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		<title>The Economist&#8217;s push to get closer to readers with audio- and video-only subscription</title>
		<link>https://theaudiencers.com/the-economists-push-to-get-closer-to-readers-with-audio-and-video-only-subscription/</link>
		
		<dc:creator><![CDATA[Madeleine White]]></dc:creator>
		<pubDate>Tue, 11 Aug 2026 07:22:00 +0000</pubDate>
				<category><![CDATA[Decisions]]></category>
		<category><![CDATA[Case Studies]]></category>
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		<category><![CDATA[Editorial work and products]]></category>
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					<description><![CDATA[<p>How The Economist has spent the last few years developing products and offers that foster deeper, more human relationships with readers</p>
<p>The post <a href="https://theaudiencers.com/the-economists-push-to-get-closer-to-readers-with-audio-and-video-only-subscription/">The Economist&#8217;s push to get closer to readers with audio- and video-only subscription</a> appeared first on <a href="https://theaudiencers.com">Audiencers</a>.</p>
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<p class="wp-block-paragraph"><em>The Economist</em> has spent the last few years developing products and offers that foster deeper, more human relationships with readers. Its latest launch, <strong>Play</strong>, provides a lower-priced audio and video subscription tier aimed at a growing audience across all age ranges who consume news in these formats but aren’t yet ready for a full-price subscription. Crucially, it serves as an accessible entry point to bring younger demographics into <em>The Economist&#8217;s</em> orbit before they transition to the full access tier, which also includes all written journalism.</p>



<p class="wp-block-paragraph">We spoke with <a href="https://www.linkedin.com/in/nadaarnot/">Nada Arnot</a>, Co-Managing Director of <em>The Economist</em>, about Play’s launch and how it fits into the publication&#8217;s wider relationship-building strategy.</p>



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  <pre class="ta-text">&gt; The Economist has launched a dedicated subscription tier for access to audio and video formats, priced lower than the core digital subscription to attract new audiences

&gt; The "Halo Effect": From early signals, the team has observed an uptick in core Premium sign-ups. Seeing a cheaper, format-specific option next to the full product acts as an anchor, nudging undecided visitors to pay a little extra for the full suite.

&gt; Net-New Audience: Conversions through Play have been driven almost entirely by brand-new readers rather than existing subscribers trading down.

&gt; Play is part of The Economist's wider strategic development (alongside podcasts, short-form video and "Insider") towards building deeper, more "human" relationships with audiences</pre>
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<h2 class="wp-block-heading">Play, a new audio and video subscription tier</h2>



<p class="wp-block-paragraph">Launched on <strong>July 1, 2026</strong>, Play offers access to <em>The Economist’s</em> audio and video journalism in a dedicated subscription tier.</p>



<p class="wp-block-paragraph">The pilot is currently live across <strong>Canada, Denmark, Norway, and Sweden</strong>. These markets were chosen specifically because they sit outside <em>The Economist&#8217;s</em> primary core markets (the UK and US) while exhibiting high digital audio and video streaming adoption, giving the team a lower-risk environment to test before deciding on a global rollout.</p>



<p class="wp-block-paragraph">The offer:&nbsp;</p>



<ul class="wp-block-list">
<li>Priced at $15 a month, a lower price point than the core digital subscription</li>



<li>Subscribing to Play gives you every piece of audio and video content that&#8217;s also available to full Premium subscribers, curated through an editor-shaped homepage, plus access to the subscriber-only newsletter. What it doesn&#8217;t give you is the written journalism; those articles remain visible but paywalled, with an upgrade to Premium as the unlock.</li>



<li>It’s not a separate app or standalone product, rather a subscription tier inside the existing economist app</li>
</ul>



<p class="wp-block-paragraph">The Economist Play includes:</p>



<ul class="wp-block-list">
<li>The Economist Insider: in-depth conversations with The Economist’s editors and global experts, aired twice a week and available on demand</li>



<li>Premium podcasts: daily and weekly podcasts on world news, US politics, China, technology and more, plus special series like Scam Inc and Tocqueville Road Trip</li>



<li>Essential daily analysis: daily audio briefings and short-form videos on the global stories that matter</li>



<li>Subscriber-only newsletters: curated news, including daily and weekly topical newsletters</li>



<li>Smart games: unlimited access to a range of crosswords, quizzes and puzzles</li>
</ul>



<figure class="wp-block-image size-large"><img data-dominant-color="e07975" data-has-transparency="true" style="--dominant-color: #e07975;" fetchpriority="high" decoding="async" width="1024" height="519" sizes="(max-width: 1024px) 100vw, 1024px" src="https://theaudiencers.com/wp-content/uploads/2026/08/image-1-1024x519.png" alt="The Economist Play offer" class="wp-image-53379 has-transparency" srcset="https://theaudiencers.com/wp-content/uploads/2026/08/image-1-1024x519.png 1024w, https://theaudiencers.com/wp-content/uploads/2026/08/image-1-300x152.png 300w, https://theaudiencers.com/wp-content/uploads/2026/08/image-1-768x389.png 768w, https://theaudiencers.com/wp-content/uploads/2026/08/image-1-1536x779.png 1536w, https://theaudiencers.com/wp-content/uploads/2026/08/image-1-332x168.png 332w, https://theaudiencers.com/wp-content/uploads/2026/08/image-1-664x337.png 664w, https://theaudiencers.com/wp-content/uploads/2026/08/image-1-688x349.png 688w, https://theaudiencers.com/wp-content/uploads/2026/08/image-1-1044x529.png 1044w, https://theaudiencers.com/wp-content/uploads/2026/08/image-1-1400x710.png 1400w, https://theaudiencers.com/wp-content/uploads/2026/08/image-1-1920x973.png 1920w, https://theaudiencers.com/wp-content/uploads/2026/08/image-1.png 2048w" /></figure>



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            The reasoning behind building it as a tier rather than a separate product, in Arnot&#8217;s words, was straightforward: a growing audience across all age ranges, not only younger readers, is consuming news in audio and video form specifically in the in-between moments of a day, commuting, walking a dog, running errands. The Economist wanted a way to show up at this moment without asking people to pay full price for a format mix they didn&#8217;t want yet. It&#8217;s also, deliberately, a lower-priced entry point aimed at bringing younger demographics into The Economist&#8217;s orbit before they&#8217;re ready for the full written product.</p>



<p class="wp-block-paragraph">Arnot was clear that this is not a sign of declining interest in text. Older subscribers still demand &#8220;the whole buffet&#8221; of text, audio, and video. However, AV formats are specifically what attract the next generation, audiences who are likely to skew toward 90% audio-video consumption and 10% print.</p>



<h2 class="wp-block-heading">How Play is marketed and priced</h2>



<p class="wp-block-paragraph">On the acquisition side, paid media campaigns in test markets lead directly with the Play proposition. However, when prospects land on the offer page, they see all three tiers side-by-side: Play, Premium (Digital), and Premium Plus Print.</p>



<p class="wp-block-paragraph">Play receives the same intro mechanics as the core subscriptions: 30% off an annual pass or a one-month free trial.</p>



<h2 class="wp-block-heading">Early signals, three weeks in</h2>



<p class="wp-block-paragraph">So far, subscription growth is looking very promising and, critically, existing Premium subscriptions in those markets have stayed healthy. Arnot even noted an uptick in Premium sign-ups that they attribute partly to Play&#8217;s presence on the offer page. Seeing a cheaper, format-specific option next to the full product seems to be nudging some undecided visitors toward paying a little more for everything, rather than pulling people down to the cheaper tier. So far, everyone acquired through Play has been genuinely new to The Economist, rather than existing subscribers trading down.</p>



<p class="wp-block-paragraph">Importantly, Arnot&#8217;s team is watching closely to check that the new lower tier isn’t cannibalising their classic subscription. The logic they&#8217;re applying: it&#8217;s fine to accept some cannibalization risk as long as incremental new subscriptions outweigh it, and so far, that hasn&#8217;t materialized as a problem.</p>



<h2 class="wp-block-heading">Product portfolio realignment: Play vs Espresso</h2>



<p class="wp-block-paragraph"><em>The Economist</em> already operated a lower-cost daily news offering, <strong>Espresso</strong>, alongside <strong>Economist Podcast Plus</strong>. However, Espresso offers only a handful of written pieces per month—a materially thinner proposition than Play&#8217;s full audio-video catalog.</p>



<p class="wp-block-paragraph">To prevent audience confusion and eliminate product overlap:</p>



<ol class="wp-block-list">
<li><em>The Economist</em> <strong>delisted Espresso from app stores</strong> entirely within the Play pilot markets.</li>



<li>The team funneled all lower-friction entry points toward <strong>one unified brand experience</strong> inside the primary app ecosystem.</li>
</ol>



<h2 class="wp-block-heading">The wider relationship-building strategy</h2>



<p class="wp-block-paragraph">For Arnot, Play is one piece of a long-term evolution toward human-centered publishing:</p>



<ol class="wp-block-list">
<li><strong>Podcasts (top of funnel):</strong> Un-paywalled podcasts introduced audiences to journalists as real people—a shift for a publication that historically ran without bylines.</li>



<li><strong>Short-form video (mid funnel):</strong> Put journalists directly in front of the camera, deepening visual familiarity.</li>



<li><strong>Insider (retention &amp; loyalty):</strong> A premium feature launched in late 2025 that brings subscribers into the newsroom through editor-led shows, biweekly newsletters, and newsmaking interviews with global leaders. The value of these “human” formats was echoed by Diana Babei, Principal Product Manager, at Audiencers’ Festival London, who shared that insider is already proving to build loyalty and trust in ways that article text doesn&#8217;t, including high engagement with this product (75% of subscribers) and lower churn among Insider viewers.&nbsp;</li>
</ol>



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<ol start="4" class="wp-block-list">
<li><strong>Play (acquisition &amp; conversion):</strong> Uses the same human-first AV formats that drive <em>Insider&#8217;s</em> loyalty, but packages them at a lower price point to build habits and acquire audiences who haven’t yet subscribed</li>
</ol>



<p class="wp-block-paragraph">Arnot connected this directly to the pressure AI search and AI-generated summaries are putting on publishers broadly: as it becomes easier for a reader to get information without ever visiting a publisher&#8217;s site, the case for a human-centered, personality-driven product only gets stronger, not as a defensive move, but as one of the few remaining things a subscription can offer that a summary can&#8217;t.</p>



<p class="wp-block-paragraph">Insider and Play, in that sense, aren&#8217;t two separate initiatives so much as two different answers to the same underlying bet: that in an AI-saturated information environment, the publishers who win will be the ones readers feel some kind of human connection to, whether that connection starts with a $15 audio tier or a premium interview.</p>



<h2 class="wp-block-heading">Key takeaways for publishers</h2>



<ul class="wp-block-list">
<li><strong>Lower barriers, high intent:</strong> Play acts as both an affordable entry tier for news consumers and a funnel toward the full-fat product</li>



<li><strong>Single-app ecosystem:</strong> Consolidating tiers inside one core app keeps brand equity intact and simplifies the upgrade journey</li>



<li><strong>Format-led segmentation:</strong> Rather than gating by topic, gating by format (AV vs. text) aligns naturally with mobile habits and daily routines</li>



<li><strong>Human-first defensibility:</strong> Prioritising formats that showcase real journalists builds trust and retention that AI summaries cannot replicate.&nbsp;</li>
</ul>



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    <p>The post <a href="https://theaudiencers.com/the-economists-push-to-get-closer-to-readers-with-audio-and-video-only-subscription/">The Economist&#8217;s push to get closer to readers with audio- and video-only subscription</a> appeared first on <a href="https://theaudiencers.com">Audiencers</a>.</p>
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		<title>Information fatigue: why Les Echos are betting on « La Sélection » rather than unlimited access</title>
		<link>https://theaudiencers.com/information-fatigue-why-les-echos-are-betting-on-la-selection-rather-than-unlimited-access/</link>
		
		<dc:creator><![CDATA[Marion Wyss]]></dc:creator>
		<pubDate>Fri, 10 Jul 2026 15:01:07 +0000</pubDate>
				<category><![CDATA[Inspirations]]></category>
		<category><![CDATA[Case Studies]]></category>
		<category><![CDATA[Editorial work and products]]></category>
		<guid isPermaLink="false">https://theaudiencers.com/?p=52466</guid>

					<description><![CDATA[<p>Faced with French readers' information fatigue, Les Echos answer with La Sélection: a €9.90 a month offer that bets on editorial curation rather than unlimited access.</p>
<p>The post <a href="https://theaudiencers.com/information-fatigue-why-les-echos-are-betting-on-la-selection-rather-than-unlimited-access/">Information fatigue: why Les Echos are betting on « La Sélection » rather than unlimited access</a> appeared first on <a href="https://theaudiencers.com">Audiencers</a>.</p>
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<p class="wp-block-paragraph">At its stand at VivaTech, on Tuesday 17 June 2026, Les Echos devoted a session to a question every publisher knows: &#8220;What is the answer to French readers&#8217; information fatigue?&#8221;. On the agenda: the data-backed diagnosis from Jean-Baptiste Leroux (OpinionWay), the brand&#8217;s values presented by Célia Pénavaire (journalist and digital editor-in-chief at Les Echos), then the product answer led by Yasmine Maslouhi, Director of subscription activities and revenue at Les Echos: a new offer called « La Sélection ». </p>



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  <pre class="ta-text">&gt; According to OpinionWay, the average French person consumes about 6 media families a day, 20% already use a generative AI to get informed, but a majority say they feel overwhelmed, even fatigued, by the news

&gt; Faced with information fatigue, unlimited access is not the answer. Les Echos is instead making the opposite bet, that of selection

&gt; "La Sélection" consists of between 9 and 15 articles a day, chosen from a daily output of 120 to 150 pieces, following a reader-needs grid (inform, reflect, get inspired, develop, unwind) and a strict quota discipline

&gt; Three platforms (a dedicated tab in the app, a section on the site, a daily newsletter), a weekly long read on Saturdays, and 5 shareable articles a month. Early bird price sits at €9.90 a month</pre>
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<h2 class="wp-block-heading">The diagnosis: more information, but a consumption that comes at a high psychological cost</h2>



<p class="wp-block-paragraph">Jean-Baptiste Leroux (OpinionWay) set the scene. Information fatigue, also called information overload, is a concept born among American sociologists in the 1970s, taken up in Europe and reworked by Edgar Morin around the idea of an &#8220;information cloud&#8221;, the body of information delivered each day by the basket of media we consume. The average French person consumes around 6 media families a day (television, radio, press, social media, podcasts, and now AI). A live test in the room: roughly 20% of French people use a generative AI such as ChatGPT to get informed about the news.</p>



<p class="wp-block-paragraph">The first virtue of this cloud is that it informs people better than 20 years ago, even as the world is seen as increasingly complex. But the trade-off is heavy: the feeling of always seeing the same information, the sense, at the end of the day, of not having learned much, and a majority of French people who say they feel overwhelmed, even fatigued, by the news. For some of them, the news is even seen as depressing.</p>



<blockquote class="wp-block-quote is-layout-flow wp-block-quote-is-layout-flow">
<p class="wp-block-paragraph"><em>It is not the information itself that is depressing, it is the way it is prioritised and treated. If you only put forward hot, anxiety-inducing news, with a sensationalist treatment, you create anxiety.</em></p>
<cite>Jean-Baptiste Leroux, OpinionWay</cite></blockquote>



<p class="wp-block-paragraph">His metaphor: the ocean. Immediacy-driven media stay at the surface, on the foam of the waves. Media that take you down to the depths teach you something, but that is more demanding. All of this in a climate of distrust, fuelled by the sense that fake news is multiplying and the impression that media favour the clash of egos and ideas over explanation and analysis. In response, French people build their own strategies: cross-checking sources, talking about the news with those close to them (83% see the news as a topic to discuss with the people around them), taking back control to choose their information rather than endure it, favouring media that help them understand, easing the pressure by slowing down their consumption, and finally accepting that quality information has value and must be paid for. Total avoidance, for its part, concerns only 10 to 15% of French people.</p>



<h2 class="wp-block-heading">Les Echos&#8217; answer: four editorial pillars and an assumed responsibility</h2>



<p class="wp-block-paragraph">Yasmine Maslouhi first noted that journalists feel this fatigue too, and that it is wrong to believe only anxiety-inducing content works: inspiring and useful content, success stories or profiles of business leaders, work just as well. The group&#8217;s answer rests on four editorial pillars. Two belong to the title&#8217;s historic DNA, more than a hundred years old: reliability (systematic verification of every piece of information, across all platforms, drawing on a newsroom of experts) and impartiality (analysing the facts without taking sides, decoding the economy and the life of companies). Two are more recent: inspiration (solutions journalism, which does not just note a problem but shows who is solving it) and useful information, for professional as well as personal life (handling a toxic manager, for example).</p>



<blockquote class="wp-block-quote is-layout-flow wp-block-quote-is-layout-flow">
<p class="wp-block-paragraph"><em>It is essential for us to give people back a taste for the news, and a taste for reading. We want to live in a society where people read, where everyone can give themselves at least 30 minutes of uninterrupted reading. It is also a societal stake: to take an informed part in public life, people need to rediscover a taste for information.</em></p>
<cite>Yasmine Maslouhi, Director of subscription activities and revenue, Les Echos</cite></blockquote>



<h2 class="wp-block-heading">Two needs, two answers: unlimited on one side, selection on the other</h2>



<p class="wp-block-paragraph">The most interesting strategic point for publishers lies in a deliberately segmented view of needs. On one side, readers who use Les Echos daily to work, to prepare business plans or pitches. For them, the answer remains unlimited access to the documentation and to 35 years of archives, complemented by a new AI assistant designed to boost their daily productivity. On the other, those looking for a trusted daily intellectual companion. For that need, Les Echos&#8217; position is clear: unlimited access is not the answer.</p>



<blockquote class="wp-block-quote is-layout-flow wp-block-quote-is-layout-flow">
<p class="wp-block-paragraph"><em>Unlimited access has been used a lot as a promise by telecoms and by media. Today, with this information fatigue, we believe a different promise is needed. We have chosen almost the opposite promise: selection.</em></p>
<cite>Yasmine Maslouhi, Les Echos</cite></blockquote>



<h2 class="wp-block-heading">&#8220;La Sélection&#8221;: three criteria, three values, one editorial discipline</h2>


<div class="wp-block-image">
<figure class="aligncenter size-large"><img data-dominant-color="4e4341" data-has-transparency="true" style="--dominant-color: #4e4341;" loading="lazy" decoding="async" width="1070" height="224" sizes="(max-width: 1024px) 100vw, 1024px" src="https://theaudiencers.com/wp-content/uploads/2026/06/1070x224-bandeau-boutique.png" alt="La Sélection - Les Echos" class="wp-image-52453 has-transparency" srcset="https://theaudiencers.com/wp-content/uploads/2026/06/1070x224-bandeau-boutique.png 1070w, https://theaudiencers.com/wp-content/uploads/2026/06/1070x224-bandeau-boutique-300x63.png 300w, https://theaudiencers.com/wp-content/uploads/2026/06/1070x224-bandeau-boutique-1024x214.png 1024w, https://theaudiencers.com/wp-content/uploads/2026/06/1070x224-bandeau-boutique-768x161.png 768w, https://theaudiencers.com/wp-content/uploads/2026/06/1070x224-bandeau-boutique-332x70.png 332w, https://theaudiencers.com/wp-content/uploads/2026/06/1070x224-bandeau-boutique-664x139.png 664w, https://theaudiencers.com/wp-content/uploads/2026/06/1070x224-bandeau-boutique-688x144.png 688w, https://theaudiencers.com/wp-content/uploads/2026/06/1070x224-bandeau-boutique-1044x219.png 1044w" /></figure>
</div>


<p class="wp-block-paragraph">&#8220;La Sélection&#8221; rests on three core criteria. Balance first: the goal is no longer breaking news at all costs (others do breaking news better than Les Echos), but information that is useful for understanding the world and taking a step back. Calm next: plural voices and op-eds, but grounded in evidence-based, balanced arguments. Impartiality finally, the title&#8217;s historic value.</p>



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<p class="wp-block-paragraph">Presented in the opening by Célia Pénavaire, the title&#8217;s values break down into three guiding axes for this selection: reason over ideology (an economic DNA that calls for a rational, almost mathematical reading of the world), optimism over fatalism (giving room to success stories and to solutions that work), and ambition over declinism (investigations and analysis to handle professional and personal challenges).</p>


<div class="wp-block-image">
<figure class="aligncenter size-large"><img data-dominant-color="c2bbc1" data-has-transparency="false" style="--dominant-color: #c2bbc1;" loading="lazy" decoding="async" width="1600" height="899" sizes="(max-width: 1024px) 100vw, 1024px" src="https://theaudiencers.com/wp-content/uploads/2026/06/selection-valeurs-slide.jpg" alt="The three guiding values of La Sélection" class="wp-image-52469 not-transparent" srcset="https://theaudiencers.com/wp-content/uploads/2026/06/selection-valeurs-slide.jpg 1600w, https://theaudiencers.com/wp-content/uploads/2026/06/selection-valeurs-slide-300x169.jpg 300w, https://theaudiencers.com/wp-content/uploads/2026/06/selection-valeurs-slide-1024x575.jpg 1024w, https://theaudiencers.com/wp-content/uploads/2026/06/selection-valeurs-slide-768x432.jpg 768w, https://theaudiencers.com/wp-content/uploads/2026/06/selection-valeurs-slide-1536x863.jpg 1536w, https://theaudiencers.com/wp-content/uploads/2026/06/selection-valeurs-slide-332x187.jpg 332w, https://theaudiencers.com/wp-content/uploads/2026/06/selection-valeurs-slide-664x373.jpg 664w, https://theaudiencers.com/wp-content/uploads/2026/06/selection-valeurs-slide-688x387.jpg 688w, https://theaudiencers.com/wp-content/uploads/2026/06/selection-valeurs-slide-1376x774.jpg 1376w, https://theaudiencers.com/wp-content/uploads/2026/06/selection-valeurs-slide-1044x587.jpg 1044w, https://theaudiencers.com/wp-content/uploads/2026/06/selection-valeurs-slide-1400x787.jpg 1400w" /><figcaption class="wp-element-caption"><em>« Our values will serve La Sélection »: reason over ideology, optimism over fatalism, ambition over declinism. (Source: Les Echos, VivaTech 2026)</em></figcaption></figure>
</div>


<p class="wp-block-paragraph">On the production side, it is a genuine editorial discipline, run by a dedicated team (two full-time journalists, according to our information). Each day, the newsroom produces between 120 and 150 articles; this team selects 9 to 15 of them, spread across a reader-needs grid (inform, reflect, get inspired, develop, unwind) with fixed quotas per category, several times a day. Concretely, &#8220;develop&#8221; accounts for around 20% of topics, while &#8220;get inspired&#8221; and &#8220;unwind&#8221; are capped at 10% each. A culture piece or a roundup of the best summer crime novels thus has its place alongside the conflict in the Middle East.</p>


<div class="wp-block-image">
<figure class="aligncenter size-large"><img data-dominant-color="9c999b" data-has-transparency="false" style="--dominant-color: #9c999b;" loading="lazy" decoding="async" width="1600" height="899" sizes="(max-width: 1024px) 100vw, 1024px" src="https://theaudiencers.com/wp-content/uploads/2026/06/selection-equilibree-slide.jpg" alt="A balanced selection based on reader needs" class="wp-image-52471 not-transparent" srcset="https://theaudiencers.com/wp-content/uploads/2026/06/selection-equilibree-slide.jpg 1600w, https://theaudiencers.com/wp-content/uploads/2026/06/selection-equilibree-slide-300x169.jpg 300w, https://theaudiencers.com/wp-content/uploads/2026/06/selection-equilibree-slide-1024x575.jpg 1024w, https://theaudiencers.com/wp-content/uploads/2026/06/selection-equilibree-slide-768x432.jpg 768w, https://theaudiencers.com/wp-content/uploads/2026/06/selection-equilibree-slide-1536x863.jpg 1536w, https://theaudiencers.com/wp-content/uploads/2026/06/selection-equilibree-slide-332x187.jpg 332w, https://theaudiencers.com/wp-content/uploads/2026/06/selection-equilibree-slide-664x373.jpg 664w, https://theaudiencers.com/wp-content/uploads/2026/06/selection-equilibree-slide-688x387.jpg 688w, https://theaudiencers.com/wp-content/uploads/2026/06/selection-equilibree-slide-1376x774.jpg 1376w, https://theaudiencers.com/wp-content/uploads/2026/06/selection-equilibree-slide-1044x587.jpg 1044w, https://theaudiencers.com/wp-content/uploads/2026/06/selection-equilibree-slide-1400x787.jpg 1400w" /><figcaption class="wp-element-caption"><em>« A balanced selection designed to be useful »: the reader-needs grid (inform, reflect, get inspired, develop, unwind) and its quotas. (Source: Les Echos, VivaTech 2026)</em></figcaption></figure>
</div>


<h2 class="wp-block-heading">Three platforms, a weekly long read, and sharing</h2>



<p class="wp-block-paragraph">&#8220;La Sélection&#8221; is designed to be identifiable on the three most consulted platforms: a dedicated tab in the app (in the form of immersive cards), a section of the same name on the Les Echos site, and a daily newsletter in your inbox (at 8:30am, signed by the newsroom). On the app, choosing your interests unlocks additional articles; on the site, subscribers can access the full history of past selections. All with some personalisation, but deliberately limited, to preserve a common core shared by all subscribers. On top of that, every Saturday morning, an exclusive long read looks back on the week&#8217;s key events, signed by the editors-in-chief Christophe Jakubyszyn and Clémence Lemaistre. And because information is meant to be shared, the offer includes 5 articles to share freely with those close to you each month.</p>


<div class="wp-block-image">
<figure class="aligncenter size-large"><img data-dominant-color="cdc4c8" data-has-transparency="false" style="--dominant-color: #cdc4c8;" loading="lazy" decoding="async" width="1600" height="899" sizes="(max-width: 1024px) 100vw, 1024px" src="https://theaudiencers.com/wp-content/uploads/2026/06/selection-3-supports-slide.jpg" alt="La Sélection across three platforms" class="wp-image-52473 not-transparent" srcset="https://theaudiencers.com/wp-content/uploads/2026/06/selection-3-supports-slide.jpg 1600w, https://theaudiencers.com/wp-content/uploads/2026/06/selection-3-supports-slide-300x169.jpg 300w, https://theaudiencers.com/wp-content/uploads/2026/06/selection-3-supports-slide-1024x575.jpg 1024w, https://theaudiencers.com/wp-content/uploads/2026/06/selection-3-supports-slide-768x432.jpg 768w, https://theaudiencers.com/wp-content/uploads/2026/06/selection-3-supports-slide-1536x863.jpg 1536w, https://theaudiencers.com/wp-content/uploads/2026/06/selection-3-supports-slide-332x187.jpg 332w, https://theaudiencers.com/wp-content/uploads/2026/06/selection-3-supports-slide-664x373.jpg 664w, https://theaudiencers.com/wp-content/uploads/2026/06/selection-3-supports-slide-688x387.jpg 688w, https://theaudiencers.com/wp-content/uploads/2026/06/selection-3-supports-slide-1376x774.jpg 1376w, https://theaudiencers.com/wp-content/uploads/2026/06/selection-3-supports-slide-1044x587.jpg 1044w, https://theaudiencers.com/wp-content/uploads/2026/06/selection-3-supports-slide-1400x787.jpg 1400w" /><figcaption class="wp-element-caption"><em>« La Sélection » identifiable across three platforms: a tab in the app, a section on the site, and a dedicated newsletter. (Source: Les Echos, VivaTech 2026)</em></figcaption></figure>
</div>


<h2 class="wp-block-heading">Pricing: a deliberately accessible positioning</h2>



<p class="wp-block-paragraph">Conceived as a daily intellectual companion, the offer is meant to be accessible to as many people as possible, and gives access only to this daily selection (site, app and newsletter). The early bird price is €9.90 a month. Yasmine Maslouhi claimed a positioning &#8220;cheaper than Canal+, cheaper than Netflix, and even cheaper than Le Monde today&#8221;. A special VivaTech offer was available on the stand: two months free. Note that the AI assistant for professional use was presented right next door, on the same stand.</p>


<div class="wp-block-image">
<figure class="aligncenter size-large"><img data-dominant-color="e1d8e0" data-has-transparency="false" style="--dominant-color: #e1d8e0;" loading="lazy" decoding="async" width="1600" height="899" sizes="(max-width: 1024px) 100vw, 1024px" src="https://theaudiencers.com/wp-content/uploads/2026/06/selection-offre-slide.jpg" alt="Early bird offer at 9.90 euros a month" class="wp-image-52475 not-transparent" srcset="https://theaudiencers.com/wp-content/uploads/2026/06/selection-offre-slide.jpg 1600w, https://theaudiencers.com/wp-content/uploads/2026/06/selection-offre-slide-300x169.jpg 300w, https://theaudiencers.com/wp-content/uploads/2026/06/selection-offre-slide-1024x575.jpg 1024w, https://theaudiencers.com/wp-content/uploads/2026/06/selection-offre-slide-768x432.jpg 768w, https://theaudiencers.com/wp-content/uploads/2026/06/selection-offre-slide-1536x863.jpg 1536w, https://theaudiencers.com/wp-content/uploads/2026/06/selection-offre-slide-332x187.jpg 332w, https://theaudiencers.com/wp-content/uploads/2026/06/selection-offre-slide-664x373.jpg 664w, https://theaudiencers.com/wp-content/uploads/2026/06/selection-offre-slide-688x387.jpg 688w, https://theaudiencers.com/wp-content/uploads/2026/06/selection-offre-slide-1376x774.jpg 1376w, https://theaudiencers.com/wp-content/uploads/2026/06/selection-offre-slide-1044x587.jpg 1044w, https://theaudiencers.com/wp-content/uploads/2026/06/selection-offre-slide-1400x787.jpg 1400w" /><figcaption class="wp-element-caption"><em>The subscription offer « designed to be accessible »: early bird at €9.90 a month, with two months free for VivaTech. (Source: Les Echos, VivaTech 2026)</em></figcaption></figure>
</div>


<p class="wp-block-paragraph">To subscribe to La Sélection, it&#8217;s <a href="https://theaudiencers.com/la-selection-annuel/one-page-checkout">here</a>. See you in a few months for the first results&#8230;</p>


<p>        </div>
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    <p>The post <a href="https://theaudiencers.com/information-fatigue-why-les-echos-are-betting-on-la-selection-rather-than-unlimited-access/">Information fatigue: why Les Echos are betting on « La Sélection » rather than unlimited access</a> appeared first on <a href="https://theaudiencers.com">Audiencers</a>.</p>
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		<title>Inside Le Monde in English: Four Years in and already profitable</title>
		<link>https://theaudiencers.com/inside-le-monde-in-english-four-years-in-and-already-profitable/</link>
		
		<dc:creator><![CDATA[Madeleine White]]></dc:creator>
		<pubDate>Mon, 22 Jun 2026 16:03:03 +0000</pubDate>
				<category><![CDATA[Inspirations]]></category>
		<category><![CDATA[Case Studies]]></category>
		<category><![CDATA[Editorial work and products]]></category>
		<category><![CDATA[Le Monde]]></category>
		<category><![CDATA[Subscription]]></category>
		<guid isPermaLink="false">https://theaudiencers.com/?p=52486</guid>

					<description><![CDATA[<p>Why an English version of Le Monde? Why now? And how? Director of Diversification Arnaud Aubron explains at Audiencers' Festival London</p>
<p>The post <a href="https://theaudiencers.com/inside-le-monde-in-english-four-years-in-and-already-profitable/">Inside Le Monde in English: Four Years in and already profitable</a> appeared first on <a href="https://theaudiencers.com">Audiencers</a>.</p>
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<p class="wp-block-paragraph">At the Audiencers’ Festival in London, <a href="https://www.linkedin.com/in/arnaudaubron/" target="_blank" rel="noreferrer noopener">Arnaud Aubron</a>, Director of Diversification at <em>Le Monde</em>, took to the stage to share the journey of <em>Le Monde in English</em>, a project that the organisation has dreamed of for 50 years.&nbsp;</p>



<p class="wp-block-paragraph">With technological advances and the move to digital, Le Monde in English was launched in 2022, and has since gone from strength to strength.&nbsp;</p>



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  <pre class="ta-text">&gt; Le Monde has wanted to launch an English edition for 50+ years, but technological advances (AI translations) and digital subscriptions (delivering value internationally with ease) finally made the project possible in 2022. It's also an important move for the brand to continue to grow beyond the limited French market

&gt; Content: Le Monde in English doesn't create original content; it exclusively translates a curated selection of the French edition (30% of all articles from Le Monde)

&gt; Because an international reader is highly likely to already hold a primary subscription to a domestic title like The New York Times or The Guardian, Le Monde in English positions itself as a "second read," with a highly accessible pricing structure (starting at €2.50/month for the first year)

&gt; Performance so far: around 16,000 active subscribers, 50% of whom are from the US. Approx. 5 million monthly visits, and subscriptions are the core business driver, representing 66.2% of revenue, followed by licensing (16.9%), B2B (12.3%) and advertising (4.6%)

&gt; "It's not about translation": success comes down to content market fit, product distribution, and understanding the distinct profile of your international audience. And whilst AI has driven productivity gains on this front, it's also created journalism jobs - AI handles the mechanical translation, freeing human journalists to focus purely on editing, nuance, and curation</pre>
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<h2 class="wp-block-heading">Why an English version and why now?</h2>



<p class="wp-block-paragraph">The fundamental reason for publishing in English is simple: to speak to the world, you have to speak English. If <em>Le Monde</em> wanted its journalism to have a truly global impact, keeping it exclusively in French was no longer an option.</p>



<p class="wp-block-paragraph">But the more pressing question was <em>why now?</em></p>



<h3 class="wp-block-heading">1. Reaching the glass ceiling in France</h3>



<p class="wp-block-paragraph">As of December 31, 2025, <em>Le Monde</em> ranked number one in digital subscriptions in France, boasting <strong>602,218 purely digital subscribers</strong>. Additionally, <em>Le Monde</em> drove 35% of all digital subscriber growth in France in 2025.</p>


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<figure class="aligncenter size-large is-resized"><img data-dominant-color="f3f4f4" data-has-transparency="false" loading="lazy" decoding="async" width="626" height="1024" sizes="(max-width: 626px) 100vw, 626px" src="https://theaudiencers.com/wp-content/uploads/2026/06/image-9-1-626x1024.jpg" alt="" class="wp-image-52495 not-transparent" style="--dominant-color: #f3f4f4; aspect-ratio:0.6117169808699517;width:340px;height:auto" srcset="https://theaudiencers.com/wp-content/uploads/2026/06/image-9-1-626x1024.jpg 626w, https://theaudiencers.com/wp-content/uploads/2026/06/image-9-1-184x300.jpg 184w, https://theaudiencers.com/wp-content/uploads/2026/06/image-9-1-768x1255.jpg 768w, https://theaudiencers.com/wp-content/uploads/2026/06/image-9-1-332x543.jpg 332w, https://theaudiencers.com/wp-content/uploads/2026/06/image-9-1-664x1085.jpg 664w, https://theaudiencers.com/wp-content/uploads/2026/06/image-9-1-688x1125.jpg 688w, https://theaudiencers.com/wp-content/uploads/2026/06/image-9-1.jpg 794w" /><figcaption class="wp-element-caption">Digital subscriber figures for French media </figcaption></figure>
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<p class="wp-block-paragraph">While the publication possesses elite know-how in digital subscriptions, the French market itself is capped. The total addressable market in France sits around 3.3 million total news subscribers across all publications. With <em>Le Monde</em> capturing such a significant portion, the team faced a looming question: <em>Can we hit 1 million or 1.5 million subscribers in a market this small?</em> They simply didn&#8217;t know. To sustain further growth, they had to look beyond their domestic, and linguistic, borders.        <div
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<h3 class="wp-block-heading">2. The tech triggers</h3>



<p class="wp-block-paragraph">Two key factors finally made the project feasible in 2022:</p>



<ul class="wp-block-list">
<li><strong>Artificial Intelligence:</strong> AI finally matured enough to drastically lower the financial and temporal costs of translation.</li>



<li><strong>The digital subscription model:</strong> Unlike the 1970s print attempt, which incurred immense logistics costs to print and ship copies across the UK and US without any guarantee of sales, digital distribution completely eliminates the friction of international expansion.</li>
</ul>



<p class="wp-block-paragraph">Aubron contrasted this with The New York Times, which launched a Spanish edition in 2016 but shuttered it a few years later. The New York Times relied heavily on manual translation without AI and built a business model dependent on advertising rather than subscriptions, a strategy that ultimately proved unsustainable.</p>



<figure class="wp-block-image size-large"><img data-dominant-color="bcbfbe" data-has-transparency="false" style="--dominant-color: #bcbfbe;" loading="lazy" decoding="async" width="1024" height="495" sizes="(max-width: 1024px) 100vw, 1024px" src="https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-19-a-13.46.30-1024x495.jpg" alt="" class="wp-image-52497 not-transparent" srcset="https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-19-a-13.46.30-1024x495.jpg 1024w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-19-a-13.46.30-300x145.jpg 300w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-19-a-13.46.30-768x371.jpg 768w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-19-a-13.46.30-1536x742.jpg 1536w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-19-a-13.46.30-2048x990.jpg 2048w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-19-a-13.46.30-332x160.jpg 332w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-19-a-13.46.30-664x321.jpg 664w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-19-a-13.46.30-688x332.jpg 688w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-19-a-13.46.30-1044x504.jpg 1044w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-19-a-13.46.30-1400x676.jpg 1400w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-19-a-13.46.30-1920x928.jpg 1920w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-19-a-13.46.30.jpg 2560w" /></figure>



<h2 class="wp-block-heading">The launch and operational workflow</h2>



<p class="wp-block-paragraph">Following Aubron&#8217;s appointment in September 2021, the project launched in April 2022 to coincide with the French presidential elections.</p>



<p class="wp-block-paragraph">At launch, the assumption was that AI could handle the heavy lifting, followed by a quick proofread. In reality, it required much more human intervention.</p>



<ol class="wp-block-list">
<li><strong>DeepL translation:</strong> The software was used to generate the initial baseline translation. While highly rated, the technology in 2022 still required heavy editing to meet <em>Le Monde&#8217;s</em> journalistic standards.</li>



<li><strong>Professional freelance translators:</strong> To ensure maximum quality for a premium subscription product, two translator agencies were brought in to meticulously review and correct the AI-generated text.</li>



<li><strong>In-house editorial team:</strong> A dedicated team of 8 journalists was embedded directly within the French newsroom. This physical proximity allowed them to collaborate, anticipate news, and edit translations seamlessly alongside the original authors.</li>
</ol>



<h2 class="wp-block-heading">Article selection: quality over quantity</h2>



<p class="wp-block-paragraph"><em>Le Monde in English</em> does not create original content; it exclusively translates a curated selection of the French edition.</p>



<ul class="wp-block-list">
<li><strong>30% of French articles translated:</strong> The team skips live coverage, podcasts, and strictly local French wire stories (e.g., specific domestic politics, local school or banking issues) that hold little relevance to an international audience.</li>



<li><strong>+10 daily dispatches:</strong> They supplement translated deep-dives with roughly ten English news dispatches per day to provide hot news.</li>
</ul>



<h2 class="wp-block-heading">Pricing: A &#8220;second read&#8221; strategy</h2>



<p class="wp-block-paragraph">Because an international reader is highly likely to already hold a primary subscription to a domestic title like <em>The New York Times</em> or <em>The Guardian</em>, <em>Le Monde in English</em> positions itself as a &#8220;second read.&#8221;</p>



<p class="wp-block-paragraph">To account for this, the pricing structure had to be highly accessible:</p>



<ul class="wp-block-list">
<li><strong>Introductory price:</strong> €2.50 per month for the first year.</li>



<li><strong>Standard price:</strong> Loops up to €10.00 per month progressively.</li>



<li><strong>Average price point:</strong> As of March 2026, the average revenue per user sits at <strong>€4.66</strong>.</li>
</ul>



<figure class="wp-block-image size-large"><img data-dominant-color="dee3e9" data-has-transparency="false" style="--dominant-color: #dee3e9;" loading="lazy" decoding="async" width="1024" height="755" sizes="(max-width: 1024px) 100vw, 1024px" src="https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-19-a-13.47.50-1024x755.jpg" alt="" class="wp-image-52499 not-transparent" srcset="https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-19-a-13.47.50-1024x755.jpg 1024w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-19-a-13.47.50-300x221.jpg 300w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-19-a-13.47.50-768x567.jpg 768w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-19-a-13.47.50-1536x1133.jpg 1536w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-19-a-13.47.50-332x245.jpg 332w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-19-a-13.47.50-664x490.jpg 664w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-19-a-13.47.50-688x508.jpg 688w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-19-a-13.47.50-1044x770.jpg 1044w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-19-a-13.47.50-1400x1033.jpg 1400w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-19-a-13.47.50.jpg 1906w" /></figure>



<p class="wp-block-paragraph">Aubron noted that an attempt to raise prices in 2025 stalled subscriber growth because the price increase came at a time when audience acquisition hadn&#8217;t scaled sufficiently to absorb the change. Lesson learned: a secondary read strategy demands highly sensitive, highly competitive pricing.</p>



<h2 class="wp-block-heading">Four years later: audience &amp; subscription performance</h2>



<p class="wp-block-paragraph">The strategy has paid off, yielding steady traffic and subscription growth since the launch 4 years ago.</p>



<ul class="wp-block-list">
<li><strong>Current Subscriber Base:</strong> Hovering near <strong>16,000 active subscribers</strong>.</li>



<li><strong>The American engine:</strong> A staggering <strong>50% of all subscribers come from the United States</strong>. Aubron attributed this to a stark cultural difference in the propensity to pay for news: while only roughly 10% of French consumers pay for digital news, closer to 20% of Americans do. The subscriber base consists heavily of students, retirees, and individuals with an existing personal, educational, or marital link to France.</li>



<li><strong>Global traffic footprint:</strong> The platform pulls in approximately <strong>5 million monthly visits</strong>.
<ul class="wp-block-list">
<li><em>United States:</em> 38.5%</li>



<li><em>United Kingdom:</em> 12.2%</li>



<li><em>Canada:</em> 9.5%</li>



<li><em>France:</em> 7.3% (although access to the English edition from France is limited to subscribers on higher-tier plans)</li>



<li><em>India: </em>the fastest-growing traffic segment</li>



<li>Germany: the first non-anglophone country.</li>
</ul>
</li>
</ul>



<figure class="wp-block-image size-large"><img data-dominant-color="151414" data-has-transparency="true" style="--dominant-color: #151414;" loading="lazy" decoding="async" width="1024" height="578" sizes="(max-width: 1024px) 100vw, 1024px" src="https://theaudiencers.com/wp-content/uploads/2026/06/image-8-1024x578.png" alt="" class="wp-image-52487 has-transparency" srcset="https://theaudiencers.com/wp-content/uploads/2026/06/image-8-1024x578.png 1024w, https://theaudiencers.com/wp-content/uploads/2026/06/image-8-300x169.png 300w, https://theaudiencers.com/wp-content/uploads/2026/06/image-8-768x434.png 768w, https://theaudiencers.com/wp-content/uploads/2026/06/image-8-1536x867.png 1536w, https://theaudiencers.com/wp-content/uploads/2026/06/image-8-332x187.png 332w, https://theaudiencers.com/wp-content/uploads/2026/06/image-8-664x375.png 664w, https://theaudiencers.com/wp-content/uploads/2026/06/image-8-688x388.png 688w, https://theaudiencers.com/wp-content/uploads/2026/06/image-8-1044x589.png 1044w, https://theaudiencers.com/wp-content/uploads/2026/06/image-8-1400x790.png 1400w, https://theaudiencers.com/wp-content/uploads/2026/06/image-8.png 1722w" /></figure>



<h2 class="wp-block-heading">What do they read?</h2>



<p class="wp-block-paragraph">True to <em>Le Monde’s</em> core strengths, the most read sections are <strong>international news, French politics, and economy</strong>. Surprisingly, culture and lifestyle pieces perform exceptionally well; articles about new Parisian restaurant openings or art exhibitions see massive engagement from readers living as far away as Texas and Florida.</p>



<h2 class="wp-block-heading">Subscriber acquisition strategies</h2>



<p class="wp-block-paragraph">To recruit international subscribers, <em>Le Monde</em> deploys a three-pronged approach:</p>



<ol class="wp-block-list">
<li><strong>Leveraging LeMonde.fr’s SEO hierarchy:</strong> Internal debates weighed whether to launch on a standalone domain (LeMonde.com) or a subdirectory (LeMonde.fr/en). Choosing LeMonde.fr proved to be a major SEO blessing, allowing the English edition to instantly draft off the massive domain authority of the main French site.</li>



<li><strong>Paid acquisition adjustments:</strong> Google advertising is a core driver. Aubron also highlighted a massive breakthrough in their Meta acquisition costs: after peaking at an expensive <strong>€86.90 cost-per-acquisition (CPA)</strong> in late 2025, optimization strategies successfully drove that CPA down to just <strong>€9.30 by March 2026</strong>.</li>



<li><strong>Strategic publisher partnerships:</strong> By setting up reciprocal marketing exchanges with premium Anglo-Saxon publishers (<em>The New York Times</em>, <em>The Guardian</em>, <em>The Atlantic</em>), <em>Le Monde</em> cross-promotes free trial offers directly to highly qualified audiences who are already accustomed to paying for premium journalism.</li>
</ol>



<h2 class="wp-block-heading">Achieving break-even</h2>



<p class="wp-block-paragraph">The most significant milestone of the session was the announcement that <strong>Le Monde in English has officially achieved financial break-even in 2026, a full year ahead of the initial business plan.</strong></p>



<h3 class="wp-block-heading">Revenue breakdown:</h3>



<ul class="wp-block-list">
<li><strong>Subscriptions:</strong> 66.2% (The core driver of the business).</li>



<li><strong>Licensing:</strong> 16.9%.</li>



<li><strong>B2B:</strong> 12.3%.</li>



<li><strong>Advertising:</strong> 4.6%.</li>
</ul>



<h2 class="wp-block-heading">Product evolutions: what&#8217;s new today?</h2>



<p class="wp-block-paragraph">Since its 2022 launch, the operational model has undergone substantial changes, heavily driven by advancements in generative AI:</p>



<h3 class="wp-block-heading">AI-driven productivity gains</h3>



<ul class="wp-block-list">
<li><strong>The transition to ChatGPT:</strong> <em>Le Monde</em> migrated its primary translation workflow away from DeepL to customized ChatGPT protocols. This allowed the team to deeply bake <em>Le Monde’s</em> distinct editorial tone and style guides directly into the translation layer.</li>



<li><strong>Eliminating the translation layer:</strong> The quality of generative AI advancements and the know-how developed by the team of journalists completely eliminated the need for external freelance translators.</li>



<li><strong>Creating journalism jobs via AI:</strong> Instead of using tech to downsize, <em>Le Monde</em> redirected those cost savings into expanding its internal editorial team from 8 to <strong>10 full-time in-house journalists</strong>. AI handles the mechanical translation, freeing human journalists to focus purely on editing, nuance, and curation.</li>
</ul>



<h3 class="wp-block-heading">Platform and multimedia expansion</h3>



<ul class="wp-block-list">
<li><strong>A bilingual app:</strong> They integrated a native toggle inside the core <em>Le Monde</em> app, allowing users to switch effortlessly between the French and English editions. While app users represent just 4% of total English traffic, they account for a massive <strong>49% of all English subscribers</strong>.</li>



<li><strong>A dedicated YouTube channel:</strong> Rather than merging video content, they launched a standalone English YouTube channel. High-end video investigations have achieved breakout success: their video on Dubai money laundering garnered <strong>760,000 views</strong> (vs. 1 million for the French original), and their documentary on the November 13 Paris attacks pulled in <strong>2 million views</strong> (nearly matching the 2.2 million views of the French version).</li>



<li><strong>Apple News+ integration:</strong> <em>Le Monde in English</em> is now available directly within the Apple News+ ecosystem to capture a broader layer of casual readers.</li>



<li><strong>M International magazine:</strong> In March 2025, they went &#8220;back to paper&#8221; by launching a premium, biannual print magazine called <em>M International</em> (themed &#8220;The French Touch&#8221;). They distribute 25,000 copies across 350 elite newsstands in 20 countries and 37 global cities.</li>
</ul>



<h2 class="wp-block-heading">Key takeaways</h2>



<p class="wp-block-paragraph">Aubron concluded his presentation with three definitive lessons learned over the four-year journey:</p>



<ul class="wp-block-list">
<li><strong>It’s not about translation:</strong> Translation is now a commoditized utility. Success comes down to content market fit, product distribution, and understanding the distinct profile of your international audience.</li>



<li><strong>Hard to imagine working in another language:</strong> Due to global curiosity around French <em>art de vivre</em>, culture, and global politics, in the US, the English edition works beautifully. However, Aubron noted he would not attempt to launch a Spanish or German edition of <em>Le Monde </em>yet, as those markets lack the critical size and same unique cross-border structural demand.</li>



<li><strong>AI can create jobs:</strong> The project stands as living proof that when publishers embrace automated productivity tools like generative AI, they can reinvest the dividends directly into hiring more human journalists to elevate the final product.</li>
</ul>



<p class="wp-block-paragraph">        </div>
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    <p>The post <a href="https://theaudiencers.com/inside-le-monde-in-english-four-years-in-and-already-profitable/">Inside Le Monde in English: Four Years in and already profitable</a> appeared first on <a href="https://theaudiencers.com">Audiencers</a>.</p>
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		<title>Sun Club at One: what The Sun learned from a year of freemium</title>
		<link>https://theaudiencers.com/sun-club-at-one-what-the-sun-learned-from-a-year-of-freemium/</link>
		
		<dc:creator><![CDATA[John Rahim]]></dc:creator>
		<pubDate>Wed, 10 Jun 2026 12:55:31 +0000</pubDate>
				<category><![CDATA[Inspirations]]></category>
		<category><![CDATA[Case Studies]]></category>
		<category><![CDATA[Editorial work and products]]></category>
		<category><![CDATA[Subscription]]></category>
		<guid isPermaLink="false">https://theaudiencers.com/?p=52138</guid>

					<description><![CDATA[<p>What lessons have the team behind The Sun Club taken away a year after launching their subscription model? </p>
<p>The post <a href="https://theaudiencers.com/sun-club-at-one-what-the-sun-learned-from-a-year-of-freemium/">Sun Club at One: what The Sun learned from a year of freemium</a> appeared first on <a href="https://theaudiencers.com">Audiencers</a>.</p>
]]></description>
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<p class="wp-block-paragraph">Rachel Shields, UK Editorial Director at The Sun, and Sarah Ransome, Principal Product Manager at The Sun, explain the commercial logic behind Sun Club, what a year of subscriber data has revealed, and where the product goes next.</p>



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  <pre class="ta-text">&gt; The Sun launched Sun Club in 2025 as a £1.99 freemium membership, layering subscription revenue and first-party reader data on top of an already large free audience

&gt; A year in, 65% of members are women, and TikTok has opened a genuinely new audience: those subscribers are 85% female and 15 years younger than the average member

&gt; First-week app activity is the strongest predictor of long-term retention. The most loyal members read over 100 articles a week, almost entirely in the app

<strong>Lessons:</strong>
&gt; Value-driven perks are the core of the proposition, and for this audience they're the retention tool that matters

&gt; Freemium can serve advertising and subscription goals at once, because a known, logged-in audience strengthens both</pre>
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<h2 class="wp-block-heading">We thought people would pay for quality journalism, and they did</h2>



<p class="wp-block-paragraph">Like most news publishers, The Sun had been challenged by the decline in referral traffic. That brought the loyal core digital audience into sharper focus. The question was whether tabloid readers could be persuaded to pay for digital journalism, and what the product would need to look like to make that happen.</p>



<div class="wp-block-media-text is-stacked-on-mobile" style="grid-template-columns:36% auto"><figure class="wp-block-media-text__media"><img data-dominant-color="898070" data-has-transparency="false" style="--dominant-color: #898070;" loading="lazy" decoding="async" width="921" height="1024" src="https://theaudiencers.com/wp-content/uploads/2026/06/IMG_2602-921x1024.jpg" alt="Rachel Shields The Sun" class="wp-image-52139 size-full not-transparent" srcset="https://theaudiencers.com/wp-content/uploads/2026/06/IMG_2602-921x1024.jpg 921w, https://theaudiencers.com/wp-content/uploads/2026/06/IMG_2602-270x300.jpg 270w, https://theaudiencers.com/wp-content/uploads/2026/06/IMG_2602-768x854.jpg 768w, https://theaudiencers.com/wp-content/uploads/2026/06/IMG_2602-1381x1536.jpg 1381w, https://theaudiencers.com/wp-content/uploads/2026/06/IMG_2602-332x369.jpg 332w, https://theaudiencers.com/wp-content/uploads/2026/06/IMG_2602-664x739.jpg 664w, https://theaudiencers.com/wp-content/uploads/2026/06/IMG_2602-688x765.jpg 688w, https://theaudiencers.com/wp-content/uploads/2026/06/IMG_2602-1044x1161.jpg 1044w, https://theaudiencers.com/wp-content/uploads/2026/06/IMG_2602-1400x1557.jpg 1400w, https://theaudiencers.com/wp-content/uploads/2026/06/IMG_2602.jpg 1557w" sizes="(max-width: 921px) 100vw, 921px" /></figure><div class="wp-block-media-text__content">
<p class="wp-block-paragraph">Rachel Shields says: <em>“We were confident that UK readers were far more willing to pay for quality content now than they were a decade ago. At the same time, while we had huge reach, we wanted to turn those anonymous clicks into known users, and create a richer experience based on their preferences.”</em></p>
</div></div>



<p class="wp-block-paragraph">Research indicates that as audiences feel swamped by AI-generated content, the perceived value of verified, quality journalism is rising. The launch of Sun Club a year ago was well timed.</p>



<p class="wp-block-paragraph"><em>“We’re still ‘the People’s Paper’ and are conscious that there is a strong proportion of our journalism which should remain free online, around big health or political stories, for example,”</em> says Shields.</p>



<p class="wp-block-paragraph">A year on, Sun Club has exceeded initial targets. Part of that success is down to the value-driven membership proposition, which combines Sun content and a raft of unique money-saving offers.        <div
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    <p>The post <a href="https://theaudiencers.com/sun-club-at-one-what-the-sun-learned-from-a-year-of-freemium/">Sun Club at One: what The Sun learned from a year of freemium</a> appeared first on <a href="https://theaudiencers.com">Audiencers</a>.</p>
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		<title>Navigating the community era: key takeaways from the 2026 Future Newsrooms Study</title>
		<link>https://theaudiencers.com/navigating-the-community-era-key-takeaways-from-the-2026-future-newsrooms-study/</link>
		
		<dc:creator><![CDATA[Madeleine White]]></dc:creator>
		<pubDate>Sun, 07 Jun 2026 18:06:04 +0000</pubDate>
				<category><![CDATA[Decisions]]></category>
		<category><![CDATA[Benchmarks]]></category>
		<category><![CDATA[Editorial work and products]]></category>
		<category><![CDATA[Guides]]></category>
		<guid isPermaLink="false">https://theaudiencers.com/?p=52149</guid>

					<description><![CDATA[<p>How newsrooms can adapt to the new community era, based on FT Strategies' first Future Newsrooms Study</p>
<p>The post <a href="https://theaudiencers.com/navigating-the-community-era-key-takeaways-from-the-2026-future-newsrooms-study/">Navigating the community era: key takeaways from the 2026 Future Newsrooms Study</a> appeared first on <a href="https://theaudiencers.com">Audiencers</a>.</p>
]]></description>
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<p class="wp-block-paragraph"></p>



<p class="wp-block-paragraph">For the past three decades, the digital playbook for media companies has shifted with the technology landscape. We have marched through the mass-market era of controlled distribution, the search intent era of optimizing for keywords, and the platform era of chasing feed visibility.</p>



<p class="wp-block-paragraph">According to the inaugural <strong><em><a href="https://www.ftstrategies.com/en-gb/insights/future-newsrooms-study" target="_blank" rel="noreferrer noopener">Future Newsrooms Study 2026</a></em></strong>, a global benchmark report produced by <strong>FT Strategies</strong> and <strong>WAN-IFRA</strong>, supported by <strong>Arc XP</strong>, surveying 448 newsroom leaders across 86 countries, we have firmly entered the <strong>Community Era</strong>.</p>



<figure class="wp-block-image size-large"><img data-dominant-color="3974c5" data-has-transparency="false" style="--dominant-color: #3974c5;" loading="lazy" decoding="async" width="1024" height="722" sizes="(max-width: 1024px) 100vw, 1024px" src="https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-04-a-14.04.51-1024x722.jpg" alt="Community as the differentiator in the age of content abundance" class="wp-image-52150 not-transparent" srcset="https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-04-a-14.04.51-1024x722.jpg 1024w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-04-a-14.04.51-300x211.jpg 300w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-04-a-14.04.51-768x541.jpg 768w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-04-a-14.04.51-1536x1083.jpg 1536w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-04-a-14.04.51-332x234.jpg 332w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-04-a-14.04.51-664x468.jpg 664w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-04-a-14.04.51-688x485.jpg 688w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-04-a-14.04.51-1044x736.jpg 1044w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-04-a-14.04.51-1400x987.jpg 1400w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-04-a-14.04.51.jpg 1640w" /></figure>



<p class="wp-block-paragraph">As generative AI makes generic, commodity content effortless to produce, reach alone is no longer a viable baseline for economic survival. Instead, competitive advantage has swung decisively toward what is hardest to replicate: <strong>relationship</strong>s<strong>, original reporting, and building trusted networks around specific niche audiences</strong>.</p>



<p class="wp-block-paragraph">To help publishing teams bridge the gap between audience-first rhetoric and daily operational reality, here is a practical operational breakdown of the study’s four core pillars &#8211; strategy, audience trust, capability &amp; skills</p>



<figure class="wp-block-image size-large"><img data-dominant-color="5888c9" data-has-transparency="false" style="--dominant-color: #5888c9;" loading="lazy" decoding="async" width="1024" height="606" sizes="(max-width: 1024px) 100vw, 1024px" src="https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-04-a-14.06.07-1024x606.jpg" alt="To compete in this environment, newsrooms will need to redefine some of their core assumptions" class="wp-image-52152 not-transparent" srcset="https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-04-a-14.06.07-1024x606.jpg 1024w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-04-a-14.06.07-300x178.jpg 300w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-04-a-14.06.07-768x455.jpg 768w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-04-a-14.06.07-1536x910.jpg 1536w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-04-a-14.06.07-332x197.jpg 332w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-04-a-14.06.07-664x393.jpg 664w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-04-a-14.06.07-688x407.jpg 688w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-04-a-14.06.07-1044x618.jpg 1044w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-04-a-14.06.07-1400x829.jpg 1400w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-04-a-14.06.07.jpg 1648w" /></figure>



<p class="wp-block-paragraph">        <div
            class="restricted-content"
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            </p>



<h2 class="wp-block-heading">1. The strategy gap: moving engagement to the heart of the business</h2>



<p class="wp-block-paragraph">Newsrooms are recognizing that deep audience engagement is the primary lever to unlock long-term financial sustainability. In fact, audience engagement was the most frequently selected top-three goal for 2026. </p>


<div class="wp-block-image">
<figure class="aligncenter size-full is-resized"><img data-dominant-color="b4c3d8" data-has-transparency="true" loading="lazy" decoding="async" width="830" height="800" sizes="(max-width: 830px) 100vw, 830px" src="https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-04-a-14.09.43.png" alt="Top newsroom goals in 2026" class="wp-image-52154 has-transparency" style="--dominant-color: #b4c3d8; aspect-ratio:1.03751178133836;width:389px;height:auto" srcset="https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-04-a-14.09.43.png 830w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-04-a-14.09.43-300x289.png 300w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-04-a-14.09.43-768x740.png 768w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-04-a-14.09.43-332x320.png 332w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-04-a-14.09.43-664x640.png 664w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-04-a-14.09.43-688x663.png 688w" /></figure>
</div>


<p class="wp-block-paragraph">However, a significant execution gap remains: <strong>25% of newsrooms still make daily editorial decisions purely on instinct or reactivity</strong>, and 42% operate with only loose structural alignment.</p>



<p class="wp-block-paragraph">Furthermore, the data proves that editorial growth stems directly from operational discipline. Newsrooms that systematically review and discontinue low-impact initiatives are&nbsp;<strong>nearly twice as likely to experience budget growth</strong>&nbsp;compared to those that manage portfolios on an ad hoc basis (50% vs. 28%).</p>



<h3 class="wp-block-heading">What your team can do:</h3>



<ul class="wp-block-list">
<li><strong>Diversify the strategy table:</strong> Break down the church-and-state silos. Include audience engagement and platform leaders directly in your long-term strategy and investment conversations. Structurally aligned newsrooms over-index significantly on bringing these non-traditional roles to the table.</li>



<li><strong>Implement &#8220;portfolio discipline&#8221;:</strong> Set up a formal quarterly review to audit your newsletters, verticals, and content formats. Be ruthless about killing initiatives that fail to build a loyal public so you can redirect scarce editorial resources toward high-impact journalism.</li>



<li><strong>Shift from destination-first to audience-led commissioning:</strong> Currently, 64% of newsrooms still design stories for a single primary legacy channel (like print or a homepage template) and adapt them later. Instead, adopt commissioning frameworks—potentially assisted by internal AI tools—that force editors to identify a defined user need or specific audience group <em>before</em> a story is assigned.</li>
</ul>



<h2 class="wp-block-heading">2. The audience trust gap: rethinking participation and storytelling</h2>



<p class="wp-block-paragraph">Trust has evolved from rigid, institutional authority into relatable, relational signals. While newsroom leaders heavily prioritize audience relationship building, their workflows tell a different story:&nbsp;<strong>reporters spend a staggering 38% of their week on technical production drag, but a meager 11% on post-publication work like community building</strong>&nbsp;and responding to reader feedback.</p>


<div class="wp-block-image">
<figure class="aligncenter size-large"><img data-dominant-color="eff0f0" data-has-transparency="false" style="--dominant-color: #eff0f0;" loading="lazy" decoding="async" width="1024" height="717" sizes="(max-width: 1024px) 100vw, 1024px" src="https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-04-a-14.15.23-1024x717.jpg" alt="Most time is spent on production, with efficiency gains yet to meaningfully free up capacity for pre-and post-production tasks" class="wp-image-52156 not-transparent" srcset="https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-04-a-14.15.23-1024x717.jpg 1024w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-04-a-14.15.23-300x210.jpg 300w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-04-a-14.15.23-768x538.jpg 768w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-04-a-14.15.23-1536x1075.jpg 1536w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-04-a-14.15.23-332x232.jpg 332w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-04-a-14.15.23-664x465.jpg 664w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-04-a-14.15.23-688x482.jpg 688w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-04-a-14.15.23-1044x731.jpg 1044w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-04-a-14.15.23-1400x980.jpg 1400w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-04-a-14.15.23.jpg 1640w" /></figure>
</div>


<p class="wp-block-paragraph">When it comes to distinctiveness in an abundant content ecosystem, the &#8216;evergreen explainer&#8217; of the past is being disrupted. Publishing teams are pivoting toward deep background reporting (+6pp in structurally aligned newsrooms) while actively steering away from low-margin daily breaking news (-10pp).</p>



<h3 class="wp-block-heading">What your team can do:</h3>



<ul class="wp-block-list">
<li><strong>Bring community in-house:</strong> Stop relying on volatile, algorithmic social media comment sections to house your audience network. Take inspiration from pioneers like <em>Newpress</em> (building algorithm-free spaces for co-creation) or the <em>Financial Times</em> (leveraging interactive digital forums like &#8220;Ask an Expert&#8221;) to turn passive readers into highly engaged, recurring subscribers.</li>
</ul>


<div class="wp-block-image">
<figure class="aligncenter size-large"><img data-dominant-color="608bc4" data-has-transparency="false" style="--dominant-color: #608bc4;" loading="lazy" decoding="async" width="1024" height="723" sizes="(max-width: 1024px) 100vw, 1024px" src="https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-04-a-14.16.00-1024x723.jpg" alt="Some newsrooms are rethinking audience participation" class="wp-image-52158 not-transparent" srcset="https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-04-a-14.16.00-1024x723.jpg 1024w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-04-a-14.16.00-300x212.jpg 300w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-04-a-14.16.00-768x542.jpg 768w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-04-a-14.16.00-1536x1085.jpg 1536w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-04-a-14.16.00-332x234.jpg 332w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-04-a-14.16.00-664x469.jpg 664w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-04-a-14.16.00-688x486.jpg 688w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-04-a-14.16.00-1044x737.jpg 1044w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-04-a-14.16.00-1400x989.jpg 1400w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-04-a-14.16.00.jpg 1654w" /></figure>
</div>


<ul class="wp-block-list">
<li><strong>Lean into service-oriented co-creation:</strong> Consider launching a reader-initiated reporting vertical. New Zealand’s <em>Stuff Digital</em> launched &#8220;Solving Stuff,&#8221; an interactive project prompting readers to submit local problems for journalists to actively investigate. This approach generated massive reader investment, with average time-on-page and completion rates soaring well above site averages.</li>



<li><strong>Be candid and transparent:</strong> Build &#8216;Behind the Story&#8217; formats into your editorial mix to pull back the curtain on how your journalism is sourced and verified. Relational trust relies on showing your audience your journalistic motivations and methods.</li>
</ul>



<h2 class="wp-block-heading">3. The capability gap: shifting AI from efficiency to strategic maturity</h2>



<p class="wp-block-paragraph">Publishers are widely trapped in a Level 1 AI maturity mindset: <strong>42% use time savings as their primary KPI for AI success</strong>, focusing strictly on automating existing administrative tasks like transcription or copyediting.</p>



<p class="wp-block-paragraph">However, the biggest barriers holding back AI integration are people-based rather than technical, namely skills gaps (61%) and cultural skepticism (52%). Crucially, the study found that 57% of organizations do not have explicit AI representation in the newsroom, which directly correlates to the lowest literacy and adoption rates.</p>



<figure class="wp-block-image size-large"><img data-dominant-color="d3d0d7" data-has-transparency="false" style="--dominant-color: #d3d0d7;" loading="lazy" decoding="async" width="1024" height="721" sizes="(max-width: 1024px) 100vw, 1024px" src="https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-04-a-14.17.36-1024x721.jpg" alt="Most organisations don't have AI representation in the newsroom" class="wp-image-52160 not-transparent" srcset="https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-04-a-14.17.36-1024x721.jpg 1024w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-04-a-14.17.36-300x211.jpg 300w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-04-a-14.17.36-768x540.jpg 768w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-04-a-14.17.36-1536x1081.jpg 1536w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-04-a-14.17.36-332x234.jpg 332w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-04-a-14.17.36-664x467.jpg 664w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-04-a-14.17.36-688x484.jpg 688w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-04-a-14.17.36-1044x735.jpg 1044w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-04-a-14.17.36-1400x985.jpg 1400w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-04-a-14.17.36.jpg 1654w" /></figure>



<h3 class="wp-block-heading">What your team can do:</h3>



<ul class="wp-block-list">
<li><strong>Embed AI roles directly in editorial:</strong> Do not leave technology procurement solely to isolated corporate IT or CTO functions. Move your tech budget closer to production by placing editor-coders, hybrid technologists, or dedicated newsroom engineers directly within your reporting desks. High AI usage and literacy jump dramatically (to 46%) when technical leads are embedded in the newsroom.</li>



<li><strong>Modernize backend metadata:</strong> Your AI tools are only as powerful as your archive. Publishing teams that systematically structure and tag their content assets with robust metadata report exponentially higher levels of successful AI integration and content retrievability.</li>



<li><strong>Reframe the AI conversation:</strong> Move beyond generic, mandatory tool-click training. Adopt a strategy like <em>Bonnier News</em>, which ran voluntary, playful workshops focusing on demystifying what AI fundamentally <em>is</em> and <em>cannot</em> do. This organically transforms open-minded early adopters into internal ambassadors who win over newsroom skeptics by proving how technology frees up capacity to do more investigative work.</li>
</ul>



<h2 class="wp-block-heading">4. The skills gap: transitioning from generalists to sharper specialists</h2>



<p class="wp-block-paragraph">Confidence in the future readiness of editorial talent drops sharply when media leaders look three years ahead. To thrive in a visually and technically demanding landscape, the industry is transitioning from broad generalism to a tightly bundled set of hybrid skills.</p>



<p class="wp-block-paragraph">The primary skills priorities identified for future readiness include&nbsp;<strong>tech-enabled journalism</strong>&nbsp;(e.g., open-source intelligence, AI prompting),&nbsp;<strong>audience data fluency</strong>, and&nbsp;<strong>production expertise</strong>&nbsp;(short-form video editing, visual design). Yet,&nbsp;<strong>61% of newsrooms still provide no formal training</strong>&nbsp;for these vital new competencies.</p>



<figure class="wp-block-image size-large"><img data-dominant-color="ebecec" data-has-transparency="false" style="--dominant-color: #ebecec;" loading="lazy" decoding="async" width="1024" height="724" sizes="(max-width: 1024px) 100vw, 1024px" src="https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-04-a-14.19.25-1024x724.jpg" alt="Across newsrooms, tech-enabled journalism, audience engagement and production skills are most prioritised for future" class="wp-image-52162 not-transparent" srcset="https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-04-a-14.19.25-1024x724.jpg 1024w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-04-a-14.19.25-300x212.jpg 300w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-04-a-14.19.25-768x543.jpg 768w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-04-a-14.19.25-1536x1086.jpg 1536w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-04-a-14.19.25-332x235.jpg 332w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-04-a-14.19.25-664x469.jpg 664w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-04-a-14.19.25-688x486.jpg 688w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-04-a-14.19.25-1044x738.jpg 1044w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-04-a-14.19.25-1400x990.jpg 1400w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-04-a-14.19.25.jpg 1652w" /></figure>



<h3 class="wp-block-heading">What your team can do:</h3>



<ul class="wp-block-list">
<li><strong>Formally define hybrid reporting profiles:</strong> Modern reporting roles require a multi-disciplinary approach. Audit your hiring pipeline to look for cross-functional profiles, such as Open Source Intelligence (OSINT) reporters who combine coding with investigative craft, or &#8220;Podcast Correspondents&#8221; capable of owning a niche category across written text, audio recording, and visual presentation end-to-end.</li>



<li><strong>Invest heavily in creator-like on-camera training:</strong> 41% of newsrooms want to upskill existing staff into multi-platform visual creators, yet 68% of them offer no formal video or presentation coaching. If your strategy relies on launching visual content on TikTok, YouTube, or Instagram, you must systematically allocate budget to presentation, vocal coaching, and platform algorithm fluency.</li>



<li><strong>Evolve compensation models to retain niche talent:</strong> Because audience affinity is increasingly shifting from legacy institutional corporate brands to recognizable individual personalities, media companies must rethink retention. A dominant 78% of media executives agree that alternative payment structures, such as bespoke revenue shares, hybrid contracts, or performance-linked bonuses, are becoming essential to protect and incentivize your most prominent, community-driving journalists.</li>
</ul>



<figure class="wp-block-image size-large"><img data-dominant-color="e8ece7" data-has-transparency="false" style="--dominant-color: #e8ece7;" loading="lazy" decoding="async" width="1024" height="725" sizes="(max-width: 1024px) 100vw, 1024px" src="https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-04-a-14.21.03-1024x725.jpg" alt="The creator ero highlights particular skill sets of prominent journalists" class="wp-image-52165 not-transparent" srcset="https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-04-a-14.21.03-1024x725.jpg 1024w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-04-a-14.21.03-300x212.jpg 300w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-04-a-14.21.03-768x544.jpg 768w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-04-a-14.21.03-1536x1087.jpg 1536w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-04-a-14.21.03-332x235.jpg 332w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-04-a-14.21.03-664x470.jpg 664w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-04-a-14.21.03-688x487.jpg 688w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-04-a-14.21.03-1044x739.jpg 1044w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-04-a-14.21.03-1400x991.jpg 1400w, https://theaudiencers.com/wp-content/uploads/2026/06/Capture-decran-2026-06-04-a-14.21.03.jpg 1656w" /></figure>



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<p class="wp-block-paragraph"><a href="https://www.ftstrategies.com/en-gb/insights/future-newsrooms-study">Download the full Future Newsrooms Study 2026 report from FT Strategies here.</a></p>



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    <p>The post <a href="https://theaudiencers.com/navigating-the-community-era-key-takeaways-from-the-2026-future-newsrooms-study/">Navigating the community era: key takeaways from the 2026 Future Newsrooms Study</a> appeared first on <a href="https://theaudiencers.com">Audiencers</a>.</p>
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		<title>Fewer articles, more value: Le Nouvel Obs&#8217; transformation to reconnect with its readers</title>
		<link>https://theaudiencers.com/fewer-articles-more-value-le-nouvel-obs-transformation-to-reconnect-with-its-readers/</link>
		
		<dc:creator><![CDATA[Marion Wyss]]></dc:creator>
		<pubDate>Wed, 27 May 2026 07:56:24 +0000</pubDate>
				<category><![CDATA[Inspirations]]></category>
		<category><![CDATA[Case Studies]]></category>
		<category><![CDATA[Editorial work and products]]></category>
		<category><![CDATA[Engagement]]></category>
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					<description><![CDATA[<p>Rather than chasing more content and more clicks, Le Nouvel Obs chose fewer articles, stronger editorial choices, and a renewed focus on reader value</p>
<p>The post <a href="https://theaudiencers.com/fewer-articles-more-value-le-nouvel-obs-transformation-to-reconnect-with-its-readers/">Fewer articles, more value: Le Nouvel Obs&#8217; transformation to reconnect with its readers</a> appeared first on <a href="https://theaudiencers.com">Audiencers</a>.</p>
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<p class="wp-block-paragraph"><a href="https://www.nouvelobs.com/" target="_blank" rel="noreferrer noopener"><em>Le Nouvel Obs</em></a> is one of France’s most iconic media brands, with a unique editorial legacy. But for years, its digital strategy was largely driven by audience volume. When Sandro Martin arrived as CEO in September 2024, traffic had already been declining for nearly two years. Rather than chasing more content and more clicks, the team chose a different path: fewer articles, stronger editorial choices, and a renewed focus on reader value.<br><br>In this interview, <a href="https://www.linkedin.com/in/sandro-martin-15303b47/" target="_blank" rel="noreferrer noopener">Sandro Martin</a> explains how <em>Le Nouvel Obs</em> reshaped its editorial production, data culture, newsroom organization, newsletters, and reader relationship strategy to build a more differentiated and sustainable digital model.</p>



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  <pre class="ta-text">&gt; Le Nouvel Obs cut its article output by nearly 30% and everything went up: pageviews rose 30% year on year, median pageviews per article rose 50%, and digital subscriptions rose 35%

&gt; The cuts were structural rather than across the board. Raw newswire reposts went, print-shaped cultural reviews became digital-first compilations, and premium content doubled as a share of the feed

&gt; The mechanism is simple: fewer pieces competing for the same homepage and distribution means each surviving article reaches more people, which lifts propensity to subscribe

&gt; A daily morning briefing puts editorial and data in the same room, and deliberately spotlights what worked rather than what flopped. They chose positive reinforcement over chasing underperformers</pre>
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<h2 class="wp-block-heading">Le Nouvel Obs is a prestigious publication with a unique place in French history, but for a long time digital strategy was based solely on audience numbers. When you arrived, those numbers had been declining for nearly two years. How did you respond?</h2>



<div class="wp-block-media-text is-stacked-on-mobile" style="grid-template-columns:23% auto"><figure class="wp-block-media-text__media"><img data-dominant-color="47494b" data-has-transparency="false" style="--dominant-color: #47494b;" loading="lazy" decoding="async" width="332" height="444" src="https://theaudiencers.com/wp-content/uploads/2026/05/image-5.png" alt="" class="wp-image-51951 size-full not-transparent" srcset="https://theaudiencers.com/wp-content/uploads/2026/05/image-5.png 332w, https://theaudiencers.com/wp-content/uploads/2026/05/image-5-224x300.png 224w" sizes="(max-width: 332px) 100vw, 332px" /></figure><div class="wp-block-media-text__content">
<p class="wp-block-paragraph">In 2024, our digital strategy was based primarily on two metrics: overall audience and subscriber growth, with no real prioritization. However, our audience had indeed been in steady decline for nearly 24 months, and our ability to recruit new subscribers had plateaued at levels lower than those of our direct competitors.</p>
</div></div>



<p class="wp-block-paragraph">In recent years, Le Nouvel Obs had undertaken a major overhaul of its platforms, which is already a positive step, but without completely rethinking how they align with the editorial and marketing strategy.</p>



<p class="wp-block-paragraph">So, when I arrived, Editor-in-Chief Cécile Prieur and I sought to realign these three dimensions—editorial, marketing, and user experience—around shared priorities. My arrival as the new CEO allowed us to revisit issues with the editorial team and make it a central pillar of our transformation. This initiative was launched in late 2024, following a study trip to the United States, which served as the catalyst.</p>



<h2 class="wp-block-heading">To get started, you brought in an outside consultant. What was the idea behind that. To get an outside perspective, or to speed things up?</h2>



<p class="wp-block-paragraph">We did indeed decide to work with Max Leroy, an Audience and Product Strategist. Having spent the early part of his career in the US—notably at CNN and <em>The New York Times</em>—and later at <em>POLITICO Europe</em>, Max brought a wealth of international experience. Our goal wasn&#8217;t to outsource the strategic thinking, but rather to save time, structure our approach, and objectively validate our intuitions through macro-level data analysis and international benchmarks.</p>



<p class="wp-block-paragraph">This collaboration allowed us to quickly identify our true priorities and rule out several false leads. Four central objectives emerged:</p>



<ul class="wp-block-list">
<li><strong>Showcase our editorial value-add</strong> more effectively in the digital space, where the flood of breaking news often diluted our core offering</li>



<li><strong>Support the evolution of editorial production</strong> to better meet our readers&#8217; changing needs</li>



<li><strong>Strengthen reader relationships</strong> by moving beyond the mere logic of traffic and pageviews</li>



<li><strong>Evolve our organization</strong> to focus more energy, expertise, and decision-making power on digital platforms</li>
</ul>



<p class="wp-block-paragraph">We opted for a highly pragmatic approach that combined data analysis, team feedback, and strategic planning workshops. The goal was to arrive at actionable outcomes and shared decisions in order to begin implementation.        <div
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    <p>The post <a href="https://theaudiencers.com/fewer-articles-more-value-le-nouvel-obs-transformation-to-reconnect-with-its-readers/">Fewer articles, more value: Le Nouvel Obs&#8217; transformation to reconnect with its readers</a> appeared first on <a href="https://theaudiencers.com">Audiencers</a>.</p>
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		<title>Why I don&#8217;t care about your newsletter open rates</title>
		<link>https://theaudiencers.com/why-i-dont-care-about-your-newsletter-open-rates/</link>
		
		<dc:creator><![CDATA[Lennart Schneider]]></dc:creator>
		<pubDate>Wed, 13 May 2026 15:39:02 +0000</pubDate>
				<category><![CDATA[Decisions]]></category>
		<category><![CDATA[Editorial work and products]]></category>
		<category><![CDATA[Guides]]></category>
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		<guid isPermaLink="false">https://theaudiencers.com/?p=51536</guid>

					<description><![CDATA[<p>There's no such thing as a "good" open rate, but you shouldn't stop tracking this metric</p>
<p>The post <a href="https://theaudiencers.com/why-i-dont-care-about-your-newsletter-open-rates/">Why I don&#8217;t care about your newsletter open rates</a> appeared first on <a href="https://theaudiencers.com">Audiencers</a>.</p>
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<pre class="wp-block-verse">Hi, I'm Lennart Schneider, Founder of <a href="https://subscribe-now.beehiiv.com/" target="_blank" rel="noreferrer noopener">Subscribe Now</a>, helping decision-makers in the subscription economy attract subscribers and keep them happy.<br><br>When I talk to newsletter creators, it usually doesn't take long before one of two questions comes up:<br><br>1) What actually constitutes a good open rate?<br><br>2) My newsletter has an open rate of 40%. That's great, isn't it?<br><br>The honest answer is: There is no such thing as a "good" open rate, and the open rate really says nothing about the quality of your newsletter. <br><br>In this article, I want to clear up this misconception and explain when you should still pay attention to it.<br><br>P.S. I've written a book! The playbook for successful subscription models: With growth strategies and best practices from 50 leading companies. You can pre-order <a href="https://shop.haufe.de/prod/subscribe-now" target="_blank" rel="noreferrer noopener">here</a> (<a href="https://www.amazon.de/Subscribe-Now-erfolgreiche-Wachstumsstrategien-Unternehmen/dp/3648191160">or on Amazon</a>).</pre>



<h2 class="wp-block-heading">Why open rate says nothing about the quality of your newsletter</h2>



<p class="wp-block-paragraph">        <div
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            I completely understand the need for benchmarking and comparability. With newsletters, you have relatively few metrics, so you try to draw as many conclusions as possible from what you <em>do</em> have. Often, however, you draw more conclusions than are actually useful.</p>



<p class="wp-block-paragraph">Let&#8217;s start with the basics: open rate is a fraction. You calculate it by dividing the number of unique opens by the total number of recipients. So far, so simple.</p>



<p class="wp-block-paragraph">However, this leads to a small detail that is often overlooked. You can increase the open rate in two ways: more openers, or fewer recipients.</p>



<p class="wp-block-paragraph">The latter point is often overlooked, but it&#8217;s crucial. People who don&#8217;t open your newsletter are often the same ones. And especially with older mailing lists, you often have a large proportion of inactive subscribers who have lost all interest.</p>



<p class="wp-block-paragraph">So, if you have a 50% open rate with 10,000 recipients, then there are probably several thousand among them who haven&#8217;t opened a single email in six months. Let&#8217;s say there are 3,000 of them. If you remove them from the mailing list, your open rate immediately jumps from 50% to 71.4% (5,000 opens/7,000 active recipients).</p>



<p class="wp-block-paragraph">Has this improved the quality of your newsletter? Are your readers more satisfied? No!</p>



<p class="wp-block-paragraph">Has the quality of your distribution system improved as a result? Absolutely!</p>



<h2 class="wp-block-heading">Why would you delete valuable leads?</h2>



<p class="wp-block-paragraph">Admittedly, I&#8217;ve recommended this to many newsletter creators, but the enthusiasm is usually lukewarm. They&#8217;ve put a lot of money and effort into acquiring these subscribers, so why would they just delete the addresses? Perhaps the reach is even important for advertising sales (even if nobody sees the ads).</p>



<p class="wp-block-paragraph"><strong>But here are a few reasons why it&#8217;s worth it:</strong></p>



<ol start="1" class="wp-block-list">
<li>If someone hasn&#8217;t opened your emails for a long time, the likelihood of them returning is relatively low</li>



<li>You increase the risk of being perceived as spam</li>



<li>Depending on the newsletter tool and contract, costs increase as you send more emails</li>



<li>Your brand suffers when customers perceive you as pushy</li>



<li>Your advertisers are surprised when clicks fail to materialize on a supposedly large distribution list, and become suspicious</li>



<li>…</li>
</ol>



<p class="wp-block-paragraph">Many of the world&#8217;s leading newsletters therefore place great importance on the quality of their mailing lists and remove users after a long period of inactivity. The New York Times even discloses this quite transparently:</p>


<div class="wp-block-image">
<figure class="aligncenter"><img data-dominant-color="f0f1f1" data-has-transparency="false" style="--dominant-color: #f0f1f1;" loading="lazy" decoding="async" width="1701" height="1947" sizes="(max-width: 1701px) 100vw, 1701px" src="https://theaudiencers.com/wp-content/uploads/2026/05/image-4.jpg" alt="New York Times newsletter unsubscription" class="wp-image-51546 not-transparent" srcset="https://theaudiencers.com/wp-content/uploads/2026/05/image-4.jpg 1701w, https://theaudiencers.com/wp-content/uploads/2026/05/image-4-262x300.jpg 262w, https://theaudiencers.com/wp-content/uploads/2026/05/image-4-895x1024.jpg 895w, https://theaudiencers.com/wp-content/uploads/2026/05/image-4-768x879.jpg 768w, https://theaudiencers.com/wp-content/uploads/2026/05/image-4-1342x1536.jpg 1342w, https://theaudiencers.com/wp-content/uploads/2026/05/image-4-332x380.jpg 332w, https://theaudiencers.com/wp-content/uploads/2026/05/image-4-664x760.jpg 664w, https://theaudiencers.com/wp-content/uploads/2026/05/image-4-688x787.jpg 688w, https://theaudiencers.com/wp-content/uploads/2026/05/image-4-1044x1195.jpg 1044w, https://theaudiencers.com/wp-content/uploads/2026/05/image-4-1400x1602.jpg 1400w" /></figure>
</div>


<h2 class="wp-block-heading">How can I find out who is inactive?</h2>



<p class="wp-block-paragraph">Good question! And not so easy to answer. Since Apple&#8217;s Mail Privacy Protection, it&#8217;s often difficult to track who actually opens an email &#8211; Apple automatically opens emails before they reach the recipient, and therefore your email program thinks these users are active. Other users block tracking and are registered as inactive, even though they enthusiastically read every issue. So if you&#8217;re unsure: just ask the users.</p>


<div class="wp-block-image">
<figure class="aligncenter"><img data-dominant-color="e5e5e5" data-has-transparency="false" style="--dominant-color: #e5e5e5;" loading="lazy" decoding="async" width="1872" height="1769" sizes="(max-width: 1872px) 100vw, 1872px" src="https://theaudiencers.com/wp-content/uploads/2026/05/image-c0b3dcd0-7125-4c2f-8bd6-2903b48219a5.jpg" alt="1440 newsletter &quot;keep me signed up&quot;" class="wp-image-51544 not-transparent" srcset="https://theaudiencers.com/wp-content/uploads/2026/05/image-c0b3dcd0-7125-4c2f-8bd6-2903b48219a5.jpg 1872w, https://theaudiencers.com/wp-content/uploads/2026/05/image-c0b3dcd0-7125-4c2f-8bd6-2903b48219a5-300x283.jpg 300w, https://theaudiencers.com/wp-content/uploads/2026/05/image-c0b3dcd0-7125-4c2f-8bd6-2903b48219a5-1024x968.jpg 1024w, https://theaudiencers.com/wp-content/uploads/2026/05/image-c0b3dcd0-7125-4c2f-8bd6-2903b48219a5-768x726.jpg 768w, https://theaudiencers.com/wp-content/uploads/2026/05/image-c0b3dcd0-7125-4c2f-8bd6-2903b48219a5-1536x1451.jpg 1536w, https://theaudiencers.com/wp-content/uploads/2026/05/image-c0b3dcd0-7125-4c2f-8bd6-2903b48219a5-332x314.jpg 332w, https://theaudiencers.com/wp-content/uploads/2026/05/image-c0b3dcd0-7125-4c2f-8bd6-2903b48219a5-664x627.jpg 664w, https://theaudiencers.com/wp-content/uploads/2026/05/image-c0b3dcd0-7125-4c2f-8bd6-2903b48219a5-688x650.jpg 688w, https://theaudiencers.com/wp-content/uploads/2026/05/image-c0b3dcd0-7125-4c2f-8bd6-2903b48219a5-1044x987.jpg 1044w, https://theaudiencers.com/wp-content/uploads/2026/05/image-c0b3dcd0-7125-4c2f-8bd6-2903b48219a5-1400x1323.jpg 1400w" /></figure>
</div>


<p class="wp-block-paragraph">Clicks can be tracked more reliably than opens, and if readers don&#8217;t click after (repeated) requests, you can remove them from the mailing list with a clear conscience.</p>



<h2 class="wp-block-heading">Do I really need to delete them?</h2>



<p class="wp-block-paragraph">No. You can also pause them for now, or reduce the frequency. A good example is the sports newsletter &#8220;The Gist&#8221;. They temporarily pause inactive subscribers, and then when a major event is coming up (for example, the Olympics), they try to reactivate them.</p>



<p class="wp-block-paragraph">However, you shouldn&#8217;t overdo it. If you haven&#8217;t contacted them for 1.5 years, you should continue to refrain from doing so. After that time, their consent to contact them also expires.</p>



<h2 class="wp-block-heading">Even more reasons why open rate is misunderstood</h2>



<p class="wp-block-paragraph">Your open rate depends on numerous factors, and the quality of your content is just one of them. Here&#8217;s a (likely incomplete) list of factors that affect open rates:</p>



<p class="wp-block-paragraph"><strong>Mailbox display:</strong></p>



<ul class="wp-block-list">
<li>Subject lines (Do they encourage clicks?)</li>



<li>Pre-header (Do you tease the content well?)</li>



<li>Sender&#8217;s name (Do they trust you and look forward to your emails?)</li>



<li>Sender images (Will they stand out in the inbox? Only works with certain clients)</li>
</ul>



<p class="wp-block-paragraph"><strong>The quality of your distribution:</strong></p>



<ul class="wp-block-list">
<li>Cleanup of inactive users (Are non-openers regularly removed?)</li>



<li>Segmentation (Do you always send emails to the entire mailing list or do you select recipients based on interests?)</li>



<li>Preference Center (Can users configure which emails they receive and how frequently?)</li>



<li>Age of the addresses (How long ago did someone sign up?)</li>



<li>Lead campaigns/address origin (On which channels and with which promises were the users acquired? Did they want the newsletter, or did they just share their email to participate in a competition, for example?)</li>
</ul>



<p class="wp-block-paragraph"><strong>Deliverability</strong></p>



<ul class="wp-block-list">
<li>Advertising tab in Gmail (Are emails from Gmail classified as advertising and not delivered to the main mailbox?)</li>



<li>Spam (Do the emails often end up in the spam folder?)</li>



<li>Bounces (Can the emails not be delivered? What are the different types of bounces, hard and soft?)</li>



<li>Image sizes (are the images too large?)</li>



<li>Email size (Will the email be truncated, for example, by Gmail, which happens from 102 kb upwards?)</li>



<li>Shipping time (Is the shipping time chosen?)</li>
</ul>



<p class="wp-block-paragraph"><strong>Contents</strong></p>



<ul class="wp-block-list">
<li>Good quality &amp; relevance</li>



<li>Diversity (do you cover different needs so that every issue contains an &#8220;aha&#8221; moment?)</li>



<li>Continuity &amp; predictability (Do readers know what to expect and why each issue is worthwhile?)</li>
</ul>



<p class="wp-block-paragraph"><strong>Technology</strong></p>



<ul class="wp-block-list">
<li>Email tool or measurement technology (each mailing tool measures opens slightly differently, which affects the KPIs)</li>



<li>Tracking Opt Out (Have users disabled tracking of clicks and opens?)</li>



<li>Auto Opens on iOS (Are open rates inflated because emails are automatically opened due to privacy settings?)</li>
</ul>



<h2 class="wp-block-heading">So I can ignore the open rate?</h2>



<p class="wp-block-paragraph">Not quite. Since we don&#8217;t have many metrics, it&#8217;s still a valuable signal, as long as you&#8217;re aware of what it tells you, and what it doesn&#8217;t.</p>



<p class="wp-block-paragraph">What you shouldn&#8217;t do is compare your absolute open rate with competitors who use completely different tools and whose lead generation works differently. This apples-to-oranges comparison is completely pointless.</p>



<p class="wp-block-paragraph"><strong>What you can do instead:</strong></p>



<ul class="wp-block-list">
<li><strong>Observe long-term trends:</strong> Is my own open rate constant? Have there been any sudden changes I should understand? (But keep in mind that these changes could be due to technical reasons, e.g., more users with tracking protection.)</li>



<li><strong>Optimize your open rate with A/B testing:</strong> e.g., send each email with 3 different subject lines to a sample group beforehand and send the best version to the rest of the distribution list.</li>



<li><strong>Examine outliers:</strong> Were there any particular issues that were opened more or less frequently than average? What can I learn from them?</li>



<li><strong>Re-contacting those who didn&#8217;t open the email:</strong> Some companies send a newsletter a second time if it wasn&#8217;t opened the first time. I find it a bit spammy, but it seems to work.</li>



<li><strong>Use net reach (recipients x open rate) as the basis for advertising deals:</strong> This is fair to your advertising clients and you can also justify why the CPM (cost per thousand contacts) is higher if you are contacting a cleaned distribution list.</li>



<li><strong>Comparing segments:</strong> When running different lead generation campaigns, you shouldn&#8217;t just focus on the short-term cost per lead (CPL), but also consider whether the campaigns generate active recipients in the long run. A sweepstakes often generates a large number of addresses cheaply, but the open rate drops significantly after just a few campaigns.<br>For better comparability, you can calculate a cost per lead after, for example, 10 campaigns. If you generate 1,000 leads per campaign for €1,000 in each of two campaigns, the short-term CPL is €1. If, after 10 campaigns, 70% of the leads in campaign A are still active, while only 30% remain active in campaign B, you get a clear picture: In campaign A, an active lead cost €1.43, while in campaign B it cost €3.33.</li>



<li>…</li>
</ul>



<p class="wp-block-paragraph"><strong>PS:</strong> My newsletter has an open rate of 51-58%. That&#8217;s great, isn&#8217;t it?&#8230;</p>



<p class="wp-block-paragraph"><strong>PPS:</strong> To hear more from me about subscription and newsletters, sign up to my own newsletter, Subscribe Now, <a href="https://subscribe-now.beehiiv.com/" target="_blank" rel="noreferrer noopener">here</a></p>



<p class="wp-block-paragraph"><em>This article was&nbsp;<a href="https://subscribe-now.beehiiv.com/p/weiterempfehlungen-als-wachstumstreiber">originally published in German</a>&nbsp;on the Subscribe Now website, translated and republished with permission.</em></p>



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    <p>The post <a href="https://theaudiencers.com/why-i-dont-care-about-your-newsletter-open-rates/">Why I don&#8217;t care about your newsletter open rates</a> appeared first on <a href="https://theaudiencers.com">Audiencers</a>.</p>
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		<title>Amedia ignored older subscribers to attract younger ones</title>
		<link>https://theaudiencers.com/amedia-ignored-older-subscribers-to-attract-younger-ones/</link>
		
		<dc:creator><![CDATA[Marion Wyss]]></dc:creator>
		<pubDate>Wed, 06 May 2026 15:19:34 +0000</pubDate>
				<category><![CDATA[Decisions]]></category>
		<category><![CDATA[Case Studies]]></category>
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		<category><![CDATA[Young readers]]></category>
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					<description><![CDATA[<p>An editorial team becomes an expert in satisfying the audience that shapes its metrics. Amedia understood this.</p>
<p>The post <a href="https://theaudiencers.com/amedia-ignored-older-subscribers-to-attract-younger-ones/">Amedia ignored older subscribers to attract younger ones</a> appeared first on <a href="https://theaudiencers.com">Audiencers</a>.</p>
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<p class="wp-block-paragraph">How can you attract younger subscribers when daily analytics tools constantly push you to optimize content for your existing audience? The solution proposed by the Norwegian group is less about marketing and more about editorial strategy. It’s based on a simple idea: <strong>an editorial team eventually becomes very good at serving the audience that dominates its analytics dashboards</strong>. And at Amedia, that audience was too old to ensure the renewal of its subscriber base.</p>



<p class="wp-block-paragraph"><a href="https://www.linkedin.com/in/jannebjergli/" target="_blank" rel="noreferrer noopener">Janne Rygh</a>, editorial content developer at Amedia, outlined this new strategy at the INMA Subscription Summit in Toronto. </p>



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  <pre class="ta-text">&gt; You become what you measure. At Amedia, older subscribers were the majority, so they dominated the dashboards and quietly defined what counted as high-performing content

&gt; The fix was blunt: filter analytics to readers under 40 only, making 90% of subscribers invisible to the newsroom. What the team optimised for changed as soon as what it could see changed

&gt; This wasn't a matter of adding a few pieces "for young people". At Romerikes Blad the editorial team overhauled its working methods and which topics it treated as priorities

&gt; It didn't cost them older readers. The sharper focus made the journalism more relevant overall: at Romerikes Blad, under-40 subscribers grew 30% in nine months and total readership and subscriptions rose too</pre>
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<h2 class="wp-block-heading">More subscribers over 80 than under 40</h2>



<p class="wp-block-paragraph">It’s worth reiterating the starting point: Amedia is not a group lagging behind in digital. It&#8217;s Norway’s largest newspaper publisher, with 110 newspapers, 20 partner newspapers, 2 million daily readers, and 580,000 100% digital subscribers. By the end of 2023, their subscriber base stood at 684,000, with over 68% being digital subscribers, and nearly 90% of subscribers reading content digitally.<br>        <div
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    <p>The post <a href="https://theaudiencers.com/amedia-ignored-older-subscribers-to-attract-younger-ones/">Amedia ignored older subscribers to attract younger ones</a> appeared first on <a href="https://theaudiencers.com">Audiencers</a>.</p>
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		<title>The reader who left your article early might be your most engaged user</title>
		<link>https://theaudiencers.com/the-reader-who-left-your-article-early-might-be-your-most-engaged-user/</link>
		
		<dc:creator><![CDATA[Regula Marti]]></dc:creator>
		<pubDate>Mon, 04 May 2026 09:01:41 +0000</pubDate>
				<category><![CDATA[Decisions]]></category>
		<category><![CDATA[Editorial work and products]]></category>
		<category><![CDATA[Engagement]]></category>
		<category><![CDATA[Guides]]></category>
		<category><![CDATA[Metrics data and research]]></category>
		<guid isPermaLink="false">https://theaudiencers.com/?p=50994</guid>

					<description><![CDATA[<p>Engagement isn’t a single metric to optimize — it reflects different reader needs and moments, where the same behavior can signal success or friction depending on context</p>
<p>The post <a href="https://theaudiencers.com/the-reader-who-left-your-article-early-might-be-your-most-engaged-user/">The reader who left your article early might be your most engaged user</a> appeared first on <a href="https://theaudiencers.com">Audiencers</a>.</p>
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<pre class="wp-block-verse"><a href="https://www.linkedin.com/in/regulamarti/" target="_blank" rel="noreferrer noopener">Regula Marti</a> helps media organizations navigate transformation at the intersection of editorial, product, technology, and business strategy.<br><br>In this article, Regula discusses how engagement isn’t a single metric to maximize — it reflects different reader needs and moments, where the same behavior can signal success or friction depending on context. She recommends moving beyond averages and article-level metrics to analyze engagement by audience segments and sessions, focusing on whether readers get what they came for and return.</pre>



<p class="wp-block-paragraph">Most publishers have more engagement data than ever — and still struggle to agree on what engagement actually means. The tools aren&#8217;t the problem. The problem is the assumption behind them.</p>



<p class="wp-block-paragraph">The assumption is this: engagement is one thing, and more of it is better. But engagement isn&#8217;t one thing. It&#8217;s the outcome of different reader behaviors, driven by different motivations.</p>



<h2 class="wp-block-heading">Same reader, different moments</h2>



<p class="wp-block-paragraph">Think about how you consume news. Some mornings you want a quick overview. Some evenings you want to go deep. Sometimes you&#8217;re browsing. Sometimes you want distraction.</p>



<p class="wp-block-paragraph">These aren&#8217;t different readers. They&#8217;re the same reader in different situations, with different needs.</p>



<p class="wp-block-paragraph">A short session can mean the reader got exactly what they needed. A long one can mean depth — or friction. High article counts can mean curiosity, or confusion. The same metric means something different depending on what the reader was trying to do. Without that context, you&#8217;re pattern-matching on behavior you don&#8217;t fully understand.</p>



<h2 class="wp-block-heading">Who you&#8217;re actually looking at</h2>



<p class="wp-block-paragraph">Here&#8217;s a pattern that shows up consistently across publisher data: a small group of heavy users (20+ visits per month) drives a disproportionate share of pageviews. A large flyby majority (one visit per month or fewer) makes up most of the audience but a tiny fraction of consumption. Frontpage clicks illustrate this well: they overrepresent heavy users. Optimizing for clicks risks building a homepage for the audience you already have, not the one you&#8217;re trying to grow.</p>



<p class="wp-block-paragraph">In between sit the loyal readers, visiting 2 to 20 times a month. They have a relationship with you but haven&#8217;t yet built a habit. They&#8217;re the most likely to convert and retain — and the easiest to overlook, because heavy users dominate the averages. The real movement happens here: turning flybys into returning readers, and loyals into heavys.</p>



<h2 class="wp-block-heading">What a summary feature taught us</h2>



<p class="wp-block-paragraph">Product decisions show what happens when you measure at the wrong level.</p>



<p class="wp-block-paragraph">When we introduced article summaries across our portfolio at Tamedia — short digests at the top to help readers decide whether to go deeper — the concern was obvious: readers would skim and leave. That&#8217;s partly what happened. Scroll depth dropped for some users.</p>



<p class="wp-block-paragraph">But at session level, something else emerged. Those readers went on to read more articles per visit, and overall session time increased. The summary helped them get oriented quickly and navigate to what mattered for them more in this moment.</p>



<p class="wp-block-paragraph">Other readers used it differently. After reading the summary, they were more likely to finish the full article. It gave them confidence it was worth their time.</p>



<p class="wp-block-paragraph">Two opposite behaviors at article level. Both positive at session level. Both pointing to the same outcome: a need met, and a higher likelihood to return.</p>



<p class="wp-block-paragraph">Segment awareness can also shape product design from the start. We kept our fast news format intentionally compact. Heavy users quickly find what they need, while the freed-up space showcases the differentiated content that loyals and flybys need to keep coming back.</p>



<h2 class="wp-block-heading">What this means for how you measure</h2>



<p class="wp-block-paragraph">The answer isn&#8217;t a more sophisticated metric. You need to be more deliberate about what you measure and why.</p>



<p class="wp-block-paragraph">Look at your segments separately in your analytics tool. The same metric tells a different story across them — and the average hides most of it. Track them over time: a single snapshot tells you little; the direction of travel tells you a lot.</p>



<p class="wp-block-paragraph">Article-level metrics will often mislead you. A reader can leave early and still have had a successful session. That&#8217;s why session-level metrics matter — but only when read together with segment data. A daily digest designed for quick orientation will show low time-on-page. That&#8217;s not underperformance — it&#8217;s the format working as intended. The right metric is whether those users come back the next day.</p>



<h2 class="wp-block-heading">Try this in your next team meeting</h2>



<p class="wp-block-paragraph">Start in your next team meeting. Pick one feature or format you&#8217;ve recently launched or are evaluating. Review its impact at article level, then at session level. Then ask: for which segment was this actually useful — and in which moment? A multi-format feature is a good example: a reader who skipped the article but listened to the audio version on their commute — possibly in a podcast app, invisible to your analytics — may well return the next morning. Low article engagement, high likelihood to come back.</p>



<p class="wp-block-paragraph">You&#8217;ll often find that what looks like low engagement in one view is exactly what success looks like in another.</p>



<p class="wp-block-paragraph">The reader who got what they came for is more likely to return. Design your metrics to capture that.</p>
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    <p>The post <a href="https://theaudiencers.com/the-reader-who-left-your-article-early-might-be-your-most-engaged-user/">The reader who left your article early might be your most engaged user</a> appeared first on <a href="https://theaudiencers.com">Audiencers</a>.</p>
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		<title>Beyond borders and between the lines: How swissinfo.ch engages a global audience in 10 languages</title>
		<link>https://theaudiencers.com/beyond-borders-and-between-the-lines-how-swissinfo-ch-engages-a-global-audience-in-10-languages/</link>
		
		<dc:creator><![CDATA[Madeleine White]]></dc:creator>
		<pubDate>Tue, 07 Apr 2026 07:38:23 +0000</pubDate>
				<category><![CDATA[Inspirations]]></category>
		<category><![CDATA[Case Studies]]></category>
		<category><![CDATA[Editorial work and products]]></category>
		<category><![CDATA[Engagement]]></category>
		<guid isPermaLink="false">https://theaudiencers.com/?p=50429</guid>

					<description><![CDATA[<p>The challenges of adaptation over translation, the role of community engagement across borders, &#038; product-building for different audiences.</p>
<p>The post <a href="https://theaudiencers.com/beyond-borders-and-between-the-lines-how-swissinfo-ch-engages-a-global-audience-in-10-languages/">Beyond borders and between the lines: How swissinfo.ch engages a global audience in 10 languages</a> appeared first on <a href="https://theaudiencers.com">Audiencers</a>.</p>
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<p class="wp-block-paragraph">In a country with 4 official languages, and in the complex landscape of international public service media, SWI swissinfo.ch is a pretty unique case (to say the least!).</p>



<p class="wp-block-paragraph">With a mandate to reach the Swiss diaspora and a globally curious audience, the publisher needs to navigate linguistic diversity and localized contexts, all digital- and community-first.&nbsp;</p>



<p class="wp-block-paragraph">Although you may not relate to their context, Swiss Info’s strategies to achieve all of the above certainly provide important lessons for the wider industry.&nbsp;</p>



<p class="wp-block-paragraph">We spoke with <strong><a href="https://www.linkedin.com/in/veronica-devore-20252743/" target="_blank" rel="noreferrer noopener">Veronica DeVore</a></strong>, Head of Audience, to discuss the operational and editorial challenges of adaptation over translation, the role of community engagement across borders, and product-building for different audiences.</p>



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  <pre class="ta-text">&gt; SWI swissinfo.ch, the international service of the Swiss Broadcasting Corporation, publishes in 10 languages with roughly three journalists per service and 75% of its audience outside Switzerland

&gt; The teams adapt rather than translate. Explaining the Swiss Federal Council, which has no single president, to a Chinese audience means inventing lexicons and style guides, not swapping words

&gt; A debate format replaced comment sections five years ago, with journalists posing specific themed questions. Auto-translation inside threads lets a reader in Brazil and one in Russia argue in their own languages

&gt; Products follow distribution constraints rather than the org chart. With the website partially blocked in Russia, the Russian edition leans on hour-long YouTube interviews instead

&gt; AI does the translation lifting, but a strict human-in-the-loop policy and published disclaimers protect the thing they actually trade on, which is trust</pre>
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<h2 class="wp-block-heading">Company card</h2>



<p class="wp-block-paragraph">SWI swissinfo.ch is the international online service of the Swiss Broadcasting Corporation (SBC).<br><br>For many national broadcasters, the &#8220;international service&#8221; is often a secondary consideration. At <strong>SWI swissinfo.ch</strong>, it’s their core mission. Operating in <strong>10 languages</strong>, ranging from the four Swiss national languages to English, Arabic, Chinese, and Russian, the platform serves as a bridge between Swiss perspectives and global conversations, with about 75% of audiences located abroad.<br><br><em>“Our content puts Switzerland in touch with the world and reaches people in all 195 countries recognised by the United Nations.</em><br><br><em>Thanks to our journalistic quality, our articles are referenced up to 80 times a week in 46 languages and serve as a reliable source not only for diplomatic services and journalists abroad.”</em> &#8211; <a href="https://www.swissinfo.ch/eng/about-us/a-bridge-to-switzerland/47918578">Swissinfo.ch</a></p>



<h2 class="wp-block-heading">Tapping into global touchpoints&nbsp;</h2>



<p class="wp-block-paragraph">It’s part of the uniqueness of Swiss info and also part of the challenge: doing right by all of these language markets whilst bringing perspectives from Switzerland. That means reporting always has some touchpoint to Switzerland, but the team looks for points where it’s an internationally relevant conversation.&nbsp;        <div
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<p class="wp-block-paragraph"><em>&#8220;We aim to be at the intersection of where Switzerland has an impact on global conversations,&#8221;</em> says DeVore. <em>&#8220;Whether it’s the pharma companies operating out of Basel, the diplomatic hub of Geneva, or the unique system of Swiss direct democracy, we look for touchpoints that resonate internationally.&#8221;</em></p>



<figure class="wp-block-image size-large"><img data-dominant-color="f9f1f2" data-has-transparency="true" style="--dominant-color: #f9f1f2;" loading="lazy" decoding="async" width="1024" height="741" sizes="(max-width: 1024px) 100vw, 1024px" src="https://theaudiencers.com/wp-content/uploads/2026/03/image-15-1024x741.png" alt="7 languages of swissinfo" class="wp-image-50430 has-transparency" srcset="https://theaudiencers.com/wp-content/uploads/2026/03/image-15-1024x741.png 1024w, https://theaudiencers.com/wp-content/uploads/2026/03/image-15-300x217.png 300w, https://theaudiencers.com/wp-content/uploads/2026/03/image-15-768x556.png 768w, https://theaudiencers.com/wp-content/uploads/2026/03/image-15-332x240.png 332w, https://theaudiencers.com/wp-content/uploads/2026/03/image-15-664x481.png 664w, https://theaudiencers.com/wp-content/uploads/2026/03/image-15-688x498.png 688w, https://theaudiencers.com/wp-content/uploads/2026/03/image-15-1044x756.png 1044w, https://theaudiencers.com/wp-content/uploads/2026/03/image-15.png 1238w" /></figure>



<h2 class="wp-block-heading">Adaptation over simple translation</h2>



<p class="wp-block-paragraph">One of the most striking aspects of the swissinfo.ch workflow is the move beyond literal translation. Instead, the team practices <strong>adaptation</strong>.</p>



<p class="wp-block-paragraph">With small teams of roughly three people per language service, journalists must act as cultural mediators. <em>&#8220;It’s not just translating from English to Chinese &#8211; you have to adapt for the context and the market. For example, how do you explain the Swiss Federal Council, a body that has no single president, to an audience in China? Our teams often have to invent lexicons and style guides to transmit these unique political concepts effectively.&#8221;</em></p>



<h2 class="wp-block-heading">Deep engagement through debating</h2>



<p class="wp-block-paragraph">Moving away from a traditional broadcast model, swissinfo.ch has pivoted toward community building to bring these diverse audiences together. Five years ago, they launched a <strong>debate format</strong> to replace standard comment sections.&nbsp;</p>



<p class="wp-block-paragraph">Instead of readers commenting in their own language, often sharing information that didn’t really serve anyone’s needs (not to mention the necessity to moderate heavily), journalists now pose specific, theme-based questions seated in a theme currently being explored.&nbsp;</p>



<figure class="wp-block-image size-large"><img data-dominant-color="ebf0f5" data-has-transparency="true" style="--dominant-color: #ebf0f5;" loading="lazy" decoding="async" width="1024" height="493" sizes="(max-width: 1024px) 100vw, 1024px" src="https://theaudiencers.com/wp-content/uploads/2026/03/image-16-1024x493.png" alt="Swissinfo debates" class="wp-image-50432 has-transparency" srcset="https://theaudiencers.com/wp-content/uploads/2026/03/image-16-1024x493.png 1024w, https://theaudiencers.com/wp-content/uploads/2026/03/image-16-300x144.png 300w, https://theaudiencers.com/wp-content/uploads/2026/03/image-16-768x369.png 768w, https://theaudiencers.com/wp-content/uploads/2026/03/image-16-1536x739.png 1536w, https://theaudiencers.com/wp-content/uploads/2026/03/image-16-332x160.png 332w, https://theaudiencers.com/wp-content/uploads/2026/03/image-16-664x319.png 664w, https://theaudiencers.com/wp-content/uploads/2026/03/image-16-688x331.png 688w, https://theaudiencers.com/wp-content/uploads/2026/03/image-16-1044x502.png 1044w, https://theaudiencers.com/wp-content/uploads/2026/03/image-16-1400x673.png 1400w, https://theaudiencers.com/wp-content/uploads/2026/03/image-16-1920x923.png 1920w, https://theaudiencers.com/wp-content/uploads/2026/03/image-16.png 2048w" /></figure>



<p class="wp-block-paragraph">To solve the problem of linguistic silos, they implemented <strong>auto-translation</strong> within threads, usually using Deepl but not only. The best tool/LLM is chosen per language depending on the feedback of the editors. This allows a reader in Brazil to engage in a conversation with a reader in Russia, both viewing the thread in their native language.</p>



<p class="wp-block-paragraph">This focus on dialogue has led to long-running, nuanced discussions on high-stakes topics like <strong>Swiss neutrality</strong>, which DeVore notes has seen consistent engagement for over a year following the invasion of Ukraine.</p>



<p class="wp-block-paragraph"><em>“On some topics, we get really interesting, nuanced, and sometimes surprising threads going, for instance on things like Swiss neutrality. Of course, it’s a hallmark of Switzerland; people think of that quite quickly alongside cheese and chocolate and army knives when they think of the country, but what does it really mean in practice? Especially after the Ukraine war started. And this thread has had hundreds and hundreds, an evergreen comment section that’s been going for a year or more.”</em></p>



<figure class="wp-block-image size-large"><img data-dominant-color="d6e7f3" data-has-transparency="false" style="--dominant-color: #d6e7f3;" loading="lazy" decoding="async" width="1024" height="714" sizes="(max-width: 1024px) 100vw, 1024px" src="https://theaudiencers.com/wp-content/uploads/2026/03/image-17-1024x714.jpg" alt="swissinfo.ch debates" class="wp-image-50434 not-transparent" srcset="https://theaudiencers.com/wp-content/uploads/2026/03/image-17-1024x714.jpg 1024w, https://theaudiencers.com/wp-content/uploads/2026/03/image-17-300x209.jpg 300w, https://theaudiencers.com/wp-content/uploads/2026/03/image-17-768x536.jpg 768w, https://theaudiencers.com/wp-content/uploads/2026/03/image-17-1536x1071.jpg 1536w, https://theaudiencers.com/wp-content/uploads/2026/03/image-17-332x232.jpg 332w, https://theaudiencers.com/wp-content/uploads/2026/03/image-17-664x463.jpg 664w, https://theaudiencers.com/wp-content/uploads/2026/03/image-17-688x480.jpg 688w, https://theaudiencers.com/wp-content/uploads/2026/03/image-17-1044x728.jpg 1044w, https://theaudiencers.com/wp-content/uploads/2026/03/image-17-1400x976.jpg 1400w, https://theaudiencers.com/wp-content/uploads/2026/03/image-17.jpg 1884w" /></figure>



<h2 class="wp-block-heading">Products for niche needs</h2>



<p class="wp-block-paragraph">SWI swissinfo.ch also develops <strong>bespoke products for specific audience segments</strong>. Of course, part of their niche is the Swiss connection, but at the same time they’re trying to fill gaps in people’s media needs in markets where accessibility isn’t exactly a given, or where content might be behind paywalls.</p>



<ul class="wp-block-list">
<li><strong>The SWI Plus App:</strong> Tailored for the Swiss diaspora (over 800,000 citizens living abroad), allowing them to personalize their news feed across multiple languages</li>
</ul>



<figure class="wp-block-image size-full"><img data-dominant-color="bc9192" data-has-transparency="false" style="--dominant-color: #bc9192;" loading="lazy" decoding="async" width="880" height="586" sizes="(max-width: 880px) 100vw, 880px" src="https://theaudiencers.com/wp-content/uploads/2026/03/image-17-1.jpg" alt="The SWI Plus app" class="wp-image-50436 not-transparent" srcset="https://theaudiencers.com/wp-content/uploads/2026/03/image-17-1.jpg 880w, https://theaudiencers.com/wp-content/uploads/2026/03/image-17-1-300x200.jpg 300w, https://theaudiencers.com/wp-content/uploads/2026/03/image-17-1-768x511.jpg 768w, https://theaudiencers.com/wp-content/uploads/2026/03/image-17-1-332x221.jpg 332w, https://theaudiencers.com/wp-content/uploads/2026/03/image-17-1-664x442.jpg 664w, https://theaudiencers.com/wp-content/uploads/2026/03/image-17-1-688x458.jpg 688w" /></figure>



<ul class="wp-block-list">
<li><strong>The Russian Edition:</strong> Recognizing that their website is partially blocked in Russia, the team has leaned into video-based platforms like YouTube, producing long-form, one-on-one interviews (up to an hour) to provide in-depth context to Russian speakers</li>



<li><strong>‘Truth or Tale’:</strong> A short-form video series focused on myth-busting common misconceptions about Switzerland, designed for social media discovery</li>
</ul>



<h2 class="wp-block-heading">Trust in the age of AI</h2>



<p class="wp-block-paragraph">As a publicly funded media outlet, trust is the currency swissinfo.ch relies on. DeVore highlights their involvement with a recent research cohort piloted by the US-based nonprofit&nbsp; <strong>Trusting News</strong>, which helped them understand audience needs around AI transparency and develop &#8220;disclaimers&#8221; regarding the use of AI.</p>



<p class="wp-block-paragraph"><em>&#8220;We are a niche media with an international footprint, which makes it even more important to show people at a glance that we are trustworthy.&#8221; </em>While the organization uses AI for translation assistance and other tasks to manage resource limitations, they maintain a strict &#8220;human-in-the-loop&#8221; policy to ensure cultural accuracy and editorial integrity.</p>


<div class="wp-block-image">
<figure class="aligncenter size-full is-resized"><img data-dominant-color="e7cfd3" data-has-transparency="true" loading="lazy" decoding="async" width="596" height="446" sizes="(max-width: 596px) 100vw, 596px" src="https://theaudiencers.com/wp-content/uploads/2026/03/image-17.png" alt="Select your language on swissinfo" class="wp-image-50438 has-transparency" style="--dominant-color: #e7cfd3; aspect-ratio:1.336380635778101;width:286px;height:auto" srcset="https://theaudiencers.com/wp-content/uploads/2026/03/image-17.png 596w, https://theaudiencers.com/wp-content/uploads/2026/03/image-17-300x224.png 300w, https://theaudiencers.com/wp-content/uploads/2026/03/image-17-332x248.png 332w" /></figure>
</div>

<div class="wp-block-image">
<figure class="aligncenter size-large is-resized"><img data-dominant-color="eeebec" data-has-transparency="true" loading="lazy" decoding="async" width="1024" height="530" sizes="(max-width: 1024px) 100vw, 1024px" src="https://theaudiencers.com/wp-content/uploads/2026/03/image-18-1024x530.png" alt="How we translate with AI at Swissinfo.ch" class="wp-image-50440 has-transparency" style="--dominant-color: #eeebec; aspect-ratio:1.9313974910079832;width:550px;height:auto" srcset="https://theaudiencers.com/wp-content/uploads/2026/03/image-18-1024x530.png 1024w, https://theaudiencers.com/wp-content/uploads/2026/03/image-18-300x155.png 300w, https://theaudiencers.com/wp-content/uploads/2026/03/image-18-768x398.png 768w, https://theaudiencers.com/wp-content/uploads/2026/03/image-18-332x172.png 332w, https://theaudiencers.com/wp-content/uploads/2026/03/image-18-664x344.png 664w, https://theaudiencers.com/wp-content/uploads/2026/03/image-18-688x356.png 688w, https://theaudiencers.com/wp-content/uploads/2026/03/image-18-1044x541.png 1044w, https://theaudiencers.com/wp-content/uploads/2026/03/image-18.png 1182w" /></figure>
</div>


<p class="wp-block-paragraph">&gt; <a href="https://theaudiencers.com/profitable-by-2026-the-business-logic-behind-le-monde-in-english/" target="_blank" rel="noreferrer noopener">If you&#8217;re working on a similar strategy, you&#8217;ll also be interested in hearing about the business logic behind Le Monde in English</a></p>



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    <p>The post <a href="https://theaudiencers.com/beyond-borders-and-between-the-lines-how-swissinfo-ch-engages-a-global-audience-in-10-languages/">Beyond borders and between the lines: How swissinfo.ch engages a global audience in 10 languages</a> appeared first on <a href="https://theaudiencers.com">Audiencers</a>.</p>
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