencers.com/wp-content/uploads/2026/07/image-3-300x169.png 300w, https://theaudiencers.com/wp-content/uploads/2026/07/image-3-768x432.png 768w, https://theaudiencers.com/wp-content/uploads/2026/07/image-3-1536x864.png 1536w, https://theaudiencers.com/wp-content/uploads/2026/07/image-3-332x187.png 332w, https://theaudiencers.com/wp-content/uploads/2026/07/image-3-664x374.png 664w, https://theaudiencers.com/wp-content/uploads/2026/07/image-3-688x387.png 688w, https://theaudiencers.com/wp-content/uploads/2026/07/image-3-1376x774.png 1376w, https://theaudiencers.com/wp-content/uploads/2026/07/image-3-1044x587.png 1044w, https://theaudiencers.com/wp-content/uploads/2026/07/image-3-1400x788.png 1400w, https://theaudiencers.com/wp-content/uploads/2026/07/image-3.png 1674w" /></figure>
</div>


<h2 class="wp-block-heading">From the Q&amp;A: a few things worth stealing</h2>



<p class="wp-block-paragraph"><strong>Don&#8217;t let a new feature justify a price increase — check whether anyone asked for it first.</strong> When Skift acquired the Women Leading Travel membership group, the team raised prices and then went looking for features to justify the increase — a research report, an add-on. Mines stopped that process to ask a more basic question: did any of these members actually want the research report? They hadn&#8217;t. What they wanted was networking and job connections, and that&#8217;s where Skift redirected. Goligoski added a comparable example: ProPublica offers a branded t-shirt only <em>after</em> someone donates, framed as a thank-you rather than a subscription perk — about 17% of donors take it, self-selecting into people who&#8217;ll actually wear it and become visible advocates, rather than shipping merchandise nobody asked for.</p>



<p class="wp-block-paragraph"><strong>Test new features free before you charge for them.</strong> Goligoski&#8217;s suggestion for the free-versus-paid feature question: launch new features free first, watch uptake, get people to describe the value in their own words, and work out the rough edges before you decide whether it becomes a paid add-on or a built-in part of the product.</p>



<p class="wp-block-paragraph"><strong>When you research your gap between positioning and perceived value, don&#8217;t blend your audiences.</strong> Talk to loyal long-term subscribers, low-frequency readers, and non-subscribers separately, and be explicit — internally — about exactly who any given finding came from. Self-reported research also goes stale fast, so treat it as something to refresh regularly rather than a one-time study you cite for years.</p>



<hr class="wp-block-separator has-alpha-channel-opacity"/>



<p class="wp-block-paragraph"><strong>The takeaway to carry into your next packaging conversation:</strong> don&#8217;t start with pricing, and don&#8217;t start with the bundle itself. Start with audience needs and wants, including the friction points people tell you about. The best package isn&#8217;t the one with the most crammed into it — <strong>it&#8217;s the one your subscriber would actually notice if it disappeared</strong>.</p>



<p class="wp-block-paragraph">        </div>
                <div
            class="poool-access-paywall locked"
            id="poool-widget-e31e52a416441"
                            data-blocking-method="client"
                                                                            data-page-type="free"
                    ></div>
        <div className="engage-post-paywall-banner" data-display-on="release"></div>
    </p>



<p class="wp-block-paragraph"></p>
      <div data-ta-component="payment-form"></div>
            <div
            class="poool-engage-element"
                            id="engage-post-content-banner"
                                ></div>
            <div
            class="poool-engage-element"
                            id="engage-fullscreen-banner"
                                ></div>
    <p>The post <a href="https://theaudiencers.com/before-you-bundle-how-to-find-out-what-your-subscribers-actually-want/">Before you bundle: how to find out what your subscribers actually want</a> appeared first on <a href="https://theaudiencers.com">Audiencers</a>.</p>
]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>The Washington Post tests flexible access models, addressing the gap between willingness to pay and willingness to commit</title>
		<link>https://theaudiencers.com/the-washington-post-tests-flexible-access-models-addressing-the-gap-between-willingness-to-pay-and-willingness-to-commit/</link>
		
		<dc:creator><![CDATA[Madeleine White]]></dc:creator>
		<pubDate>Mon, 29 Jun 2026 15:45:06 +0000</pubDate>
				<category><![CDATA[Decisions]]></category>
		<category><![CDATA[Case Studies]]></category>
		<category><![CDATA[Subscription]]></category>
		<category><![CDATA[The Washington Post]]></category>
		<guid isPermaLink="false">https://theaudiencers.com/?p=52543</guid>

					<description><![CDATA[<p>WP's shift towards a broader monetisation strategy centered on flexible access, shifting the way value is captured</p>
<p>The post <a href="https://theaudiencers.com/the-washington-post-tests-flexible-access-models-addressing-the-gap-between-willingness-to-pay-and-willingness-to-commit/">The Washington Post tests flexible access models, addressing the gap between willingness to pay and willingness to commit</a> appeared first on <a href="https://theaudiencers.com">Audiencers</a>.</p>
]]></description>
										<content:encoded><![CDATA[        <div
            class="poool-engage-element"
                            id="engage-pre-content-banner"
                                ></div>
    
<p class="wp-block-paragraph"><a href="https://www.linkedin.com/in/anjali-k-iyer/" target="_blank" rel="noreferrer noopener">Anjali Iyer</a>, Global Head of Subscriptions at <em>The Washington Post</em>, delivered a session at the Audiencers&#8217; Festival in London focused on how news organisations must adapt to modern consumer habits by expanding beyond rigid subscription structures.</p>



<p class="wp-block-paragraph">Invited by event partners, <a href="https://arcmarketing-arc-marketing-prod-staging.web.arc-cdn.net/">Arc XP</a>, the platform and CMS for media companies, Anjli outlined <em>The Washington Post’s</em> shift toward a broader monetisation strategy centred on <strong>flexible access</strong>, shifting the way that value is captured.</p>



<style data-wp-block-html="css">
.ta-box{background:#f2f7f2!important;border:0!important;border-top:4px solid #f5e663!important;border-radius:10px!important;padding:24px 28px!important;margin:2rem 0!important}
.ta-box .ta-top{display:flex!important;align-items:center!important;justify-content:space-between!important;gap:16px!important;margin:0 0 12px!important;padding:0!important;border:0!important}
.ta-box .ta-title{font-family:ui-monospace,Menlo,monospace!important;font-weight:700!important;font-size:15px!important;text-transform:none!important;letter-spacing:0!important}
.ta-box .ta-btn{font-family:ui-monospace,Menlo,monospace!important;font-size:13px!important;font-weight:400!important;line-height:1.2!important;padding:6px 14px!important;border:1px solid #1d9e75!important;background:#fff!important;background-image:none!important;color:#1d9e75!important;border-radius:6px!important;cursor:pointer!important;white-space:nowrap!important;text-transform:none!important;letter-spacing:0!important;box-shadow:none!important;width:auto!important;height:auto!important;min-width:0!important}
.ta-box .ta-btn:hover{background:#1d9e75!important;color:#fff!important}
.ta-box .ta-text{font-family:ui-monospace,Menlo,monospace!important;font-size:15px!important;line-height:1.7!important;white-space:pre-wrap!important;margin:0!important;padding:0!important;background:none!important;background-color:transparent!important;border:0!important;border-radius:0!important;overflow:visible!important;max-height:none!important}
.ta-box .ta-text{box-shadow:none!important;filter:none!important;outline:none!important}
</style>

<div class="ta-box">
  <div class="ta-top">
    <span class="ta-title">Key takeaways to copy &amp; share</span>
    <button type="button" class="ta-btn" onclick="taCopy(this)">Copy</button>
  </div>
  <pre class="ta-text">&gt; Traditional hard paywalls face a bottleneck: out of 100 anonymous readers who hit one, 74% abandon the site. Only 1% subscribe, and of that tiny fraction, 13% churn on day one because they only wanted that single article

&gt; The data exposes a massive gap between the willingness to pay and the willingness to commit. Modern readers, particularly younger cohorts, operate in a fragmented digital landscape shaped by streaming services, search loops, and social algorithms. They demand short-term choices and are often willing to pay a premium price for temporary access over a recurring subscription package

&gt; The Washington Post's solution is flexible access models. By testing micropayments (weekly and pay passes, as well as pay-per-article with an in-paywall mobile payment module), they're uncovering an untapped market: 42% of flexible access buyers are brand-new, anonymous users outside the existing ecosystem

&gt; While core subscribers buy for politics and opinion, transactional buyers over-index heavily on lifestyle, wellness, and investigative deep-dives. These users arrive via search/social, and 50% checkout via Apple Pay (compared to just 30% of standard subscribers)

&gt; Interestingly, this also serves as a nurturing mechanism for long-term subscriber growth. Over a 180-day period, up to 8% of week-pass buyers, 4% of day pass buyers, and 3% of pay-per-article buyers eventually became full subscribers</pre>
</div>

<script>
function taCopy(btn){
  var box = btn.closest('.ta-box');
  var t = box.querySelector('.ta-text').innerText;
  navigator.clipboard.writeText(t + '\n\nvia ' + window.location.origin + window.location.pathname).then(function(){
    btn.textContent = 'Copied';
    setTimeout(function(){ btn.textContent = 'Copy'; }, 2000);
  });
}
</script>



<h2 class="wp-block-heading">The incomplete subscription model</h2>



<p class="wp-block-paragraph">Publishers share a collective obsession with subscriber growth. However, maintaining and expanding this base is becoming increasingly difficult as churn grows more expensive. Over the past few decades, media organisations built vast digital subscription operations by asking their most loyal readers to commit long-term.</p>



<p class="wp-block-paragraph">While successful, this framework is facing a critical bottleneck. Industry data reveals that out of 100 anonymous users who hit a hard paywall, 74% will simply abandon the site, while only a single reader (1%) will convert into a subscriber.</p>



<p class="wp-block-paragraph">Of that tiny conversion pool, retention is highly fragile:</p>



<ul class="wp-block-list">
<li><strong>13% churn on day one</strong>, meaning the user bought a subscription solely to access a single, moment-driven story, and immediately cancelled once their immediate need was met.</li>



<li><strong>40% churn within the first six months</strong>.</li>
</ul>



<p class="wp-block-paragraph">This reality exposes a massive gap between <strong>the willingness to pay and the willingness to commit</strong>. Modern readers, particularly younger cohorts, operate in a fragmented digital landscape shaped by streaming services, search loops, and social algorithms. They demand short-term choices and are often willing to pay a premium price for temporary access over a recurring subscription package.</p>



<h2 class="wp-block-heading">Defining the flexible access market</h2>



<p class="wp-block-paragraph">To capture the vast audience that traditionally walks away from a hard paywall, publishers must widen their monetisation funnel. <em>The Washington Post’s</em> market research in the United States identified a substantial untapped addressable market:</p>



<ul class="wp-block-list">
<li><strong>38 million engaged citizens</strong> are actively interested in news.</li>



<li><strong>19 million</strong> of those consumers express explicit interest in flexible access options.</li>



<li><strong>12 million are actively willing to pay</strong> for the right short-term product at the correct price point.</li>
</ul>



<p class="wp-block-paragraph">When publishers offer flexible access side-by-side with standard recurring subscriptions, overall user conversion increases <strong>1.2x</strong>, and long-term subscriber retention improves by <strong>6 percentage points</strong>.</p>



<h2 class="wp-block-heading">Testing the flexible access products</h2>



<p class="wp-block-paragraph">To determine how to capture this demand without devaluing their core subscription model, <em>The Washington Post</em> conducted extensive customer testing across three primary transaction models:</p>



<ol class="wp-block-list">
<li>&nbsp;The week pass: Appealing to 62% of surveyed consumers, this product is highly popular during intense, moment-driven breaking news cycles where readers want to follow a developing story for a few consecutive days.</li>



<li>The day pass: Appealing to 57% of consumers, this option provides a friction-free, low-commitment window for casual site visitors.</li>



<li>Pay-per-article: Appealing to 46% of consumers, this model allows readers to immediately unlock a single piece of journalism via a frictionless digital wallet transaction.</li>
</ol>



<p class="wp-block-paragraph">During live pricing experiments for the week pass, the team tested price points at <strong>$4, $7, and $10</strong> as standalone, one-time payments shown side-by-side with recurring monthly and yearly subscription prompts.</p>



<p class="wp-block-paragraph">For the pay-per-article interface, they deployed a highly optimised <strong>widget directly inside the paywall layer</strong>. A reader can enter their email address and use a frictionless mobile payment method (such as Apple Pay or a credit card) to execute a one-time <strong>$2.00 purchase</strong> (plus local sales tax) that unlocks access to that specific article for one calendar year.</p>



<h2 class="wp-block-heading">The profile of a flexible access purchaser</h2>



<p class="wp-block-paragraph">The data explicitly proves that flexible access buyers are not just early-stage subscribers who are downscaling their commitments. Instead, they represent an entirely different audience profile that hard paywalls completely lock out.</p>



<ul class="wp-block-list">
<li><strong>Content preferences:</strong> Unlike core subscribers who are driven primarily by heavy politics and opinion pieces, flexible access buyers over-index significantly on non-political lifestyle, wellness, deep investigative features, and historical archive content.</li>



<li><strong>Device and payment footprint:</strong> This audience is heavily mobile-first, with <strong>more than half visiting via mobile devices and purchasing via Apple Pay </strong>compared to subscribers.</li>



<li><strong>Discovery pathways:</strong> They are <strong>1x to 2x more likely to discover articles via search engine optimization or social media channels</strong>, arriving with highly specific, momentary search intent.</li>
</ul>



<h2 class="wp-block-heading">The pathway to long-term subscriptions</h2>



<p class="wp-block-paragraph">While flexible access is built to capture transactional, short-term demand, it also serves as an elite nurturing mechanism for long-term subscriber growth. Over a 180-day horizon, there is a strong statistical probability of transactional buyers upgrading to recurring, full-time subscriptions:</p>



<ul class="wp-block-list">
<li><strong>8% of week pass buyers</strong> transition into full subscribers.</li>



<li><strong>4% of day pass buyers</strong> upgrade to full subscriptions.</li>



<li><strong>3% of pay-per-article buyers</strong> eventually become subscribers.</li>
</ul>



<p class="wp-block-paragraph">When evaluating <em>who</em> is performing these upgrades, the lifecycle acts equally as a net-new acquisition tool and a win-back loop:&nbsp;</p>



<ul class="wp-block-list">
<li><strong>40% of upgraders are existing site registrants</strong></li>



<li><strong>35% are entirely new registrants</strong></li>



<li><strong>25% are previous subscribers returning to the brand</strong>.&nbsp;</li>
</ul>



<p class="wp-block-paragraph">Furthermore, these flexible entry points attract high-intent customers, with <strong>13% of all upgraders bypassing the basic subscription tier to jump directly into the highest-yield premium tier</strong>.</p>



<p class="wp-block-paragraph">While approximately 91% of flexible access buyers remain single-use transactions, a growing, habitual cohort is developing, with <strong>9% of pay-per-article buyers, 8% of week pass buyers, and 5% of day pass buyers demonstrating repeat purchasing behavior</strong>.</p>



<h2 class="wp-block-heading">Driving overall organisational growth</h2>



<p class="wp-block-paragraph">When evaluating total paying user growth across the entire funnel, <strong>pay-per-article options deliver the highest overall volume lift at 83%</strong>, followed by the day pass at 35% and the week pass at 19%. Because pay-per-article operates as a frictionless entry point, it yields the highest efficiency and retention results among readers who are structurally unready to commit to a long-term media subscription.</p>



<p class="wp-block-paragraph">Ultimately, this represents a major philosophical pivot for modern publishing groups. Rather than treating monetisation as a choice between a hard subscription paywall or zero return, organisations must build a diversified revenue tier:</p>



<ol class="wp-block-list">
<li><strong>Off-platform partnerships &amp; licensing:</strong> Reaching audiences beyond owned and operated properties.</li>



<li><strong>Flexible access:</strong> Transactional, non-recurring options designed to monetize an untapped, high-intent audience.</li>



<li><strong>Core subscriptions:</strong> The foundational, enterprise, and standard domestic news consumer.</li>



<li><strong>Premium subscriptions:</strong> Higher-yield tiers that include multi-account sharing capabilities.</li>



<li><strong>WP Intelligence Subscriptions &amp; Councils:</strong> B2B analytical products for subscriptions and invite-only councils specialized executive loops tailored for policy and corporate leaders.</li>
</ol>



<p class="wp-block-paragraph">Implementing this layered approach transforms user monetization from a simple transactional gate into a holistic, long-term ecosystem. It effectively captures diverse consumer demands across different points of the user journey, creating a sustainable foundation for modern newsrooms.</p>



<p class="wp-block-paragraph">Thank you to Anjali for sharing these insights, and to <a href="https://www.arcxp.com/" target="_blank" rel="noreferrer noopener">Arc XP </a>for supporting our event.</p>



<p class="wp-block-paragraph">About <em>Arc XP: Arc XP is a cloud-native enterprise content management system (CMS) built for publishers and broadcasters. Designed as a complete media operating system, Arc XP connects content, identity, personalization, monetization, and AI — empowering media brands to own their audience, activate first-party data, and build sustainable, independent revenue. Media companies use Arc XP to create, deliver, and scale digital experiences across every channel.</em></p>



<p class="wp-block-paragraph"></p>
      <div data-ta-component="payment-form"></div>
            <div
            class="poool-engage-element"
                            id="engage-post-content-banner"
                                ></div>
            <div
            class="poool-engage-element"
                            id="engage-fullscreen-banner"
                                ></div>
    <p>The post <a href="https://theaudiencers.com/the-washington-post-tests-flexible-access-models-addressing-the-gap-between-willingness-to-pay-and-willingness-to-commit/">The Washington Post tests flexible access models, addressing the gap between willingness to pay and willingness to commit</a> appeared first on <a href="https://theaudiencers.com">Audiencers</a>.</p>
]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>Inside Le Monde in English: Four Years in and already profitable</title>
		<link>https://theaudiencers.com/inside-le-monde-in-english-four-years-in-and-already-profitable/</link>
		
		<dc:creator><![CDATA[Madeleine White]]></dc:creator>
		<pubDate>Mon, 22 Jun 2026 16:03:03 +0000</pubDate>
				<category><![CDATA[Inspirations]]></category>
		<category><![CDATA[Case Studies]]></category>
		<category><![CDATA[Editorial work and products]]></category>
		<category><![CDATA[Le Monde]]></category>
		<category><![CDATA[Subscription]]></category>
		<guid isPermaLink="false">https://theaudiencers.com/?p=52486</guid>

					<description><![CDATA[<p>Why an English version of Le Monde? Why now? And how? Director of Diversification Arnaud Aubron explains at Audiencers' Festival London</p>
<p>The post <a href="https://theaudiencers.com/inside-le-monde-in-english-four-years-in-and-already-profitable/">Inside Le Monde in English: Four Years in and already profitable</a> appeared first on <a href="https://theaudiencers.com">Audiencers</a>.</p>
]]></description>
										<content:encoded><![CDATA[        <div
            class="poool-engage-element"
                            id="engage-pre-content-banner"
                                ></div>
    
<p class="wp-block-paragraph">At the Audiencers’ Festival in London, <a href="https://www.linkedin.com/in/arnaudaubron/" target="_blank" rel="noreferrer noopener">Arnaud Aubron</a>, Director of Diversification at <em>Le Monde</em>, took to the stage to share the journey of <em>Le Monde in English</em>, a project that the organisation has dreamed of for 50 years.&nbsp;</p>



<p class="wp-block-paragraph">With technological advances and the move to digital, Le Monde in English was launched in 2022, and has since gone from strength to strength.&nbsp;</p>



<style data-wp-block-html="css">
.ta-box{background:#f2f7f2!important;border:0!important;border-top:4px solid #f5e663!important;border-radius:10px!important;padding:24px 28px!important;margin:2rem 0!important}
.ta-box .ta-top{display:flex!important;align-items:center!important;justify-content:space-between!important;gap:16px!important;margin:0 0 12px!important;padding:0!important;border:0!important}
.ta-box .ta-title{font-family:ui-monospace,Menlo,monospace!important;font-weight:700!important;font-size:15px!important;text-transform:none!important;letter-spacing:0!important}
.ta-box .ta-btn{font-family:ui-monospace,Menlo,monospace!important;font-size:13px!important;font-weight:400!important;line-height:1.2!important;padding:6px 14px!important;border:1px solid #1d9e75!important;background:#fff!important;background-image:none!important;color:#1d9e75!important;border-radius:6px!important;cursor:pointer!important;white-space:nowrap!important;text-transform:none!important;letter-spacing:0!important;box-shadow:none!important;width:auto!important;height:auto!important;min-width:0!important}
.ta-box .ta-btn:hover{background:#1d9e75!important;color:#fff!important}
.ta-box .ta-text{font-family:ui-monospace,Menlo,monospace!important;font-size:15px!important;line-height:1.7!important;white-space:pre-wrap!important;margin:0!important;padding:0!important;background:none!important;background-color:transparent!important;border:0!important;border-radius:0!important;overflow:visible!important;max-height:none!important}
.ta-box .ta-text{box-shadow:none!important;filter:none!important;outline:none!important}
</style>

<div class="ta-box">
  <div class="ta-top">
    <span class="ta-title">Key takeaways to copy &amp; share</span>
    <button type="button" class="ta-btn" onclick="taCopy(this)">Copy</button>
  </div>
  <pre class="ta-text">&gt; Le Monde has wanted to launch an English edition for 50+ years, but technological advances (AI translations) and digital subscriptions (delivering value internationally with ease) finally made the project possible in 2022. It's also an important move for the brand to continue to grow beyond the limited French market

&gt; Content: Le Monde in English doesn't create original content; it exclusively translates a curated selection of the French edition (30% of all articles from Le Monde)

&gt; Because an international reader is highly likely to already hold a primary subscription to a domestic title like The New York Times or The Guardian, Le Monde in English positions itself as a "second read," with a highly accessible pricing structure (starting at €2.50/month for the first year)

&gt; Performance so far: around 16,000 active subscribers, 50% of whom are from the US. Approx. 5 million monthly visits, and subscriptions are the core business driver, representing 66.2% of revenue, followed by licensing (16.9%), B2B (12.3%) and advertising (4.6%)

&gt; "It's not about translation": success comes down to content market fit, product distribution, and understanding the distinct profile of your international audience. And whilst AI has driven productivity gains on this front, it's also created journalism jobs - AI handles the mechanical translation, freeing human journalists to focus purely on editing, nuance, and curation</pre>
</div>

<script>
function taCopy(btn){
  var box = btn.closest('.ta-box');
  var t = box.querySelector('.ta-text').innerText;
  navigator.clipboard.writeText(t + '\n\nvia ' + window.location.origin + window.location.pathname).then(function(){
    btn.textContent = 'Copied';
    setTimeout(function(){ btn.textContent = 'Copy'; }, 2000);
  });
}
</script>



<h2 class="wp-block-heading">Why an English version and why now?</h2>



<p class="wp-block-paragraph">The fundamental reason for publishing in English is simple: to speak to the world, you have to speak English. If <em>Le Monde</em> wanted its journalism to have a truly global impact, keeping it exclusively in French was no longer an option.</p>



<p class="wp-block-paragraph">But the more pressing question was <em>why now?</em></p>



<h3 class="wp-block-heading">1. Reaching the glass ceiling in France</h3>



<p class="wp-block-paragraph">As of December 31, 2025, <em>Le Monde</em> ranked number one in digital subscriptions in France, boasting <strong>602,218 purely digital subscribers</strong>. Additionally, <em>Le Monde</em> drove 35% of all digital subscriber growth in France in 2025.</p>


<div class="wp-block-image">
<figure class="aligncenter size-large is-resized"><img data-dominant-color="f3f4f4" data-has-transparency="false" loading="lazy" decoding="async" width="626" height="1024" sizes="(max-width: 626px) 100vw, 626px" src="https://theaudiencers.com/wp-content/uploads/2026/06/image-9-1-626x1024.jpg" alt="" class="wp-image-52495 not-transparent" style="--dominant-color: #f3f4f4; aspect-ratio:0.6117169808699517;width:340px;height:auto" srcset="https://theaudiencers.com/wp-content/uploads/2026/06/image-9-1-626x1024.jpg 626w, https://theaudiencers.com/wp-content/uploads/2026/06/image-9-1-184x300.jpg 184w, https://theaudiencers.com/wp-content/uploads/2026/06/image-9-1-768x1255.jpg 768w, https://theaudiencers.com/wp-content/uploads/2026/06/image-9-1-332x543.jpg 332w, https://theaudiencers.com/wp-content/uploads/2026/06/image-9-1-664x1085.jpg 664w, https://theaudiencers.com/wp-content/uploads/2026/06/image-9-1-688x1125.jpg 688w, https://theaudiencers.com/wp-content/uploads/2026/06/image-9-1.jpg 794w" /><figcaption class="wp-element-caption">Digital subscriber figures for French media </figcaption></figure>
</div>


<p class="wp-block-paragraph">While the publication possesses elite know-how in digital subscriptions, the French market itself is capped. The total addressable market in France sits around 3.3 million total news subscribers across all publications. With <em>Le Monde</em> capturing such a significant portion, the team faced a looming question: <em>Can we hit 1 million or 1.5 million subscribers in a market this small?</em> They simply didn&#8217;t know. To sustain further growth, they had to look beyond their domestic, and linguistic, borders.        <div
            class="restricted-content"
            data-poool-mode="excerpt"
            data-poool="80"
                    >
            </p>



<h3 class="wp-block-heading">2. The tech triggers</h3>



<p class="wp-block-paragraph">Two key factors finally made the project feasible in 2022:</p>



<ul class="wp-block-list">
<li><strong>Artificial Intelligence:</strong> AI finally matured enough to drastically lower the financial and temporal costs of translation.</li>



<li><strong>The digital subscription model:</strong> Unlike the 1970s print attempt, which incurred immense logistics costs to print and ship copies across the UK and US without any guarantee of sales, digital distribution completely eliminates the friction of international expansion.</li>
</ul>



<p class="wp-block-paragraph">Aubron contrasted this with The New York Times, which launched a Spanish edition in 2016 but shuttered it a few years later. The New York Times relied heavily on manual translation without AI and built a business model dependent on advertising rather than subscriptions, a strategy that ultimately proved unsustainable.</p>



<figure class="wp-block-image size-large"><img data-dominant-color="bcbfbe" data-has-transparency="false" style="--dominant-color: #bcbfbe;" loading="lazy" decoding="async" width="1024" height="495" sizes="(max-width: 1024px) 100vw, 1024px" src="https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-19-a-13.46.30-1024x495.jpg" alt="" class="wp-image-52497 not-transparent" srcset="https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-19-a-13.46.30-1024x495.jpg 1024w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-19-a-13.46.30-300x145.jpg 300w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-19-a-13.46.30-768x371.jpg 768w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-19-a-13.46.30-1536x742.jpg 1536w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-19-a-13.46.30-2048x990.jpg 2048w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-19-a-13.46.30-332x160.jpg 332w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-19-a-13.46.30-664x321.jpg 664w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-19-a-13.46.30-688x332.jpg 688w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-19-a-13.46.30-1044x504.jpg 1044w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-19-a-13.46.30-1400x676.jpg 1400w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-19-a-13.46.30-1920x928.jpg 1920w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-19-a-13.46.30.jpg 2560w" /></figure>



<h2 class="wp-block-heading">The launch and operational workflow</h2>



<p class="wp-block-paragraph">Following Aubron&#8217;s appointment in September 2021, the project launched in April 2022 to coincide with the French presidential elections.</p>



<p class="wp-block-paragraph">At launch, the assumption was that AI could handle the heavy lifting, followed by a quick proofread. In reality, it required much more human intervention.</p>



<ol class="wp-block-list">
<li><strong>DeepL translation:</strong> The software was used to generate the initial baseline translation. While highly rated, the technology in 2022 still required heavy editing to meet <em>Le Monde&#8217;s</em> journalistic standards.</li>



<li><strong>Professional freelance translators:</strong> To ensure maximum quality for a premium subscription product, two translator agencies were brought in to meticulously review and correct the AI-generated text.</li>



<li><strong>In-house editorial team:</strong> A dedicated team of 8 journalists was embedded directly within the French newsroom. This physical proximity allowed them to collaborate, anticipate news, and edit translations seamlessly alongside the original authors.</li>
</ol>



<h2 class="wp-block-heading">Article selection: quality over quantity</h2>



<p class="wp-block-paragraph"><em>Le Monde in English</em> does not create original content; it exclusively translates a curated selection of the French edition.</p>



<ul class="wp-block-list">
<li><strong>30% of French articles translated:</strong> The team skips live coverage, podcasts, and strictly local French wire stories (e.g., specific domestic politics, local school or banking issues) that hold little relevance to an international audience.</li>



<li><strong>+10 daily dispatches:</strong> They supplement translated deep-dives with roughly ten English news dispatches per day to provide hot news.</li>
</ul>



<h2 class="wp-block-heading">Pricing: A &#8220;second read&#8221; strategy</h2>



<p class="wp-block-paragraph">Because an international reader is highly likely to already hold a primary subscription to a domestic title like <em>The New York Times</em> or <em>The Guardian</em>, <em>Le Monde in English</em> positions itself as a &#8220;second read.&#8221;</p>



<p class="wp-block-paragraph">To account for this, the pricing structure had to be highly accessible:</p>



<ul class="wp-block-list">
<li><strong>Introductory price:</strong> €2.50 per month for the first year.</li>



<li><strong>Standard price:</strong> Loops up to €10.00 per month progressively.</li>



<li><strong>Average price point:</strong> As of March 2026, the average revenue per user sits at <strong>€4.66</strong>.</li>
</ul>



<figure class="wp-block-image size-large"><img data-dominant-color="dee3e9" data-has-transparency="false" style="--dominant-color: #dee3e9;" loading="lazy" decoding="async" width="1024" height="755" sizes="(max-width: 1024px) 100vw, 1024px" src="https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-19-a-13.47.50-1024x755.jpg" alt="" class="wp-image-52499 not-transparent" srcset="https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-19-a-13.47.50-1024x755.jpg 1024w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-19-a-13.47.50-300x221.jpg 300w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-19-a-13.47.50-768x567.jpg 768w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-19-a-13.47.50-1536x1133.jpg 1536w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-19-a-13.47.50-332x245.jpg 332w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-19-a-13.47.50-664x490.jpg 664w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-19-a-13.47.50-688x508.jpg 688w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-19-a-13.47.50-1044x770.jpg 1044w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-19-a-13.47.50-1400x1033.jpg 1400w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-19-a-13.47.50.jpg 1906w" /></figure>



<p class="wp-block-paragraph">Aubron noted that an attempt to raise prices in 2025 stalled subscriber growth because the price increase came at a time when audience acquisition hadn&#8217;t scaled sufficiently to absorb the change. Lesson learned: a secondary read strategy demands highly sensitive, highly competitive pricing.</p>



<h2 class="wp-block-heading">Four years later: audience &amp; subscription performance</h2>



<p class="wp-block-paragraph">The strategy has paid off, yielding steady traffic and subscription growth since the launch 4 years ago.</p>



<ul class="wp-block-list">
<li><strong>Current Subscriber Base:</strong> Hovering near <strong>16,000 active subscribers</strong>.</li>



<li><strong>The American engine:</strong> A staggering <strong>50% of all subscribers come from the United States</strong>. Aubron attributed this to a stark cultural difference in the propensity to pay for news: while only roughly 10% of French consumers pay for digital news, closer to 20% of Americans do. The subscriber base consists heavily of students, retirees, and individuals with an existing personal, educational, or marital link to France.</li>



<li><strong>Global traffic footprint:</strong> The platform pulls in approximately <strong>5 million monthly visits</strong>.
<ul class="wp-block-list">
<li><em>United States:</em> 38.5%</li>



<li><em>United Kingdom:</em> 12.2%</li>



<li><em>Canada:</em> 9.5%</li>



<li><em>France:</em> 7.3% (although access to the English edition from France is limited to subscribers on higher-tier plans)</li>



<li><em>India: </em>the fastest-growing traffic segment</li>



<li>Germany: the first non-anglophone country.</li>
</ul>
</li>
</ul>



<figure class="wp-block-image size-large"><img data-dominant-color="151414" data-has-transparency="true" style="--dominant-color: #151414;" loading="lazy" decoding="async" width="1024" height="578" sizes="(max-width: 1024px) 100vw, 1024px" src="https://theaudiencers.com/wp-content/uploads/2026/06/image-8-1024x578.png" alt="" class="wp-image-52487 has-transparency" srcset="https://theaudiencers.com/wp-content/uploads/2026/06/image-8-1024x578.png 1024w, https://theaudiencers.com/wp-content/uploads/2026/06/image-8-300x169.png 300w, https://theaudiencers.com/wp-content/uploads/2026/06/image-8-768x434.png 768w, https://theaudiencers.com/wp-content/uploads/2026/06/image-8-1536x867.png 1536w, https://theaudiencers.com/wp-content/uploads/2026/06/image-8-332x187.png 332w, https://theaudiencers.com/wp-content/uploads/2026/06/image-8-664x375.png 664w, https://theaudiencers.com/wp-content/uploads/2026/06/image-8-688x388.png 688w, https://theaudiencers.com/wp-content/uploads/2026/06/image-8-1044x589.png 1044w, https://theaudiencers.com/wp-content/uploads/2026/06/image-8-1400x790.png 1400w, https://theaudiencers.com/wp-content/uploads/2026/06/image-8.png 1722w" /></figure>



<h2 class="wp-block-heading">What do they read?</h2>



<p class="wp-block-paragraph">True to <em>Le Monde’s</em> core strengths, the most read sections are <strong>international news, French politics, and economy</strong>. Surprisingly, culture and lifestyle pieces perform exceptionally well; articles about new Parisian restaurant openings or art exhibitions see massive engagement from readers living as far away as Texas and Florida.</p>



<h2 class="wp-block-heading">Subscriber acquisition strategies</h2>



<p class="wp-block-paragraph">To recruit international subscribers, <em>Le Monde</em> deploys a three-pronged approach:</p>



<ol class="wp-block-list">
<li><strong>Leveraging LeMonde.fr’s SEO hierarchy:</strong> Internal debates weighed whether to launch on a standalone domain (LeMonde.com) or a subdirectory (LeMonde.fr/en). Choosing LeMonde.fr proved to be a major SEO blessing, allowing the English edition to instantly draft off the massive domain authority of the main French site.</li>



<li><strong>Paid acquisition adjustments:</strong> Google advertising is a core driver. Aubron also highlighted a massive breakthrough in their Meta acquisition costs: after peaking at an expensive <strong>€86.90 cost-per-acquisition (CPA)</strong> in late 2025, optimization strategies successfully drove that CPA down to just <strong>€9.30 by March 2026</strong>.</li>



<li><strong>Strategic publisher partnerships:</strong> By setting up reciprocal marketing exchanges with premium Anglo-Saxon publishers (<em>The New York Times</em>, <em>The Guardian</em>, <em>The Atlantic</em>), <em>Le Monde</em> cross-promotes free trial offers directly to highly qualified audiences who are already accustomed to paying for premium journalism.</li>
</ol>



<h2 class="wp-block-heading">Achieving break-even</h2>



<p class="wp-block-paragraph">The most significant milestone of the session was the announcement that <strong>Le Monde in English has officially achieved financial break-even in 2026, a full year ahead of the initial business plan.</strong></p>



<h3 class="wp-block-heading">Revenue breakdown:</h3>



<ul class="wp-block-list">
<li><strong>Subscriptions:</strong> 66.2% (The core driver of the business).</li>



<li><strong>Licensing:</strong> 16.9%.</li>



<li><strong>B2B:</strong> 12.3%.</li>



<li><strong>Advertising:</strong> 4.6%.</li>
</ul>



<h2 class="wp-block-heading">Product evolutions: what&#8217;s new today?</h2>



<p class="wp-block-paragraph">Since its 2022 launch, the operational model has undergone substantial changes, heavily driven by advancements in generative AI:</p>



<h3 class="wp-block-heading">AI-driven productivity gains</h3>



<ul class="wp-block-list">
<li><strong>The transition to ChatGPT:</strong> <em>Le Monde</em> migrated its primary translation workflow away from DeepL to customized ChatGPT protocols. This allowed the team to deeply bake <em>Le Monde’s</em> distinct editorial tone and style guides directly into the translation layer.</li>



<li><strong>Eliminating the translation layer:</strong> The quality of generative AI advancements and the know-how developed by the team of journalists completely eliminated the need for external freelance translators.</li>



<li><strong>Creating journalism jobs via AI:</strong> Instead of using tech to downsize, <em>Le Monde</em> redirected those cost savings into expanding its internal editorial team from 8 to <strong>10 full-time in-house journalists</strong>. AI handles the mechanical translation, freeing human journalists to focus purely on editing, nuance, and curation.</li>
</ul>



<h3 class="wp-block-heading">Platform and multimedia expansion</h3>



<ul class="wp-block-list">
<li><strong>A bilingual app:</strong> They integrated a native toggle inside the core <em>Le Monde</em> app, allowing users to switch effortlessly between the French and English editions. While app users represent just 4% of total English traffic, they account for a massive <strong>49% of all English subscribers</strong>.</li>



<li><strong>A dedicated YouTube channel:</strong> Rather than merging video content, they launched a standalone English YouTube channel. High-end video investigations have achieved breakout success: their video on Dubai money laundering garnered <strong>760,000 views</strong> (vs. 1 million for the French original), and their documentary on the November 13 Paris attacks pulled in <strong>2 million views</strong> (nearly matching the 2.2 million views of the French version).</li>



<li><strong>Apple News+ integration:</strong> <em>Le Monde in English</em> is now available directly within the Apple News+ ecosystem to capture a broader layer of casual readers.</li>



<li><strong>M International magazine:</strong> In March 2025, they went &#8220;back to paper&#8221; by launching a premium, biannual print magazine called <em>M International</em> (themed &#8220;The French Touch&#8221;). They distribute 25,000 copies across 350 elite newsstands in 20 countries and 37 global cities.</li>
</ul>



<h2 class="wp-block-heading">Key takeaways</h2>



<p class="wp-block-paragraph">Aubron concluded his presentation with three definitive lessons learned over the four-year journey:</p>



<ul class="wp-block-list">
<li><strong>It’s not about translation:</strong> Translation is now a commoditized utility. Success comes down to content market fit, product distribution, and understanding the distinct profile of your international audience.</li>



<li><strong>Hard to imagine working in another language:</strong> Due to global curiosity around French <em>art de vivre</em>, culture, and global politics, in the US, the English edition works beautifully. However, Aubron noted he would not attempt to launch a Spanish or German edition of <em>Le Monde </em>yet, as those markets lack the critical size and same unique cross-border structural demand.</li>



<li><strong>AI can create jobs:</strong> The project stands as living proof that when publishers embrace automated productivity tools like generative AI, they can reinvest the dividends directly into hiring more human journalists to elevate the final product.</li>
</ul>



<p class="wp-block-paragraph">        </div>
                <div
            class="poool-access-paywall locked"
            id="poool-widget-d982bcc8eae90"
                            data-blocking-method="client"
                                                                            data-page-type="free"
                    ></div>
        <div className="engage-post-paywall-banner" data-display-on="release"></div>
    </p>
      <div data-ta-component="payment-form"></div>
            <div
            class="poool-engage-element"
                            id="engage-post-content-banner"
                                ></div>
            <div
            class="poool-engage-element"
                            id="engage-fullscreen-banner"
                                ></div>
    <p>The post <a href="https://theaudiencers.com/inside-le-monde-in-english-four-years-in-and-already-profitable/">Inside Le Monde in English: Four Years in and already profitable</a> appeared first on <a href="https://theaudiencers.com">Audiencers</a>.</p>
]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>Knowing the value of our users: Ringier combines revenue from readers and advertising to calculate holistic Customer Lifetime Value</title>
		<link>https://theaudiencers.com/knowing-the-value-of-our-users-ringier-combines-revenue-from-readers-and-advertising-to-calculate-holistic-customer-lifetime-value/</link>
		
		<dc:creator><![CDATA[Madeleine White]]></dc:creator>
		<pubDate>Mon, 15 Jun 2026 08:01:36 +0000</pubDate>
				<category><![CDATA[Decisions]]></category>
		<category><![CDATA[Case Studies]]></category>
		<category><![CDATA[Registration]]></category>
		<category><![CDATA[Ringier]]></category>
		<category><![CDATA[Subscription]]></category>
		<guid isPermaLink="false">https://theaudiencers.com/?p=52349</guid>

					<description><![CDATA[<p>For the first time, Ringier has the hard data to prove that investing heavily in deep, direct user relationships is entirely worth the effort.</p>
<p>The post <a href="https://theaudiencers.com/knowing-the-value-of-our-users-ringier-combines-revenue-from-readers-and-advertising-to-calculate-holistic-customer-lifetime-value/">Knowing the value of our users: Ringier combines revenue from readers and advertising to calculate holistic Customer Lifetime Value</a> appeared first on <a href="https://theaudiencers.com">Audiencers</a>.</p>
]]></description>
										<content:encoded><![CDATA[        <div
            class="poool-engage-element"
                            id="engage-pre-content-banner"
                                ></div>
    
<p class="wp-block-paragraph">At the Audiencers’ Festival in London 2026, <a href="https://www.linkedin.com/in/patrick-rademacher-43631957/" target="_blank" rel="noreferrer noopener">Patrick Rademacher</a>, Chief Strategy &amp; Innovation Officer at Ringier Media Switzerland, shared how breaking down internal silos and calculating holistic Customer Lifetime Value (CLV) is transforming their revenue model, and informing decision making across the entire organisation.&nbsp;<br><br>For the first time, the publisher has the hard data to prove that investing heavily in deep, direct user relationships is entirely worth the effort.</p>



<style data-wp-block-html="css">
.ta-box{background:#f2f7f2!important;border:0!important;border-top:4px solid #f5e663!important;border-radius:10px!important;padding:24px 28px!important;margin:2rem 0!important}
.ta-box .ta-top{display:flex!important;align-items:center!important;justify-content:space-between!important;gap:16px!important;margin:0 0 12px!important;padding:0!important;border:0!important}
.ta-box .ta-title{font-family:ui-monospace,Menlo,monospace!important;font-weight:700!important;font-size:15px!important;text-transform:none!important;letter-spacing:0!important}
.ta-box .ta-btn{font-family:ui-monospace,Menlo,monospace!important;font-size:13px!important;font-weight:400!important;line-height:1.2!important;padding:6px 14px!important;border:1px solid #1d9e75!important;background:#fff!important;background-image:none!important;color:#1d9e75!important;border-radius:6px!important;cursor:pointer!important;white-space:nowrap!important;text-transform:none!important;letter-spacing:0!important;box-shadow:none!important;width:auto!important;height:auto!important;min-width:0!important}
.ta-box .ta-btn:hover{background:#1d9e75!important;color:#fff!important}
.ta-box .ta-text{font-family:ui-monospace,Menlo,monospace!important;font-size:15px!important;line-height:1.7!important;white-space:pre-wrap!important;margin:0!important;padding:0!important;background:none!important;background-color:transparent!important;border:0!important;border-radius:0!important;overflow:visible!important;max-height:none!important}
.ta-box .ta-text{box-shadow:none!important;filter:none!important;outline:none!important}
</style>

<div class="ta-box">
  <div class="ta-top">
    <span class="ta-title">Key takeaways to copy &amp; share</span>
    <button type="button" class="ta-btn" onclick="taCopy(this)">Copy</button>
  </div>
  <pre class="ta-text">&gt; Publishers have long treated one reader as two entities: the ads team chasing reach, the subs team chasing exclusivity. Ringier built a single Customer Lifetime Value combining both, and found the conflict doesn't exist

&gt; Subscribers keep generating strong advertising value precisely because they're the most engaged. Exclusivity doesn't cost you ad revenue the way the org chart assumes

&gt; On Blick.ch, a logged-in user is worth well over 30 times a consent-only one, and a Brand Lover over 50 times a casual reader

&gt; But logging in isn't the magic. The value comes from what follows: more page views, and an email address that cuts churn. Ringier built "Follow My Team" so registering buys something, and doubled daily logged-in users in a year</pre>
</div>

<script>
function taCopy(btn){
  var box = btn.closest('.ta-box');
  var t = box.querySelector('.ta-text').innerText;
  navigator.clipboard.writeText(t + '\n\nvia ' + window.location.origin + window.location.pathname).then(function(){
    btn.textContent = 'Copied';
    setTimeout(function(){ btn.textContent = 'Copy'; }, 2000);
  });}
</script>



<h2 class="wp-block-heading">“One reader is not two different entities”&nbsp;</h2>



<p class="wp-block-paragraph">For a long time in the media industry, publishing teams have worked in silos. Users were treated as entirely separate entities depending on the department looking at them:</p>



<ul class="wp-block-list">
<li><strong>The advertising side:</strong> Focused purely on maximising reach and ad impressions to drive advertising revenue.</li>



<li><strong>The reader revenue side:</strong> Focused on exclusivity and conversions to drive subscriptions.</li>
</ul>



<p class="wp-block-paragraph">This division creates a constant conflict: advertising teams demand more reach to scale ad revenues, while subscription teams countered by demanding more exclusivity to lock content behind paywalls.</p>



<p class="wp-block-paragraph">However, in reality, <strong>one reader is not two different entities, it is one and the same person</strong>. A single user can generate both advertising and reader revenue simultaneously, meaning the perceived target conflict doesn’t actually exist.&nbsp;</p>



<p class="wp-block-paragraph">What’s more, publishers have long suspected that registered audiences hold a significantly higher value than anonymous users. But without the concrete data to prove it, this debate remains stuck in opinion-based, gut-feeling discussions.&nbsp;</p>



<p class="wp-block-paragraph">So, Patrick and the team set about establishing a holistic, comprehensive <strong>Customer Lifetime Value (CLV)</strong> that combines both revenue streams.        <div
            class="restricted-content"
            data-poool-mode="excerpt"
            data-poool="80"
                    >
            </p>



<figure class="wp-block-image size-large"><img data-dominant-color="63b2d7" data-has-transparency="true" style="--dominant-color: #63b2d7;" loading="lazy" decoding="async" width="1024" height="575" sizes="(max-width: 1024px) 100vw, 1024px" src="https://theaudiencers.com/wp-content/uploads/2026/06/image-5-1024x575.png" alt="" class="wp-image-52358 has-transparency" srcset="https://theaudiencers.com/wp-content/uploads/2026/06/image-5-1024x575.png 1024w, https://theaudiencers.com/wp-content/uploads/2026/06/image-5-300x168.png 300w, https://theaudiencers.com/wp-content/uploads/2026/06/image-5-768x431.png 768w, https://theaudiencers.com/wp-content/uploads/2026/06/image-5-1536x862.png 1536w, https://theaudiencers.com/wp-content/uploads/2026/06/image-5-332x186.png 332w, https://theaudiencers.com/wp-content/uploads/2026/06/image-5-664x373.png 664w, https://theaudiencers.com/wp-content/uploads/2026/06/image-5-688x386.png 688w, https://theaudiencers.com/wp-content/uploads/2026/06/image-5-1376x774.png 1376w, https://theaudiencers.com/wp-content/uploads/2026/06/image-5-1044x586.png 1044w, https://theaudiencers.com/wp-content/uploads/2026/06/image-5-1400x786.png 1400w, https://theaudiencers.com/wp-content/uploads/2026/06/image-5.png 1838w" /></figure>



<p class="wp-block-paragraph">To break this down:</p>



<ul class="wp-block-list">
<li><strong>Reader Revenue CLV</strong> is calculated by multiplying the Average Revenue Per User by the subscription lifetime.</li>



<li><strong>Advertising CLV</strong> is calculated by multiplying the Average Revenue Per User by the readership lifetime.</li>
</ul>



<h2 class="wp-block-heading">Measuring users on two dimensions</h2>



<p class="wp-block-paragraph">Testing this new metric out, the team started with Ringier&#8217;s digital-only, German-speaking reach brand in Switzerland, <strong>Blick.ch</strong>.</p>



<p class="wp-block-paragraph">While the project started as a complex manual spreadsheet exercise, the team is currently working on automating the process directly within their data lake. Patrick emphasized that these preliminary results are meant to show &#8220;t-shirt sizes&#8221; (relative proportions) rather than precise, absolute financial figures, the main goal being to prove that the ads vs subs conflict doesn’t exist.</p>



<p class="wp-block-paragraph">The Blick user base was analysed across 2 distinct dimensions: funnel depth and loyalty.</p>



<h3 class="wp-block-heading">Dimension 1: Funnel Depth</h3>



<figure class="wp-block-image size-large"><img data-dominant-color="808fab" data-has-transparency="true" style="--dominant-color: #808fab;" loading="lazy" decoding="async" width="1024" height="308" sizes="(max-width: 1024px) 100vw, 1024px" src="https://theaudiencers.com/wp-content/uploads/2026/06/image-1024x308.png" alt="" class="wp-image-52350 has-transparency" srcset="https://theaudiencers.com/wp-content/uploads/2026/06/image-1024x308.png 1024w, https://theaudiencers.com/wp-content/uploads/2026/06/image-300x90.png 300w, https://theaudiencers.com/wp-content/uploads/2026/06/image-768x231.png 768w, https://theaudiencers.com/wp-content/uploads/2026/06/image-1536x463.png 1536w, https://theaudiencers.com/wp-content/uploads/2026/06/image-332x100.png 332w, https://theaudiencers.com/wp-content/uploads/2026/06/image-664x200.png 664w, https://theaudiencers.com/wp-content/uploads/2026/06/image-688x207.png 688w, https://theaudiencers.com/wp-content/uploads/2026/06/image-1044x314.png 1044w, https://theaudiencers.com/wp-content/uploads/2026/06/image-1400x422.png 1400w, https://theaudiencers.com/wp-content/uploads/2026/06/image.png 1554w" /></figure>



<h3 class="wp-block-heading">Dimension 2: Loyalty</h3>



<figure class="wp-block-image size-large"><img data-dominant-color="66b7c9" data-has-transparency="true" style="--dominant-color: #66b7c9;" loading="lazy" decoding="async" width="1024" height="398" sizes="(max-width: 1024px) 100vw, 1024px" src="https://theaudiencers.com/wp-content/uploads/2026/06/image-1-1024x398.png" alt="" class="wp-image-52352 has-transparency" srcset="https://theaudiencers.com/wp-content/uploads/2026/06/image-1-1024x398.png 1024w, https://theaudiencers.com/wp-content/uploads/2026/06/image-1-300x116.png 300w, https://theaudiencers.com/wp-content/uploads/2026/06/image-1-768x298.png 768w, https://theaudiencers.com/wp-content/uploads/2026/06/image-1-1536x596.png 1536w, https://theaudiencers.com/wp-content/uploads/2026/06/image-1-332x129.png 332w, https://theaudiencers.com/wp-content/uploads/2026/06/image-1-664x258.png 664w, https://theaudiencers.com/wp-content/uploads/2026/06/image-1-688x267.png 688w, https://theaudiencers.com/wp-content/uploads/2026/06/image-1-1044x405.png 1044w, https://theaudiencers.com/wp-content/uploads/2026/06/image-1-1400x544.png 1400w, https://theaudiencers.com/wp-content/uploads/2026/06/image-1.png 1540w" /></figure>



<h2 class="wp-block-heading">What the data revealed</h2>



<p class="wp-block-paragraph"><strong>1. Funnel depth unlocks LTV</strong></p>



<p class="wp-block-paragraph">The data clearly proved that moving a user deeper into the funnel unlocks exponential lifetime value. Preliminary results suggest:</p>



<ul class="wp-block-list">
<li>Giving consent increases the value compared to &#8220;No Consent&#8221;.</li>



<li>A logged-in user delivers a significantly higher CLV, well over 30 times that of a &#8220;Consent Only&#8221; user</li>



<li>Moving from a login to a monthly subscription doubles the value, and a yearly subscription multiplies that even further</li>
</ul>



<figure class="wp-block-image size-large"><img data-dominant-color="69a6cf" data-has-transparency="true" style="--dominant-color: #69a6cf;" loading="lazy" decoding="async" width="1024" height="574" sizes="(max-width: 1024px) 100vw, 1024px" src="https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-16-a-13.27.50-1024x574.png" alt="" class="wp-image-52406 has-transparency" srcset="https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-16-a-13.27.50-1024x574.png 1024w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-16-a-13.27.50-300x168.png 300w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-16-a-13.27.50-768x430.png 768w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-16-a-13.27.50-1536x861.png 1536w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-16-a-13.27.50-332x186.png 332w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-16-a-13.27.50-664x372.png 664w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-16-a-13.27.50-688x386.png 688w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-16-a-13.27.50-1044x585.png 1044w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-16-a-13.27.50-1400x785.png 1400w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-16-a-13.27.50.png 1606w" /><figcaption class="wp-element-caption">*preliminary results</figcaption></figure>



<p class="wp-block-paragraph"><strong>2. Subscribed users still drive ad value</strong></p>



<p class="wp-block-paragraph">The results exploded the myth of the ads vs subs conflict: <strong>subscribed users continue to generate strong advertising value</strong>. When looking at monthly and yearly subscribers, their advertising value remains high because they are highly engaged with the platform.&nbsp;</p>



<p class="wp-block-paragraph">This was also something shared by Bonnier Media at WAN-IFRA’s World Congress in Marseille: subscribers not only have a subscription ARPU of €300, but an advertising ARPU of €75.</p>



<figure class="wp-block-image size-large"><img data-dominant-color="a8b8b5" data-has-transparency="false" style="--dominant-color: #a8b8b5;" loading="lazy" decoding="async" width="1024" height="658" sizes="(max-width: 1024px) 100vw, 1024px" src="https://theaudiencers.com/wp-content/uploads/2026/06/image-7-1024x658.jpg" alt="" class="wp-image-52366 not-transparent" srcset="https://theaudiencers.com/wp-content/uploads/2026/06/image-7-1024x658.jpg 1024w, https://theaudiencers.com/wp-content/uploads/2026/06/image-7-300x193.jpg 300w, https://theaudiencers.com/wp-content/uploads/2026/06/image-7-768x494.jpg 768w, https://theaudiencers.com/wp-content/uploads/2026/06/image-7-1536x987.jpg 1536w, https://theaudiencers.com/wp-content/uploads/2026/06/image-7-332x213.jpg 332w, https://theaudiencers.com/wp-content/uploads/2026/06/image-7-664x427.jpg 664w, https://theaudiencers.com/wp-content/uploads/2026/06/image-7-688x442.jpg 688w, https://theaudiencers.com/wp-content/uploads/2026/06/image-7-1044x671.jpg 1044w, https://theaudiencers.com/wp-content/uploads/2026/06/image-7-1400x900.jpg 1400w, https://theaudiencers.com/wp-content/uploads/2026/06/image-7-1920x1234.jpg 1920w, https://theaudiencers.com/wp-content/uploads/2026/06/image-7.jpg 2048w" /></figure>



<p class="wp-block-paragraph"><strong>3. The more loyal, the higher the LTV</strong></p>



<p class="wp-block-paragraph">When analysing the loyalty dimension, the lifetime value growth was even more staggering. A Brand Lover has a total CLV well over 50 times higher than that of a casual or one-time reader.</p>



<figure class="wp-block-image size-large"><img data-dominant-color="5ba5d4" data-has-transparency="true" style="--dominant-color: #5ba5d4;" loading="lazy" decoding="async" width="1024" height="575" sizes="(max-width: 1024px) 100vw, 1024px" src="https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-16-a-13.28.12-1024x575.png" alt="" class="wp-image-52408 has-transparency" srcset="https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-16-a-13.28.12-1024x575.png 1024w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-16-a-13.28.12-300x168.png 300w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-16-a-13.28.12-768x431.png 768w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-16-a-13.28.12-1536x863.png 1536w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-16-a-13.28.12-332x186.png 332w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-16-a-13.28.12-664x373.png 664w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-16-a-13.28.12-688x386.png 688w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-16-a-13.28.12-1376x774.png 1376w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-16-a-13.28.12-1044x586.png 1044w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-16-a-13.28.12-1400x786.png 1400w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-16-a-13.28.12.png 1606w" /><figcaption class="wp-element-caption">*Preliminary results</figcaption></figure>



<h2 class="wp-block-heading">The final monetisation matrix</h2>



<p class="wp-block-paragraph">When combining these dimensions into a heat map, the value disparity becomes clear. In short, a high CLV directly correlates with high loyalty and a deep funnel stage.</p>



<figure class="wp-block-image size-large"><img data-dominant-color="8dc5db" data-has-transparency="true" style="--dominant-color: #8dc5db;" loading="lazy" decoding="async" width="1024" height="575" sizes="(max-width: 1024px) 100vw, 1024px" src="https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-16-a-13.28.51-1024x575.png" alt="" class="wp-image-52411 has-transparency" srcset="https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-16-a-13.28.51-1024x575.png 1024w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-16-a-13.28.51-300x168.png 300w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-16-a-13.28.51-768x431.png 768w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-16-a-13.28.51-1536x862.png 1536w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-16-a-13.28.51-332x186.png 332w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-16-a-13.28.51-664x373.png 664w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-16-a-13.28.51-688x386.png 688w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-16-a-13.28.51-1376x774.png 1376w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-16-a-13.28.51-1044x586.png 1044w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-16-a-13.28.51-1400x786.png 1400w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-16-a-13.28.51.png 1778w" /></figure>



<p class="wp-block-paragraph">While the high-value buckets are incredibly lucrative, the core issue for Blick.ch, and most reach publishers, is that <strong>the vast majority of the audience currently sits in the &#8220;Consent Only&#8221; bucket</strong>, which yields relatively low monetisation per user.</p>



<p class="wp-block-paragraph">Speaking on a panel about registration as a solution to this challenge, Patrick highlighted how <strong>this data provides a clear financial incentive to log audiences</strong>, guiding users deeper into the funnel.&nbsp;</p>



<figure class="wp-block-image size-large"><img data-dominant-color="77c4dc" data-has-transparency="true" style="--dominant-color: #77c4dc;" loading="lazy" decoding="async" width="1024" height="573" sizes="(max-width: 1024px) 100vw, 1024px" src="https://theaudiencers.com/wp-content/uploads/2026/06/image-2-1024x573.png" alt="" class="wp-image-52355 has-transparency" srcset="https://theaudiencers.com/wp-content/uploads/2026/06/image-2-1024x573.png 1024w, https://theaudiencers.com/wp-content/uploads/2026/06/image-2-300x168.png 300w, https://theaudiencers.com/wp-content/uploads/2026/06/image-2-768x429.png 768w, https://theaudiencers.com/wp-content/uploads/2026/06/image-2-1536x859.png 1536w, https://theaudiencers.com/wp-content/uploads/2026/06/image-2-332x186.png 332w, https://theaudiencers.com/wp-content/uploads/2026/06/image-2-664x371.png 664w, https://theaudiencers.com/wp-content/uploads/2026/06/image-2-688x385.png 688w, https://theaudiencers.com/wp-content/uploads/2026/06/image-2-1044x584.png 1044w, https://theaudiencers.com/wp-content/uploads/2026/06/image-2-1400x783.png 1400w, https://theaudiencers.com/wp-content/uploads/2026/06/image-2.png 1842w" /></figure>



<p class="wp-block-paragraph">However, Patrick clarified that registration isn&#8217;t a magic wand &#8211; the value does not come from the act of logging in itself. Rather, it comes from two secondary effects:</p>



<ol class="wp-block-list">
<li><strong>Engagement:</strong> Logged-in users consume more page views, creating more ad impressions and higher ad revenue.</li>



<li><strong>Lifetime:</strong> Having a user&#8217;s email address establishes a direct relationship, reducing churn and making it far easier to eventually convert them into monthly or yearly subscribers.</li>
</ol>



<h2 class="wp-block-heading">Putting CLV into practice</h2>



<p class="wp-block-paragraph">To put these CLV insights into practice, Ringier Media Switzerland has shifted from just gating content to building features designed to deepen user relationships.</p>



<p class="wp-block-paragraph">Because Blick.ch is well-known for its sports coverage, they launched a feature called <strong>&#8220;Follow My Team.&#8221;</strong> Sports fans can select and follow their favorite local clubs, national teams, or specific sports, creating a highly personalized feed and specialized team detail views. Of course though, if a user wants to save these preferences and access this tailored experience, <strong>they must register and log in</strong>.</p>



<p class="wp-block-paragraph">By building a product that naturally incentivises identity over anonymity, they are successfully guiding casual users into the logged-in ecosystem.</p>



<figure class="wp-block-image size-large"><img data-dominant-color="c4c0b8" data-has-transparency="false" style="--dominant-color: #c4c0b8;" loading="lazy" decoding="async" width="1024" height="576" sizes="(max-width: 1024px) 100vw, 1024px" src="https://theaudiencers.com/wp-content/uploads/2026/06/image-6-1024x576.jpg" alt="" class="wp-image-52364 not-transparent" srcset="https://theaudiencers.com/wp-content/uploads/2026/06/image-6-1024x576.jpg 1024w, https://theaudiencers.com/wp-content/uploads/2026/06/image-6-300x169.jpg 300w, https://theaudiencers.com/wp-content/uploads/2026/06/image-6-768x432.jpg 768w, https://theaudiencers.com/wp-content/uploads/2026/06/image-6-1536x863.jpg 1536w, https://theaudiencers.com/wp-content/uploads/2026/06/image-6-332x187.jpg 332w, https://theaudiencers.com/wp-content/uploads/2026/06/image-6-664x373.jpg 664w, https://theaudiencers.com/wp-content/uploads/2026/06/image-6-688x387.jpg 688w, https://theaudiencers.com/wp-content/uploads/2026/06/image-6-1376x774.jpg 1376w, https://theaudiencers.com/wp-content/uploads/2026/06/image-6-1044x587.jpg 1044w, https://theaudiencers.com/wp-content/uploads/2026/06/image-6-1400x787.jpg 1400w, https://theaudiencers.com/wp-content/uploads/2026/06/image-6.jpg 1676w" /></figure>



<p class="wp-block-paragraph">Patrick highlights that understanding user value is becoming yet more critical with the rise of AI search and AI browsing modes. In an AI-driven ecosystem, publishers are most likely to lose the traffic of users with low loyalty who visit anonymously without a login or subscription. Building a walled garden of logged-in, loyal users is no longer just a revenue optimisation strategy, but a survival mechanism.</p>



<div class="wp-block-kadence-spacer aligncenter kt-block-spacer-52349_aeec92-c3"><div class="kt-block-spacer kt-block-spacer-halign-center"><hr class="kt-divider"/></div></div>



<p class="wp-block-paragraph">By aligning their teams and product strategy with a holistic Customer Lifetime Value, Ringier Media Switzerland <strong>doubled their number of daily logged-in users over the last year</strong>.</p>



<p class="wp-block-paragraph">For the first time, the publisher has the hard data to prove that investing heavily in deep, direct user relationships is entirely worth the effort.</p>



<p class="wp-block-paragraph">        </div>
                <div
            class="poool-access-paywall locked"
            id="poool-widget-699f4d6eaa0c2"
                            data-blocking-method="client"
                                                                            data-page-type="free"
                    ></div>
        <div className="engage-post-paywall-banner" data-display-on="release"></div>
    </p>



<p class="wp-block-paragraph"></p>
      <div data-ta-component="payment-form"></div>
            <div
            class="poool-engage-element"
                            id="engage-post-content-banner"
                                ></div>
            <div
            class="poool-engage-element"
                            id="engage-fullscreen-banner"
                                ></div>
    <p>The post <a href="https://theaudiencers.com/knowing-the-value-of-our-users-ringier-combines-revenue-from-readers-and-advertising-to-calculate-holistic-customer-lifetime-value/">Knowing the value of our users: Ringier combines revenue from readers and advertising to calculate holistic Customer Lifetime Value</a> appeared first on <a href="https://theaudiencers.com">Audiencers</a>.</p>
]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>Sun Club at One: what The Sun learned from a year of freemium</title>
		<link>https://theaudiencers.com/sun-club-at-one-what-the-sun-learned-from-a-year-of-freemium/</link>
		
		<dc:creator><![CDATA[John Rahim]]></dc:creator>
		<pubDate>Wed, 10 Jun 2026 12:55:31 +0000</pubDate>
				<category><![CDATA[Inspirations]]></category>
		<category><![CDATA[Case Studies]]></category>
		<category><![CDATA[Editorial work and products]]></category>
		<category><![CDATA[Subscription]]></category>
		<guid isPermaLink="false">https://theaudiencers.com/?p=52138</guid>

					<description><![CDATA[<p>What lessons have the team behind The Sun Club taken away a year after launching their subscription model? </p>
<p>The post <a href="https://theaudiencers.com/sun-club-at-one-what-the-sun-learned-from-a-year-of-freemium/">Sun Club at One: what The Sun learned from a year of freemium</a> appeared first on <a href="https://theaudiencers.com">Audiencers</a>.</p>
]]></description>
										<content:encoded><![CDATA[        <div
            class="poool-engage-element"
                            id="engage-pre-content-banner"
                                ></div>
    
<p class="wp-block-paragraph">Rachel Shields, UK Editorial Director at The Sun, and Sarah Ransome, Principal Product Manager at The Sun, explain the commercial logic behind Sun Club, what a year of subscriber data has revealed, and where the product goes next.</p>



<style data-wp-block-html="css">
.ta-box{background:#f2f7f2!important;border:0!important;border-top:4px solid #f5e663!important;border-radius:10px!important;padding:24px 28px!important;margin:2rem 0!important}
.ta-box .ta-top{display:flex!important;align-items:center!important;justify-content:space-between!important;gap:16px!important;margin:0 0 12px!important;padding:0!important;border:0!important}
.ta-box .ta-title{font-family:ui-monospace,Menlo,monospace!important;font-weight:700!important;font-size:15px!important;text-transform:none!important;letter-spacing:0!important}
.ta-box .ta-btn{font-family:ui-monospace,Menlo,monospace!important;font-size:13px!important;font-weight:400!important;line-height:1.2!important;padding:6px 14px!important;border:1px solid #1d9e75!important;background:#fff!important;background-image:none!important;color:#1d9e75!important;border-radius:6px!important;cursor:pointer!important;white-space:nowrap!important;text-transform:none!important;letter-spacing:0!important;box-shadow:none!important;width:auto!important;height:auto!important;min-width:0!important}
.ta-box .ta-btn:hover{background:#1d9e75!important;color:#fff!important}
.ta-box .ta-text{font-family:ui-monospace,Menlo,monospace!important;font-size:15px!important;line-height:1.7!important;white-space:pre-wrap!important;margin:0!important;padding:0!important;background:none!important;background-color:transparent!important;border:0!important;border-radius:0!important;overflow:visible!important;max-height:none!important}
.ta-box .ta-text{box-shadow:none!important;filter:none!important;outline:none!important}
</style>

<div class="ta-box">
  <div class="ta-top">
    <span class="ta-title">Key takeaways to copy &amp; share</span>
    <button type="button" class="ta-btn" onclick="taCopy(this)">Copy</button>
  </div>
  <pre class="ta-text">&gt; The Sun launched Sun Club in 2025 as a £1.99 freemium membership, layering subscription revenue and first-party reader data on top of an already large free audience

&gt; A year in, 65% of members are women, and TikTok has opened a genuinely new audience: those subscribers are 85% female and 15 years younger than the average member

&gt; First-week app activity is the strongest predictor of long-term retention. The most loyal members read over 100 articles a week, almost entirely in the app

<strong>Lessons:</strong>
&gt; Value-driven perks are the core of the proposition, and for this audience they're the retention tool that matters

&gt; Freemium can serve advertising and subscription goals at once, because a known, logged-in audience strengthens both</pre>
</div>

<script>
function taCopy(btn){
  var box = btn.closest('.ta-box');
  var t = box.querySelector('.ta-text').innerText;
  navigator.clipboard.writeText(t + '\n\nvia ' + window.location.origin + window.location.pathname).then(function(){
    btn.textContent = 'Copied';
    setTimeout(function(){ btn.textContent = 'Copy'; }, 2000);
  });
}
</script>



<h2 class="wp-block-heading">We thought people would pay for quality journalism, and they did</h2>



<p class="wp-block-paragraph">Like most news publishers, The Sun had been challenged by the decline in referral traffic. That brought the loyal core digital audience into sharper focus. The question was whether tabloid readers could be persuaded to pay for digital journalism, and what the product would need to look like to make that happen.</p>



<div class="wp-block-media-text is-stacked-on-mobile" style="grid-template-columns:36% auto"><figure class="wp-block-media-text__media"><img data-dominant-color="898070" data-has-transparency="false" style="--dominant-color: #898070;" loading="lazy" decoding="async" width="921" height="1024" src="https://theaudiencers.com/wp-content/uploads/2026/06/IMG_2602-921x1024.jpg" alt="Rachel Shields The Sun" class="wp-image-52139 size-full not-transparent" srcset="https://theaudiencers.com/wp-content/uploads/2026/06/IMG_2602-921x1024.jpg 921w, https://theaudiencers.com/wp-content/uploads/2026/06/IMG_2602-270x300.jpg 270w, https://theaudiencers.com/wp-content/uploads/2026/06/IMG_2602-768x854.jpg 768w, https://theaudiencers.com/wp-content/uploads/2026/06/IMG_2602-1381x1536.jpg 1381w, https://theaudiencers.com/wp-content/uploads/2026/06/IMG_2602-332x369.jpg 332w, https://theaudiencers.com/wp-content/uploads/2026/06/IMG_2602-664x739.jpg 664w, https://theaudiencers.com/wp-content/uploads/2026/06/IMG_2602-688x765.jpg 688w, https://theaudiencers.com/wp-content/uploads/2026/06/IMG_2602-1044x1161.jpg 1044w, https://theaudiencers.com/wp-content/uploads/2026/06/IMG_2602-1400x1557.jpg 1400w, https://theaudiencers.com/wp-content/uploads/2026/06/IMG_2602.jpg 1557w" sizes="(max-width: 921px) 100vw, 921px" /></figure><div class="wp-block-media-text__content">
<p class="wp-block-paragraph">Rachel Shields says: <em>“We were confident that UK readers were far more willing to pay for quality content now than they were a decade ago. At the same time, while we had huge reach, we wanted to turn those anonymous clicks into known users, and create a richer experience based on their preferences.”</em></p>
</div></div>



<p class="wp-block-paragraph">Research indicates that as audiences feel swamped by AI-generated content, the perceived value of verified, quality journalism is rising. The launch of Sun Club a year ago was well timed.</p>



<p class="wp-block-paragraph"><em>“We’re still ‘the People’s Paper’ and are conscious that there is a strong proportion of our journalism which should remain free online, around big health or political stories, for example,”</em> says Shields.</p>



<p class="wp-block-paragraph">A year on, Sun Club has exceeded initial targets. Part of that success is down to the value-driven membership proposition, which combines Sun content and a raft of unique money-saving offers.        <div
            class="restricted-content"
            data-poool="0"
            data-poool-mode="custom"
            data-article-id="52138"
                    >
        </div>
                <div
            class="poool-access-paywall locked"
            id="poool-widget-bf71b583e94b7"
                            data-blocking-method="server"
                                                                            data-page-type="free"
                    ></div>
        <div className="engage-post-paywall-banner" data-display-on="release"></div>
    </p>



<p class="wp-block-paragraph"></p>
      <div data-ta-component="payment-form"></div>
            <div
            class="poool-engage-element"
                            id="engage-post-content-banner"
                                ></div>
            <div
            class="poool-engage-element"
                            id="engage-fullscreen-banner"
                                ></div>
    <p>The post <a href="https://theaudiencers.com/sun-club-at-one-what-the-sun-learned-from-a-year-of-freemium/">Sun Club at One: what The Sun learned from a year of freemium</a> appeared first on <a href="https://theaudiencers.com">Audiencers</a>.</p>
]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>Toilet paper, wine, cars, and what they teach us about subscription: episode 6</title>
		<link>https://theaudiencers.com/toilet-paper-wine-cars-and-what-they-teach-us-about-subscription-episode-6/</link>
		
		<dc:creator><![CDATA[Maxime Moné]]></dc:creator>
		<pubDate>Thu, 28 May 2026 15:51:29 +0000</pubDate>
				<category><![CDATA[Inspirations]]></category>
		<category><![CDATA[Benchmarks]]></category>
		<category><![CDATA[Subscription]]></category>
		<guid isPermaLink="false">https://theaudiencers.com/?p=50062</guid>

					<description><![CDATA[<p>A tour of subscription businesses outside of the media industry - why do people pay, and what can we learn from their products?</p>
<p>The post <a href="https://theaudiencers.com/toilet-paper-wine-cars-and-what-they-teach-us-about-subscription-episode-6/">Toilet paper, wine, cars, and what they teach us about subscription: episode 6</a> appeared first on <a href="https://theaudiencers.com">Audiencers</a>.</p>
]]></description>
										<content:encoded><![CDATA[        <div
            class="poool-engage-element"
                            id="engage-pre-content-banner"
                                ></div>
    
<pre class="wp-block-preformatted">Max Moné is co-founder and CEO at <a href="https://poool.fr/" target="_blank" rel="noreferrer noopener">Poool</a>, the dynamic journey builder to boost subscription conversion, engagement, and loyalty.<br><br>This is the last episode in a 6-part series where I share what I learned from studying 100 subscription business models across 15+ industries. <br>> <a href="https://theaudiencers.com/100-subscription-business-15-industries-1-moodboard-episode-1/">Episode one: 100 subscription business, 15 industries, 1 moodboard</a><br>> <a href="https://theaudiencers.com/whats-free-whats-paid-and-why-its-really-an-engagement-trade-off-episode-2/">Episode two: What’s free, what’s paid, and why it’s really an engagement trade-off</a><br>> <a href="https://theaudiencers.com/why-the-best-subscription-businesses-dont-try-to-sell-on-day-1-episode-3/">Episode three: Why the best subscription businesses don’t try to sell on day 1</a><br>> <a href="https://theaudiencers.com/a-pricing-page-weve-all-built-at-least-once-episode-4/">Episode four: The subscription pricing page we've all built at least once</a><br>> <a href="https://theaudiencers.com/the-first-100-days-why-most-of-what-we-call-retention-is-really-just-micro-conversions-again-episode-5/" target="_blank" rel="noreferrer noopener">Episode five: The first 100 days: why most of what we call retention is really just micro-conversions (again)</a></pre>



<h2 class="wp-block-heading">Why we&#8217;re ending with this</h2>



<p class="wp-block-paragraph">Over the past five episodes, we&#8217;ve gone deep into how the best subscription businesses do things to scale, using examples from the NYT, Spotify, Figma, L&#8217;Équipe, Jeune Afrique, and many others.</p>



<p class="wp-block-paragraph">This last episode is different. It&#8217;s the one where we show you the weird stuff from our moodboard. The examples that made us smile, made us think, and sometimes made us wonder &#8220;wait, people actually subscribe to <em>that</em>?&#8221;</p>



<p class="wp-block-paragraph">The answer is yes. People subscribe to pretty much anything and everything. And no matter how bizarre the product, the same principles from the previous five episodes keep showing up.</p>



<p class="wp-block-paragraph">So here&#8217;s a tour of some of our favorites, organized not by industry but by what makes each one compelling for the person who&#8217;s paying. Because at the end of the day, that&#8217;s what it always comes back to: <strong>why would someone pay for this, every month, and not cancel?</strong></p>



<h2 class="wp-block-heading">&#8220;I feel good about buying this&#8221;: when the value prop is identity</h2>



<p class="wp-block-paragraph"><a href="https://au.whogivesacrap.org/" target="_blank" rel="noreferrer noopener">Who Gives a Crap</a>: £45.5M in UK revenue alone in 2024, over 1M subscribers globally, and over £10M donated to charities since launch. For toilet paper.</p>



<figure class="wp-block-image size-large"><img data-dominant-color="9897aa" data-has-transparency="false" style="--dominant-color: #9897aa;" loading="lazy" decoding="async" width="1024" height="541" sizes="(max-width: 1024px) 100vw, 1024px" src="https://theaudiencers.com/wp-content/uploads/2026/05/Who-Gives-a-crap-1_2-1024x541.jpg" alt="Who gives a crap subscription" class="wp-image-52014 not-transparent" srcset="https://theaudiencers.com/wp-content/uploads/2026/05/Who-Gives-a-crap-1_2-1024x541.jpg 1024w, https://theaudiencers.com/wp-content/uploads/2026/05/Who-Gives-a-crap-1_2-300x159.jpg 300w, https://theaudiencers.com/wp-content/uploads/2026/05/Who-Gives-a-crap-1_2-768x406.jpg 768w, https://theaudiencers.com/wp-content/uploads/2026/05/Who-Gives-a-crap-1_2-1536x812.jpg 1536w, https://theaudiencers.com/wp-content/uploads/2026/05/Who-Gives-a-crap-1_2-332x175.jpg 332w, https://theaudiencers.com/wp-content/uploads/2026/05/Who-Gives-a-crap-1_2-664x351.jpg 664w, https://theaudiencers.com/wp-content/uploads/2026/05/Who-Gives-a-crap-1_2-688x364.jpg 688w, https://theaudiencers.com/wp-content/uploads/2026/05/Who-Gives-a-crap-1_2-1044x552.jpg 1044w, https://theaudiencers.com/wp-content/uploads/2026/05/Who-Gives-a-crap-1_2-1400x740.jpg 1400w, https://theaudiencers.com/wp-content/uploads/2026/05/Who-Gives-a-crap-1_2.jpg 1786w" /></figure>



<figure class="wp-block-image size-large"><img data-dominant-color="7185d0" data-has-transparency="false" style="--dominant-color: #7185d0;" loading="lazy" decoding="async" width="1024" height="539" sizes="(max-width: 1024px) 100vw, 1024px" src="https://theaudiencers.com/wp-content/uploads/2026/05/Who-Gives-a-crap-2_2-1024x539.jpg" alt="Who gives a crap subscription" class="wp-image-52016 not-transparent" srcset="https://theaudiencers.com/wp-content/uploads/2026/05/Who-Gives-a-crap-2_2-1024x539.jpg 1024w, https://theaudiencers.com/wp-content/uploads/2026/05/Who-Gives-a-crap-2_2-300x158.jpg 300w, https://theaudiencers.com/wp-content/uploads/2026/05/Who-Gives-a-crap-2_2-768x404.jpg 768w, https://theaudiencers.com/wp-content/uploads/2026/05/Who-Gives-a-crap-2_2-1536x808.jpg 1536w, https://theaudiencers.com/wp-content/uploads/2026/05/Who-Gives-a-crap-2_2-332x175.jpg 332w, https://theaudiencers.com/wp-content/uploads/2026/05/Who-Gives-a-crap-2_2-664x349.jpg 664w, https://theaudiencers.com/wp-content/uploads/2026/05/Who-Gives-a-crap-2_2-688x362.jpg 688w, https://theaudiencers.com/wp-content/uploads/2026/05/Who-Gives-a-crap-2_2-1044x549.jpg 1044w, https://theaudiencers.com/wp-content/uploads/2026/05/Who-Gives-a-crap-2_2-1400x737.jpg 1400w, https://theaudiencers.com/wp-content/uploads/2026/05/Who-Gives-a-crap-2_2.jpg 1786w" /></figure>



<p class="wp-block-paragraph">It&#8217;s toilet paper. There&#8217;s not much you can do to make toilet paper exciting. But they donate 50% of profits to sanitation charities, they have a brand identity that genuinely makes you smile, and their packaging is designed to be posted on Instagram (which, for a product you use in the bathroom, is quite the branding achievement).</p>



<p class="wp-block-paragraph">The result: <strong>you don&#8217;t just buy Who Gives a Crap, you become a Who Gives a Crap customer and participate in something that is bigger than you </strong>(or at least you think you do). It&#8217;s an identity statement. You probably mention it at dinner parties (I mean, the name alone guarantees that). And that emotional connection is what makes people stay, because cancelling doesn&#8217;t just mean switching brands, it means giving up a small part of how you see yourself.</p>



<p class="wp-block-paragraph"><a href="https://wearehe.re/">We Are Here</a> does something similar with coffee: personalized beans, your choice of grind and delivery frequency, a custom sticker on the bag, and a donation to a different charity depending on which sticker you choose. It&#8217;s a coffee subscription that makes you feel like you&#8217;re expressing your personality every time you order.</p>



<figure class="wp-block-image size-large"><img data-dominant-color="bd9665" data-has-transparency="false" style="--dominant-color: #bd9665;" loading="lazy" decoding="async" width="1024" height="530" sizes="(max-width: 1024px) 100vw, 1024px" src="https://theaudiencers.com/wp-content/uploads/2026/05/We-are-here-1_2-1024x530.jpg" alt="We are here coffee subscription" class="wp-image-52018 not-transparent" srcset="https://theaudiencers.com/wp-content/uploads/2026/05/We-are-here-1_2-1024x530.jpg 1024w, https://theaudiencers.com/wp-content/uploads/2026/05/We-are-here-1_2-300x155.jpg 300w, https://theaudiencers.com/wp-content/uploads/2026/05/We-are-here-1_2-768x398.jpg 768w, https://theaudiencers.com/wp-content/uploads/2026/05/We-are-here-1_2-1536x796.jpg 1536w, https://theaudiencers.com/wp-content/uploads/2026/05/We-are-here-1_2-332x172.jpg 332w, https://theaudiencers.com/wp-content/uploads/2026/05/We-are-here-1_2-664x344.jpg 664w, https://theaudiencers.com/wp-content/uploads/2026/05/We-are-here-1_2-688x356.jpg 688w, https://theaudiencers.com/wp-content/uploads/2026/05/We-are-here-1_2-1044x541.jpg 1044w, https://theaudiencers.com/wp-content/uploads/2026/05/We-are-here-1_2-1400x725.jpg 1400w, https://theaudiencers.com/wp-content/uploads/2026/05/We-are-here-1_2.jpg 1784w" /></figure>



<figure class="wp-block-image size-large"><img data-dominant-color="f1f3f0" data-has-transparency="false" style="--dominant-color: #f1f3f0;" loading="lazy" decoding="async" width="1024" height="538" sizes="(max-width: 1024px) 100vw, 1024px" src="https://theaudiencers.com/wp-content/uploads/2026/05/We-are-here-2_2-1024x538.jpg" alt="We are here coffee subscription" class="wp-image-52020 not-transparent" srcset="https://theaudiencers.com/wp-content/uploads/2026/05/We-are-here-2_2-1024x538.jpg 1024w, https://theaudiencers.com/wp-content/uploads/2026/05/We-are-here-2_2-300x158.jpg 300w, https://theaudiencers.com/wp-content/uploads/2026/05/We-are-here-2_2-768x403.jpg 768w, https://theaudiencers.com/wp-content/uploads/2026/05/We-are-here-2_2-1536x807.jpg 1536w, https://theaudiencers.com/wp-content/uploads/2026/05/We-are-here-2_2-332x174.jpg 332w, https://theaudiencers.com/wp-content/uploads/2026/05/We-are-here-2_2-664x349.jpg 664w, https://theaudiencers.com/wp-content/uploads/2026/05/We-are-here-2_2-688x361.jpg 688w, https://theaudiencers.com/wp-content/uploads/2026/05/We-are-here-2_2-1044x548.jpg 1044w, https://theaudiencers.com/wp-content/uploads/2026/05/We-are-here-2_2-1400x735.jpg 1400w, https://theaudiencers.com/wp-content/uploads/2026/05/We-are-here-2_2.jpg 1786w" /></figure>



<p class="wp-block-paragraph">This raises two questions that I think are worth thinking about for media:</p>



<p class="wp-block-paragraph">First, are there publishers with a <strong>brand identity/voice so strong that people subscribe for what it represents</strong>, not just for the content? I can think of a few, and they&#8217;re not necessarily the biggest ones. Mediabask (you probably don’t know them) is an interesting example: people bought subscriptions before the website even launched, because of what the brand stands for and the community around it.</p>



<p class="wp-block-paragraph">Second, could this become a model for media? <strong>Buy a subscription, and X% of the price (or profits) goes to a charity</strong>. Maybe subscribers even get to vote each month on which cause receives the donation. <a href="https://green-got.com/">Green Got</a>, a French bank, does exactly this with banking. Why not with a news subscription?</p>



<h2 class="wp-block-heading">&#8220;I don&#8217;t have to think about it anymore&#8221;: when the value prop is friction removal</h2>



<p class="wp-block-paragraph">Dollar Shave Club doesn&#8217;t really sell razors, it sells the fact that you never have to think about buying razors again. And HelloFresh doesn&#8217;t sell meals, it sells the fact that you don&#8217;t have to decide what to eat or go grocery shopping.</p>



<figure class="wp-block-image size-large"><img data-dominant-color="381e1a" data-has-transparency="false" style="--dominant-color: #381e1a;" loading="lazy" decoding="async" width="1024" height="530" sizes="(max-width: 1024px) 100vw, 1024px" src="https://theaudiencers.com/wp-content/uploads/2026/05/Dollar-Shave-CLub-1_2-1024x530.jpg" alt="Dollar shave club subscription" class="wp-image-52022 not-transparent" srcset="https://theaudiencers.com/wp-content/uploads/2026/05/Dollar-Shave-CLub-1_2-1024x530.jpg 1024w, https://theaudiencers.com/wp-content/uploads/2026/05/Dollar-Shave-CLub-1_2-300x155.jpg 300w, https://theaudiencers.com/wp-content/uploads/2026/05/Dollar-Shave-CLub-1_2-768x397.jpg 768w, https://theaudiencers.com/wp-content/uploads/2026/05/Dollar-Shave-CLub-1_2-1536x795.jpg 1536w, https://theaudiencers.com/wp-content/uploads/2026/05/Dollar-Shave-CLub-1_2-332x172.jpg 332w, https://theaudiencers.com/wp-content/uploads/2026/05/Dollar-Shave-CLub-1_2-664x344.jpg 664w, https://theaudiencers.com/wp-content/uploads/2026/05/Dollar-Shave-CLub-1_2-688x356.jpg 688w, https://theaudiencers.com/wp-content/uploads/2026/05/Dollar-Shave-CLub-1_2-1044x540.jpg 1044w, https://theaudiencers.com/wp-content/uploads/2026/05/Dollar-Shave-CLub-1_2-1400x724.jpg 1400w, https://theaudiencers.com/wp-content/uploads/2026/05/Dollar-Shave-CLub-1_2.jpg 1786w" /></figure>



<figure class="wp-block-image size-large"><img data-dominant-color="997767" data-has-transparency="false" style="--dominant-color: #997767;" loading="lazy" decoding="async" width="1024" height="538" sizes="(max-width: 1024px) 100vw, 1024px" src="https://theaudiencers.com/wp-content/uploads/2026/05/Dollar-Shave-CLub-2_2-1024x538.jpg" alt="Dollar shave club subscription" class="wp-image-52024 not-transparent" srcset="https://theaudiencers.com/wp-content/uploads/2026/05/Dollar-Shave-CLub-2_2-1024x538.jpg 1024w, https://theaudiencers.com/wp-content/uploads/2026/05/Dollar-Shave-CLub-2_2-300x158.jpg 300w, https://theaudiencers.com/wp-content/uploads/2026/05/Dollar-Shave-CLub-2_2-768x403.jpg 768w, https://theaudiencers.com/wp-content/uploads/2026/05/Dollar-Shave-CLub-2_2-1536x807.jpg 1536w, https://theaudiencers.com/wp-content/uploads/2026/05/Dollar-Shave-CLub-2_2-332x174.jpg 332w, https://theaudiencers.com/wp-content/uploads/2026/05/Dollar-Shave-CLub-2_2-664x349.jpg 664w, https://theaudiencers.com/wp-content/uploads/2026/05/Dollar-Shave-CLub-2_2-688x361.jpg 688w, https://theaudiencers.com/wp-content/uploads/2026/05/Dollar-Shave-CLub-2_2-1044x548.jpg 1044w, https://theaudiencers.com/wp-content/uploads/2026/05/Dollar-Shave-CLub-2_2-1400x735.jpg 1400w, https://theaudiencers.com/wp-content/uploads/2026/05/Dollar-Shave-CLub-2_2.jpg 1782w" /></figure>



<p class="wp-block-paragraph">What surprised me when building the moodboard is that even companies you wouldn&#8217;t expect are doing really sophisticated subscription work. Walmart+ and Instacart+ are grocery delivery services, but they have trials adapted to usage patterns, bundles to create lock-in effects (Walmart+ with Paramount+ and Burger King; Instacart+ with Peacock and NYT Cooking for annual members), and upsell paths that follow the exact same micro-conversion logic we described in episodes 3 through 5.</p>



<figure class="wp-block-image size-large"><img data-dominant-color="80375a" data-has-transparency="false" style="--dominant-color: #80375a;" loading="lazy" decoding="async" width="1024" height="535" sizes="(max-width: 1024px) 100vw, 1024px" src="https://theaudiencers.com/wp-content/uploads/2026/05/Instacart-1_3-1024x535.jpg" alt="Instacart subscription" class="wp-image-52026 not-transparent" srcset="https://theaudiencers.com/wp-content/uploads/2026/05/Instacart-1_3-1024x535.jpg 1024w, https://theaudiencers.com/wp-content/uploads/2026/05/Instacart-1_3-300x157.jpg 300w, https://theaudiencers.com/wp-content/uploads/2026/05/Instacart-1_3-768x402.jpg 768w, https://theaudiencers.com/wp-content/uploads/2026/05/Instacart-1_3-1536x803.jpg 1536w, https://theaudiencers.com/wp-content/uploads/2026/05/Instacart-1_3-332x174.jpg 332w, https://theaudiencers.com/wp-content/uploads/2026/05/Instacart-1_3-664x347.jpg 664w, https://theaudiencers.com/wp-content/uploads/2026/05/Instacart-1_3-688x360.jpg 688w, https://theaudiencers.com/wp-content/uploads/2026/05/Instacart-1_3-1044x546.jpg 1044w, https://theaudiencers.com/wp-content/uploads/2026/05/Instacart-1_3-1400x732.jpg 1400w, https://theaudiencers.com/wp-content/uploads/2026/05/Instacart-1_3.jpg 1790w" /></figure>



<figure class="wp-block-image size-large"><img data-dominant-color="f5f3f3" data-has-transparency="false" style="--dominant-color: #f5f3f3;" loading="lazy" decoding="async" width="1024" height="541" sizes="(max-width: 1024px) 100vw, 1024px" src="https://theaudiencers.com/wp-content/uploads/2026/05/Instacart-2_3-1024x541.jpg" alt="Instacart subscription" class="wp-image-52028 not-transparent" srcset="https://theaudiencers.com/wp-content/uploads/2026/05/Instacart-2_3-1024x541.jpg 1024w, https://theaudiencers.com/wp-content/uploads/2026/05/Instacart-2_3-300x158.jpg 300w, https://theaudiencers.com/wp-content/uploads/2026/05/Instacart-2_3-768x405.jpg 768w, https://theaudiencers.com/wp-content/uploads/2026/05/Instacart-2_3-1536x811.jpg 1536w, https://theaudiencers.com/wp-content/uploads/2026/05/Instacart-2_3-332x175.jpg 332w, https://theaudiencers.com/wp-content/uploads/2026/05/Instacart-2_3-664x351.jpg 664w, https://theaudiencers.com/wp-content/uploads/2026/05/Instacart-2_3-688x363.jpg 688w, https://theaudiencers.com/wp-content/uploads/2026/05/Instacart-2_3-1044x551.jpg 1044w, https://theaudiencers.com/wp-content/uploads/2026/05/Instacart-2_3-1400x739.jpg 1400w, https://theaudiencers.com/wp-content/uploads/2026/05/Instacart-2_3.jpg 1788w" /></figure>



<figure class="wp-block-image size-large"><img data-dominant-color="f3f1ef" data-has-transparency="false" style="--dominant-color: #f3f1ef;" loading="lazy" decoding="async" width="1024" height="535" sizes="(max-width: 1024px) 100vw, 1024px" src="https://theaudiencers.com/wp-content/uploads/2026/05/Instacart-3_3-1024x535.jpg" alt="Instacart subscription" class="wp-image-52030 not-transparent" srcset="https://theaudiencers.com/wp-content/uploads/2026/05/Instacart-3_3-1024x535.jpg 1024w, https://theaudiencers.com/wp-content/uploads/2026/05/Instacart-3_3-300x157.jpg 300w, https://theaudiencers.com/wp-content/uploads/2026/05/Instacart-3_3-768x402.jpg 768w, https://theaudiencers.com/wp-content/uploads/2026/05/Instacart-3_3-1536x803.jpg 1536w, https://theaudiencers.com/wp-content/uploads/2026/05/Instacart-3_3-332x174.jpg 332w, https://theaudiencers.com/wp-content/uploads/2026/05/Instacart-3_3-664x347.jpg 664w, https://theaudiencers.com/wp-content/uploads/2026/05/Instacart-3_3-688x360.jpg 688w, https://theaudiencers.com/wp-content/uploads/2026/05/Instacart-3_3-1044x546.jpg 1044w, https://theaudiencers.com/wp-content/uploads/2026/05/Instacart-3_3-1400x732.jpg 1400w, https://theaudiencers.com/wp-content/uploads/2026/05/Instacart-3_3.jpg 1790w" /></figure>



<p class="wp-block-paragraph">For media, the question this raises is not really about content. It&#8217;s about the <strong>experience around the content</strong>. What does a media subscription simplify in someone&#8217;s daily routine? The friction of hitting paywalls? The 30 minutes of browsing to find something worth reading? A curated morning briefing that replaces scanning 5 different sources? I think we could try build our subscription product that way as medias: <strong>what does our subscription remove from someone&#8217;s day?</strong></p>



<h2 class="wp-block-heading">&#8220;I discover things I&#8217;d never find on my own&#8221;: when the value prop is surprise</h2>



<p class="wp-block-paragraph">TokyoTreat sends you Japanese snacks, Kube sends you books, Le Petit Ballon sends you wine. Different products, same model: <strong>the value proposition is discovery itself</strong>.</p>



<figure class="wp-block-image size-large"><img data-dominant-color="e0ded6" data-has-transparency="false" style="--dominant-color: #e0ded6;" loading="lazy" decoding="async" width="1024" height="554" sizes="(max-width: 1024px) 100vw, 1024px" src="https://theaudiencers.com/wp-content/uploads/2026/05/Tokyo-Treat-1024x554.jpg" alt="Tokyo Treat subscription" class="wp-image-52032 not-transparent" srcset="https://theaudiencers.com/wp-content/uploads/2026/05/Tokyo-Treat-1024x554.jpg 1024w, https://theaudiencers.com/wp-content/uploads/2026/05/Tokyo-Treat-300x162.jpg 300w, https://theaudiencers.com/wp-content/uploads/2026/05/Tokyo-Treat-768x415.jpg 768w, https://theaudiencers.com/wp-content/uploads/2026/05/Tokyo-Treat-1536x831.jpg 1536w, https://theaudiencers.com/wp-content/uploads/2026/05/Tokyo-Treat-332x180.jpg 332w, https://theaudiencers.com/wp-content/uploads/2026/05/Tokyo-Treat-664x359.jpg 664w, https://theaudiencers.com/wp-content/uploads/2026/05/Tokyo-Treat-688x372.jpg 688w, https://theaudiencers.com/wp-content/uploads/2026/05/Tokyo-Treat-1044x564.jpg 1044w, https://theaudiencers.com/wp-content/uploads/2026/05/Tokyo-Treat-1400x757.jpg 1400w, https://theaudiencers.com/wp-content/uploads/2026/05/Tokyo-Treat.jpg 1794w" /></figure>



<p class="wp-block-paragraph">You receive things you would never have chosen on your own, and the engagement comes from the anticipation and trust you build with the curator over time. The lock-in isn&#8217;t in the product (you could order Japanese snacks online anytime), it&#8217;s in the relationship with someone who knows your taste.</p>



<p class="wp-block-paragraph">FindMyPast takes discovery in a completely different direction: you pay for access to billions of genealogy records, and every answer you find generates new questions. You discover a great-grandmother, now you want to know her parents. You find a marriage certificate, now you want the newspaper from that week. The product creates its own engagement loop naturally.</p>



<figure class="wp-block-image size-large"><img data-dominant-color="5d586d" data-has-transparency="false" style="--dominant-color: #5d586d;" loading="lazy" decoding="async" width="1024" height="549" sizes="(max-width: 1024px) 100vw, 1024px" src="https://theaudiencers.com/wp-content/uploads/2026/05/Find-my-past-1_2-1024x549.jpg" alt="Find my past subscription" class="wp-image-52034 not-transparent" srcset="https://theaudiencers.com/wp-content/uploads/2026/05/Find-my-past-1_2-1024x549.jpg 1024w, https://theaudiencers.com/wp-content/uploads/2026/05/Find-my-past-1_2-300x161.jpg 300w, https://theaudiencers.com/wp-content/uploads/2026/05/Find-my-past-1_2-768x412.jpg 768w, https://theaudiencers.com/wp-content/uploads/2026/05/Find-my-past-1_2-1536x824.jpg 1536w, https://theaudiencers.com/wp-content/uploads/2026/05/Find-my-past-1_2-332x178.jpg 332w, https://theaudiencers.com/wp-content/uploads/2026/05/Find-my-past-1_2-664x356.jpg 664w, https://theaudiencers.com/wp-content/uploads/2026/05/Find-my-past-1_2-688x369.jpg 688w, https://theaudiencers.com/wp-content/uploads/2026/05/Find-my-past-1_2-1044x560.jpg 1044w, https://theaudiencers.com/wp-content/uploads/2026/05/Find-my-past-1_2-1400x751.jpg 1400w, https://theaudiencers.com/wp-content/uploads/2026/05/Find-my-past-1_2.jpg 1786w" /></figure>



<figure class="wp-block-image size-large"><img data-dominant-color="d4d2d0" data-has-transparency="false" style="--dominant-color: #d4d2d0;" loading="lazy" decoding="async" width="1024" height="557" sizes="(max-width: 1024px) 100vw, 1024px" src="https://theaudiencers.com/wp-content/uploads/2026/05/Find-my-past-2_2-1024x557.jpg" alt="Find my past subscription" class="wp-image-52036 not-transparent" srcset="https://theaudiencers.com/wp-content/uploads/2026/05/Find-my-past-2_2-1024x557.jpg 1024w, https://theaudiencers.com/wp-content/uploads/2026/05/Find-my-past-2_2-300x163.jpg 300w, https://theaudiencers.com/wp-content/uploads/2026/05/Find-my-past-2_2-768x418.jpg 768w, https://theaudiencers.com/wp-content/uploads/2026/05/Find-my-past-2_2-1536x835.jpg 1536w, https://theaudiencers.com/wp-content/uploads/2026/05/Find-my-past-2_2-332x181.jpg 332w, https://theaudiencers.com/wp-content/uploads/2026/05/Find-my-past-2_2-664x361.jpg 664w, https://theaudiencers.com/wp-content/uploads/2026/05/Find-my-past-2_2-688x374.jpg 688w, https://theaudiencers.com/wp-content/uploads/2026/05/Find-my-past-2_2-1044x568.jpg 1044w, https://theaudiencers.com/wp-content/uploads/2026/05/Find-my-past-2_2-1400x761.jpg 1400w, https://theaudiencers.com/wp-content/uploads/2026/05/Find-my-past-2_2.jpg 1784w" /></figure>



<p class="wp-block-paragraph">It&#8217;s the same mechanism that makes Spotify&#8217;s Discover Weekly so sticky, but applied to family history and physical goods. For publishers with decades of archives, there&#8217;s something genuinely worth exploring here: <strong>how do you turn a static archive into a discovery-driven experience that keeps subscribers curious and engaged?</strong></p>



<h2 class="wp-block-heading">&#8220;This product gets smarter the more I use it&#8221;: when the value prop is personalization over time</h2>



<p class="wp-block-paragraph">Strava is an app for runners and cyclists that tracks your activities, shows your routes, and lets you compare with friends. The more you run, the more valuable the app becomes, because your entire history, your segments, your social connections, your training patterns are all there. Switching to another app means starting from zero.</p>



<p class="wp-block-paragraph">It&#8217;s the same personalization lock-in as Spotify (episodes 4 and 5), applied to physical activity.</p>



<p class="wp-block-paragraph">Claude (the one helping me write this series, full transparency) and ChatGPT push this even further with a model that barely existed a few years ago: a base subscription with tiers, plus usage-based pricing on top. The more you use the product, the more you pay, but also the more value you get.</p>



<p class="wp-block-paragraph">Two things about AI subscriptions that I think are worth watching closely for media:</p>



<p class="wp-block-paragraph">First, <strong>they all let you try the product for free almost immediately</strong>, because the product is powerful enough that the fastest path to conversion is to just let you use it (everything starts with engagement). Which is exactly the registration-as-the-first-micro-conversion logic we described in episode 3.</p>



<p class="wp-block-paragraph">Second, <strong>hybrid pricing</strong> (fixed subscription tier + usage-based layer) is interesting as a concept. Imagine a media subscription with a base access fee, and a premium layer that adapts based on how much you consume or which features you use. It doesn&#8217;t really exist yet in media (as far as I know), but given how fast AI pricing models are spreading to other industries, it might not be far off.</p>



<h2 class="wp-block-heading">Yes, even cars</h2>



<p class="wp-block-paragraph">SIXT+: a car subscription from $679/month. You pick a car category, a location, a pickup date. You subscribe monthly, cancel anytime, maintenance and roadside assistance included. You can even switch to a different vehicle or pause through the app.</p>



<figure class="wp-block-image size-large"><img data-dominant-color="626762" data-has-transparency="false" style="--dominant-color: #626762;" loading="lazy" decoding="async" width="1024" height="610" sizes="(max-width: 1024px) 100vw, 1024px" src="https://theaudiencers.com/wp-content/uploads/2026/05/Sixt-1_2-1024x610.jpg" alt="Sixt subscription" class="wp-image-52038 not-transparent" srcset="https://theaudiencers.com/wp-content/uploads/2026/05/Sixt-1_2-1024x610.jpg 1024w, https://theaudiencers.com/wp-content/uploads/2026/05/Sixt-1_2-300x179.jpg 300w, https://theaudiencers.com/wp-content/uploads/2026/05/Sixt-1_2-768x458.jpg 768w, https://theaudiencers.com/wp-content/uploads/2026/05/Sixt-1_2-1536x915.jpg 1536w, https://theaudiencers.com/wp-content/uploads/2026/05/Sixt-1_2-2048x1220.jpg 2048w, https://theaudiencers.com/wp-content/uploads/2026/05/Sixt-1_2-332x198.jpg 332w, https://theaudiencers.com/wp-content/uploads/2026/05/Sixt-1_2-664x396.jpg 664w, https://theaudiencers.com/wp-content/uploads/2026/05/Sixt-1_2-688x410.jpg 688w, https://theaudiencers.com/wp-content/uploads/2026/05/Sixt-1_2-1044x622.jpg 1044w, https://theaudiencers.com/wp-content/uploads/2026/05/Sixt-1_2-1400x834.jpg 1400w, https://theaudiencers.com/wp-content/uploads/2026/05/Sixt-1_2-1920x1144.jpg 1920w, https://theaudiencers.com/wp-content/uploads/2026/05/Sixt-1_2.jpg 2560w" /></figure>



<figure class="wp-block-image size-large"><img data-dominant-color="a2a6a6" data-has-transparency="false" style="--dominant-color: #a2a6a6;" loading="lazy" decoding="async" width="1024" height="551" sizes="(max-width: 1024px) 100vw, 1024px" src="https://theaudiencers.com/wp-content/uploads/2026/05/Sixt-2_2-1024x551.jpg" alt="Sixt subscription" class="wp-image-52040 not-transparent" srcset="https://theaudiencers.com/wp-content/uploads/2026/05/Sixt-2_2-1024x551.jpg 1024w, https://theaudiencers.com/wp-content/uploads/2026/05/Sixt-2_2-300x161.jpg 300w, https://theaudiencers.com/wp-content/uploads/2026/05/Sixt-2_2-768x413.jpg 768w, https://theaudiencers.com/wp-content/uploads/2026/05/Sixt-2_2-1536x827.jpg 1536w, https://theaudiencers.com/wp-content/uploads/2026/05/Sixt-2_2-2048x1102.jpg 2048w, https://theaudiencers.com/wp-content/uploads/2026/05/Sixt-2_2-332x179.jpg 332w, https://theaudiencers.com/wp-content/uploads/2026/05/Sixt-2_2-664x357.jpg 664w, https://theaudiencers.com/wp-content/uploads/2026/05/Sixt-2_2-688x370.jpg 688w, https://theaudiencers.com/wp-content/uploads/2026/05/Sixt-2_2-1044x562.jpg 1044w, https://theaudiencers.com/wp-content/uploads/2026/05/Sixt-2_2-1400x754.jpg 1400w, https://theaudiencers.com/wp-content/uploads/2026/05/Sixt-2_2-1920x1034.jpg 1920w, https://theaudiencers.com/wp-content/uploads/2026/05/Sixt-2_2.jpg 2560w" /></figure>



<p class="wp-block-paragraph">I&#8217;m mentioning this one not because the model applies directly to media, but because it shows just how far the subscription model has spread. And even here, the same principles show up: try before you commit (24-hour notice), one clear offer per category, flexibility to upgrade or downgrade over time (micro-conversions, again), and the value proposition is friction removal (no ownership, no maintenance, cancel anytime).</p>



<h2 class="wp-block-heading">What the toilet paper confirmed (love this title)</h2>



<p class="wp-block-paragraph">Over six episodes, I&#8217;ve talked about the NYT&#8217;s dynamic meter, Figma&#8217;s onboarding, L&#8217;Équipe&#8217;s first-100-days data, Jeune Afrique&#8217;s dynamic pricing, Spotify&#8217;s personalization, and now toilet paper and car subscriptions.</p>



<p class="wp-block-paragraph">If I had to summarize everything in one statement, it would be this: </p>



<p class="wp-block-paragraph"><strong>The subscription businesses that will thrive (media included) are the ones that combine a strong brand identity, a clear value proposition, and an obsession with user engagement with an infinite loop of micro-conversions.</strong> </p>



<p class="wp-block-paragraph">This is true for media. It&#8217;s true for every subscription business. Because the moment you charge someone on a recurring basis, you need to keep earning their attention every single month. There&#8217;s no way around it.</p>



<p class="wp-block-paragraph">Engagement drives everything: better conversion rates, better retention, higher lifetime value, better advertising revenue. We saw it in the data from the best performers, and … we saw it in toilet paper, and coffee, and cars (it&#8217;s the last episode, let me enjoy it)!</p>



<p class="wp-block-paragraph">And maybe the most practical takeaway from the entire moodboard: <strong>some of the best ideas for your subscription business will come from industries that have nothing to do with yours</strong>. A coffee company, a fitness app, a toilet paper brand. The principles are the same. The execution is just different enough to spark something new.</p>



<h2 class="wp-block-heading">What we&#8217;re building to make all of this possible</h2>



<p class="wp-block-paragraph">If you&#8217;ve read all six episodes (thank you, seriously), you&#8217;ve probably noticed that orchestrating all of these micro-conversions, from anonymous visitor to loyal subscriber, across every touchpoint, is complex work. Registration flows, onboarding sequences, dynamic paywalls, personalized offers, engagement actions, anti-churn triggers, cancellation optimization. Across web, app, and print.</p>



<p class="wp-block-paragraph">That&#8217;s exactly why we&#8217;re building the solution with <a href="https://poool.tech" target="_blank" rel="noreferrer noopener">Poool</a> and <a href="https://darwin.cx" target="_blank" rel="noreferrer noopener">Darwin CX</a>: the end-to-end subscription platform to master each of these micro-conversions, at every step of the journey. Everything we&#8217;ve described in this series, from episode 1 to episode 6, is what our platform is designed to help publishers execute.</p>



<p class="wp-block-paragraph">If that resonates, or if you&#8217;re currently thinking about your subscription platform, <a href="https://meetings.hubspot.com/maxime-mone?uuid=38a96ae3-1439-40ea-8c5b-8bfc67e5fb9f">let&#8217;s talk</a>.</p>



<p class="wp-block-paragraph">If you have questions, disagreements, or examples that contradict what we saw, we&#8217;re genuinely interested. This has been a conversation, not a lecture.</p>



<p class="wp-block-paragraph">And if you&#8217;d like to see the full analysis, you can download the complete Subscription Masterclass presentation <a href="https://meetings.hubspot.com/maxime-mone?uuid=7a51e329-6521-4fc0-b764-838ffd195c69">(Link here)</a>.</p>



<p class="wp-block-paragraph">PS: yes that’s actually a “book a meeting link” <img src="https://s.w.org/images/core/emoji/17.0.2/72x72/1f602.png" alt="😂" class="wp-smiley" style="height: 1em; max-height: 1em;" /> </p>
      <div data-ta-component="payment-form"></div>
            <div
            class="poool-engage-element"
                            id="engage-post-content-banner"
                                ></div>
            <div
            class="poool-engage-element"
                            id="engage-fullscreen-banner"
                                ></div>
    <p>The post <a href="https://theaudiencers.com/toilet-paper-wine-cars-and-what-they-teach-us-about-subscription-episode-6/">Toilet paper, wine, cars, and what they teach us about subscription: episode 6</a> appeared first on <a href="https://theaudiencers.com">Audiencers</a>.</p>
]]></content:encoded>
					
		
		
			</item>
	</channel>
</rss>
